|
Loyal Griggs (Cinematographer)
|
The Buccaneer
|
1958
|
|
Edith Head (Costume Designer)
|
The Buccaneer
|
1958
|
|
Anthony Quinn (Director)
|
The Buccaneer
|
1958
|
|
Cecil B. DeMille (Executive Producer)
|
The Buccaneer
|
1958
|
|
Henry Wilcoxon (Producer)
|
The Buccaneer
|
1958
|
|
Norman Z. McLeod (Director)
|
Jackass Mail
|
1942
|
|
Clyde de Vinna (Cinematographer)
|
Jackass Mail
|
1942
|
|
Cedric Gibbons (Art Director)
|
Jackass Mail
|
1942
|
|
Hans Dreier (Art Director)
|
Northwest Mounted Police
|
1940
|
|
Cecil B. DeMille (Director)
|
Northwest Mounted Police
|
1940
|
|
Cecil B. DeMille (Producer)
|
Northwest Mounted Police
|
1940
|
|
William Le Baron (Executive Producer)
|
Northwest Mounted Police
|
1940
|
|
Cecil B. DeMille (Producer)
|
Union Pacific
|
1939
|
|
William Le Baron (Executive Producer)
|
Union Pacific
|
1939
|
|
Cecil B. DeMille (Director)
|
Union Pacific
|
1939
|
|
Hans Dreier (Art Director)
|
Union Pacific
|
1939
|
|
Cecil B. DeMille (Director)
|
The Buccaneer
|
1938
|
|
Cecil B. DeMille (Producer)
|
The Buccaneer
|
1938
|
|
Anthony Veiller (Producer)
|
Car 99
|
1935
|
|
Charles Barton (Director)
|
Car 99
|
1935
|
|
H. Bruce Humberstone (Director)
|
Three Live Ghosts
|
1935
|
|
James Wong Howe (Cinematographer)
|
Three Live Ghosts
|
1935
|
|
Cedric Gibbons (Art Director)
|
Men Must Fight
|
1933
|
|
Cedric Gibbons (Art Director)
|
The Huddle
|
1932
|
|
Adrian (Costume Designer)
|
The Huddle
|
1932
|
|
Sam Wood (Director)
|
The Huddle
|
1932
|
|
Sam Wood (Producer)
|
The Huddle
|
1932
|
|
Cedric Gibbons (Art Director)
|
Skyscraper Souls
|
1932
|
|
William H. Daniels (Cinematographer)
|
Skyscraper Souls
|
1932
|
|
Margaret Booth (Editor)
|
Strange Interlude
|
1932
|
|
Irving G. Thalberg (Producer)
|
Strange Interlude
|
1932
|
|
Robert Z. Leonard (Director)
|
Strange Interlude
|
1932
|
|
Cedric Gibbons (Art Director)
|
Strange Interlude
|
1932
|
|
Adrian (Costume Designer)
|
Strange Interlude
|
1932
|
|
Harold Hal Rosson (Cinematographer)
|
The Cuban Love Song
|
1931
|
|
W.S. Van Dyke (Director)
|
The Cuban Love Song
|
1931
|
|
Margaret Booth (Editor)
|
The Cuban Love Song
|
1931
|
|
Albert Lewin (Producer)
|
The Cuban Love Song
|
1931
|
|
Roland West (Director)
|
Alibi
|
1929
|
|
William Cameron Menzies (Art Director)
|
Alibi
|
1929
|
|
Roland West (Producer)
|
Alibi
|
1929
|
|
George Barnes (Cinematographer)
|
Sadie Thompson
|
1928
|
|
Gloria Swanson (Producer)
|
Sadie Thompson
|
1928
|
|
William Cameron Menzies (Director)
|
Sadie Thompson
|
1928
|
|
Raoul Walsh (Director)
|
Sadie Thompson
|
1928
|
|
William Cameron Menzies (Art Director)
|
Tempest
|
1928
|
|
Charles Rosher Sr. (Cinematographer)
|
Tempest
|
1928
|
|
William Cameron Menzies (Art Director)
|
Woman Disputed
|
1928
|
|
Oliver Marsh (Cinematographer)
|
Woman Disputed
|
1928
|
|
Joseph M. Schenck (Producer)
|
Woman Disputed
|
1928
|
|
Henry King (Director)
|
Woman Disputed
|
1928
|
|
William Howard (Director)
|
White Gold
|
1927
|
|
Anton Grot (Art Director)
|
White Gold
|
1927
|
|
Lucien Andriot (Cinematographer)
|
White Gold
|
1927
|
|
Cecil B. DeMille (Producer)
|
The Yankee Clipper
|
1927
|
|
Rupert Julian (Producer)
|
The Yankee Clipper
|
1927
|
|
Rupert Julian (Director)
|
The Yankee Clipper
|
1927
|
|
Paul H. Sloan (Director)
|
The Clinging Vine
|
1926
|
|
Paul H. Sloan (Director)
|
Corporal Kate
|
1926
|
|
Lucien Andriot (Cinematographer)
|
Gigolo
|
1926
|
|
William Howard (Director)
|
Gigolo
|
1926
|
|
Charles Rosher Sr. (Cinematographer)
|
Sparrows
|
1926
|
|
Karl Struss (Cinematographer)
|
Sparrows
|
1926
|
|
Hal Mohr (Cinematographer)
|
Sparrows
|
1926
|
|
William Beaudine (Director)
|
Sparrows
|
1926
|
|
Mary Pickford (Producer)
|
Sparrows
|
1926
|
|
Rupert Julian (Director)
|
Three Faces East
|
1926
|
|
John Ince (Director)
|
If Marriage Fails
|
1925
|
|
Roland West (Director)
|
The Monster
|
1925
|
|
Hal Mohr (Cinematographer)
|
The Monster
|
1925
|
|
Joseph H. August (Cinematographer)
|
Tumbleweeds
|
1925
|
|
William S. Hart (Director)
|
Tumbleweeds
|
1925
|
|
King Baggot (Director)
|
Tumbleweeds
|
1925
|
|
William S. Hart (Producer)
|
Tumbleweeds
|
1925
|
|
Chester M. Franklin (Director)
|
Wild Justice
|
1925
|
|
John Ince (Director)
|
Cheap Kisses
|
1924
|
|
Jerome Storm (Director)
|
The Goldfish
|
1924
|
|
Thomas Ince (Producer)
|
Idle Tongues
|
1924
|
|
William Beaudine (Director)
|
Wandering Husbands
|
1924
|
|
Norbert F. Brodin (Cinematographer)
|
Dulcy
|
1923
|
|
Victor Schertzinger (Director)
|
Long Live the King
|
1923
|
|
Thomas Ince (Producer)
|
Soul of the Beast
|
1923
|
|
Louis B. Mayer (Producer)
|
Strangers of the Night
|
1923
|
|
Fred Niblo (Producer)
|
Strangers of the Night
|
1923
|
|
Fred Niblo (Director)
|
Strangers of the Night
|
1923
|
|
Thomas Ince (Producer)
|
Hail the Woman
|
1921
|
|
Fred Niblo (Director)
|
Hairpins
|
1920
|
|
Thomas Ince (Producer)
|
Hairpins
|
1920
|
|
George Barnes (Cinematographer)
|
Hairpins
|
1920
|
|
Fred Niblo (Director)
|
Sex
|
1920
|
|
William S. Hart (Director)
|
The Poppy Girl's Husband
|
1919
|
|
Joseph H. August (Cinematographer)
|
The Poppy Girl's Husband
|
1919
|
|
William S. Hart (Producer)
|
The Poppy Girl's Husband
|
1919
|
|
Joseph H. August (Cinematographer)
|
Branding Broadway
|
1918
|
|
William S. Hart (Director)
|
Branding Broadway
|
1918
|
|
Jerome Storm (Director)
|
Naughty, Naughty
|
1918
|
|
Fred Niblo (Director)
|
When Do We Eat?
|
1918
|
|
Victor Schertzinger (Director)
|
The Pinch Hitter
|
1917
|
|
Thomas Ince (Producer)
|
The Aryan
|
1916
|
|
Joseph H. August (Cinematographer)
|
The Aryan
|
1916
|
|
William S. Hart (Director)
|
Between Men
|
1916
|
|
Joseph H. August (Cinematographer)
|
Between Men
|
1916
|
|
Thomas Ince (Producer)
|
Between Men
|
1916
|
|
Thomas Ince (Producer)
|
Civilization
|
1916
|
|
Thomas Ince (Director)
|
Civilization
|
1916
|
|
Irvin V. Willat (Cinematographer)
|
Civilization
|
1916
|
|
Clyde de Vinna (Cinematographer)
|
Civilization
|
1916
|
|
Joseph H. August (Art Director)
|
Civilization
|
1916
|
|
Joseph H. August (Cinematographer)
|
Civilization
|
1916
|
|
Clyde de Vinna (Cinematographer)
|
A Corner in Colleens
|
1916
|
|
Joseph H. August (Cinematographer)
|
Dawn Maker
|
1916
|
|
William S. Hart (Director)
|
Dawn Maker
|
1916
|
|
Thomas Ince (Producer)
|
Dawn Maker
|
1916
|
|
William S. Hart (Director)
|
Hell's Hinges
|
1916
|
|
Thomas Ince (Producer)
|
Hell's Hinges
|
1916
|
|
Joseph H. August (Cinematographer)
|
Hell's Hinges
|
1916
|
|
Joseph H. August (Cinematographer)
|
The Return of Draw Egan
|
1916
|
|
William S. Hart (Director)
|
The Return of Draw Egan
|
1916
|
|
Thomas Ince (Producer)
|
The Return of Draw Egan
|
1916
|
|
Thomas Ince (Producer)
|
The Italian
|
1915
|
|
Thomas Ince (Director)
|
Battle of Gettysburg
|
1914
|
|
Thomas Ince (Producer)
|
The Wrath of the Gods
|
1914
|
|
Thomas Ince (Director)
|
The Altar of Death
|
1912
|
|
Thomas Ince (Director)
|
The Invaders
|
1912
|
|
Thomas Ince (Producer)
|
The Invaders
|
1912
|