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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
A disturbing film about grim subject matter, but the overall experience is more exhilarating than saddening. There's just something satisfying about seeing a movie so well made. Read full review
Emotionally powerful and stylistically sure-handed, this true story-inspired drama begins small with the disappearance of a young boy, only to gradually fan out to become a comprehensive critique of the entire power structure of Los Angeles, circa 1928. Read full review
In Changeling Eastwood continues to probe uncomfortable subjects to depict the individual and even existential struggle to do what is right. Read full review
Jolie, Malkovich and Geoff Pierson, as a lawyer who takes Collins' case before the Police Board, are very good at what they do very well. The film's most riveting performance is by Jason Butler Harner as the murderous Gordon Northcott. Read full review
Jolie is inspired casting. She plays the role like a gathering storm, moving from terror to a fierce resolve. And Eastwood, at the peak of his artful powers, tightens the screws of suspense without ever forgetting where the heart of his film lies. Read full review
In other hands, these clashes of good and evil might have seemed ordinary, but Eastwood makes Changeling a hard story to shake off. To see this film is to understand both how fragile and how essential our hopes for decency and truth are in a world that must be made to care about either one. Read full review
While the neo-Gothic tale is inherently intriguing, the film should inspire strong emotion, but deliberate pacing and a contained sense of melodrama make it a surprisingly passive experience. Read full review
Despite a mysterious title, Changeling isn't a mystery. It is, occasionally, agony. Read full review
The trouble with Changeling is that it plays less like reality than like a bare-bones, moralistic rehash of other, better movies, such as "L.A. Confidential" or "Frances." Read full review
The truth about the case of Christine Collins is so shocking and dramatic that embellishment must have seemed pointless, but in sticking so close to the historical record, Mr. Straczynski and Mr. Eastwood have produced a distended, awkward narrative whose strongest themes are lost in the murky pomp of period detail. Read full review
5.0
Dave White Profile
...this is a good one. Read full review