88

Chicago Sun-Times

By Roger Ebert
It's not the kind of movie that depends on the certainty of an ending. It's more about how things continue.
Full Review
75

The Globe and Mail (Toronto)

By Liam Lacey
Chloe is director Atom Egoyan’s foray into the realm of what might be called artful trash. This is a high-toned erotic thriller, handled with style and some emotionally raw scenes, aiming for an effect that’s pleasingly unnerving, if not outright arousing.
Full Review
75

San Francisco Chronicle

By Mick LaSalle
The success of Chloe is largely due to the contribution of screenwriter Erin Cressida Wilson.
Full Review
70

The Hollywood Reporter

By Michael Rechtshaffen
Moore and Neeson beautifully underplay their roles, lending screenwriter Erin Cressida Wilson's ("Secretary") dialogue an unexpected, palpable poignancy.
Full Review
63

Philadelphia Inquirer

By Carrie Rickey
There are two questions to ask about a film such as Chloe: Is it erotic? Yes. Is it good? Yes, until it devolves into third-act pretentiousness and preposterousness.
Full Review
50

Rolling Stone

By Peter Travers
I didn't believe a word of it.
Full Review
50

NPR

By Mark Jenkins
But c'mon! Erotic obsession, catfights, naked chicks making out -- at heart Chloe is a midnight movie, and all the Vivaldi in the world can't change that.
Full Review
50

Entertainment Weekly

By Owen Gleiberman
The film is Moore's story, and she acts the hell out of one sexy scene, but most of Chloe is plodding and drab.
Full Review
38

Boston Globe

By Janice Page
It can’t be recommended even to people who mostly just want to see Amanda Seyfried naked.
Full Review
20

New York Daily News

By Elizabeth Weitzman
A tacky 'Fatal Attraction' for the lesbian set.
Full Review
48 out of 100
Mixed or average reviews
Metascore® based on all critic reviews. Scores range from 0 to 100, with higher scores indicating more favorable reviews.