Chicago Sun-Times

By Roger Ebert
It's not the kind of movie that depends on the certainty of an ending. It's more about how things continue.
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The Globe and Mail (Toronto)

By Liam Lacey
Chloe is director Atom Egoyan’s foray into the realm of what might be called artful trash. This is a high-toned erotic thriller, handled with style and some emotionally raw scenes, aiming for an effect that’s pleasingly unnerving, if not outright arousing.
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San Francisco Chronicle

By Mick LaSalle
The success of Chloe is largely due to the contribution of screenwriter Erin Cressida Wilson.
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The Hollywood Reporter

By Michael Rechtshaffen
Moore and Neeson beautifully underplay their roles, lending screenwriter Erin Cressida Wilson's ("Secretary") dialogue an unexpected, palpable poignancy.
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Philadelphia Inquirer

By Carrie Rickey
There are two questions to ask about a film such as Chloe: Is it erotic? Yes. Is it good? Yes, until it devolves into third-act pretentiousness and preposterousness.
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Rolling Stone

By Peter Travers
I didn't believe a word of it.
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By Mark Jenkins
But c'mon! Erotic obsession, catfights, naked chicks making out -- at heart Chloe is a midnight movie, and all the Vivaldi in the world can't change that.
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Entertainment Weekly

By Owen Gleiberman
The film is Moore's story, and she acts the hell out of one sexy scene, but most of Chloe is plodding and drab.
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Boston Globe

By Janice Page
It can’t be recommended even to people who mostly just want to see Amanda Seyfried naked.
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New York Daily News

By Elizabeth Weitzman
A tacky 'Fatal Attraction' for the lesbian set.
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48 out of 100
Mixed or average reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.