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One of the rare cinematographers to achieve name recognition, Conrad L. Hall became one of the most revered lensmen in post-1960 Hollywood for work ranging from In Cold Blood's (1967) stark monochrome to the burnished color reveries of Butch Cassidy and the Sundance Kid (1969) and The Day of the Locust (1975), American Beauty's (1999) pristine suburbia, and finally Road to Perdition's (2002)...