Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
The near-imperceptible finesse of Abby's characterization reflects writer-director Stacie Passon's effortless, interesting mix of richness and economy. Read full review
A bold film anchored by Weigert's impressive lead performance. Read full review
It is Weigert's performance that gives the film its mystery and charge. Playing seriously with identity, she draws the viewer ever closer. The way she never reveals everything is electrifying. Read full review
This is a frequently titillating film, and Weigert can’t help but add dimensions to that onscreen intimacy and vivid exploration of intimacy, not just seduction but also the shared sensuality of a post-coital chat. Read full review
Concussion deserves more of an audience than just the film festival circuit. And it’s not just an introduction to a writer-director with talent, but to a slew of under-employed and superb actresses, and the hunky Tchaikovsky. Read full review
Although Weigert is convincing as Abby, Passon's attitude toward the character is hazy. Read full review
A fine sense of yuppie suffocation—Spin-class listlessness and workaholic disconnection—sets up this indie as a potential suburban satire. Read full review
Ms. Passon ultimately seems to skirt some of the larger life questions hinted at along the way. Read full review
Acquitting herself capably in a lead role that strips her bare in more ways than one, Robin Weigert (HBO’s “Deadwood”) proves worthy of a future in features, whereas first-time writer-director Stacie Passon mainly exposes her background in commercials. Read full review
Its characters are all too easily determined but never specific—or memorable. Read full review
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