|
Sam Zimbalist (Producer)
|
The Catered Affair
|
1956
|
|
Richard Brooks (Director)
|
The Catered Affair
|
1956
|
|
Edwin H. Knopf (Producer)
|
Gaby
|
1956
|
|
Charles Walters (Director)
|
High Society
|
1956
|
|
Sol C. Siegel (Producer)
|
High Society
|
1956
|
|
Charles Walters (Choreography)
|
High Society
|
1956
|
|
Gene Kelly (Choreography)
|
Invitation to the Dance
|
1956
|
|
Arthur Freed (Producer)
|
Invitation to the Dance
|
1956
|
|
Freddie Young (Cinematographer)
|
Invitation to the Dance
|
1956
|
|
Gene Kelly (Director)
|
Invitation to the Dance
|
1956
|
|
Dore Schary (Producer)
|
The Last Hunt
|
1956
|
|
Richard Brooks (Director)
|
The Last Hunt
|
1956
|
|
John Houseman (Producer)
|
Lust for Life
|
1956
|
|
Freddie Young (Cinematographer)
|
Lust for Life
|
1956
|
|
Vincente Minnelli (Director)
|
Lust for Life
|
1956
|
|
Roy Rowland (Director)
|
Meet Me in Las Vegas
|
1956
|
|
Hermes Pan (Choreography)
|
Meet Me in Las Vegas
|
1956
|
|
Joe Pasternak (Producer)
|
Meet Me in Las Vegas
|
1956
|
|
Joe Pasternak (Producer)
|
The Opposite Sex
|
1956
|
|
Harold Kress (Editor)
|
The Rack
|
1956
|
|
Arthur E. Arling (Cinematographer)
|
Ransom
|
1956
|
|
Robert Wise (Director)
|
Somebody Up There Likes Me
|
1956
|
|
Dore Schary (Producer)
|
The Swan
|
1956
|
|
Robert Surtees (Cinematographer)
|
The Swan
|
1956
|
|
Charles Vidor (Director)
|
The Swan
|
1956
|
|
Roy Rowland (Director)
|
These Wilder Years
|
1956
|
|
Sam Zimbalist (Producer)
|
Tribute to a Badman
|
1956
|
|
Robert Surtees (Cinematographer)
|
Tribute to a Badman
|
1956
|
|
Robert Wise (Director)
|
Tribute to a Badman
|
1956
|
|
Dore Schary (Producer)
|
Bad Day at Black Rock
|
1955
|
|
John Sturges (Director)
|
Bad Day at Black Rock
|
1955
|
|
Pandro S. Berman (Producer)
|
Blackboard Jungle
|
1955
|
|
Richard Brooks (Director)
|
Blackboard Jungle
|
1955
|
|
Edwin H. Knopf (Producer)
|
Diane
|
1955
|
|
Arthur E. Arling (Cinematographer)
|
The Glass Slipper
|
1955
|
|
Charles Walters (Director)
|
The Glass Slipper
|
1955
|
|
Edwin H. Knopf (Producer)
|
The Glass Slipper
|
1955
|
|
Hermes Pan (Choreography)
|
Hit the Deck
|
1955
|
|
Joe Pasternak (Producer)
|
Hit the Deck
|
1955
|
|
Roy Rowland (Director)
|
Hit the Deck
|
1955
|
|
Daniel Mann (Director)
|
I'll Cry Tomorrow
|
1955
|
|
Arthur E. Arling (Cinematographer)
|
I'll Cry Tomorrow
|
1955
|
|
Harold Kress (Editor)
|
I'll Cry Tomorrow
|
1955
|
|
Jack Cummings (Producer)
|
Interrupted Melody
|
1955
|
|
Stanley Donen (Choreography)
|
It's Always Fair Weather
|
1955
|
|
Arthur Freed (Producer)
|
It's Always Fair Weather
|
1955
|
|
Gene Kelly (Director)
|
It's Always Fair Weather
|
1955
|
|
Gene Kelly (Choreography)
|
It's Always Fair Weather
|
1955
|
|
Stanley Donen (Director)
|
It's Always Fair Weather
|
1955
|
|
Robert Z. Leonard (Director)
|
The King's Thief
|
1955
|
|
Edwin H. Knopf (Producer)
|
The King's Thief
|
1955
|
|
Vincente Minnelli (Director)
|
Kismet
|
1955
|
|
Arthur Freed (Producer)
|
Kismet
|
1955
|
|
Arthur E. Arling (Cinematographer)
|
Love Me or Leave Me
|
1955
|
|
Joe Pasternak (Producer)
|
Love Me or Leave Me
|
1955
|
|
Charles Vidor (Director)
|
Love Me or Leave Me
|
1955
|
|
John F. Seitz (Cinematographer)
|
Many Rivers to Cross
|
1955
|
|
Jack Cummings (Producer)
|
Many Rivers to Cross
|
1955
|
|
Roy Rowland (Director)
|
Many Rivers to Cross
|
1955
|
|
Fritz Lang (Director)
|
Moonfleet
|
1955
|
|
John Houseman (Producer)
|
Moonfleet
|
1955
|
|
Harold Kress (Editor)
|
The Prodigal
|
1955
|
|
Richard Thorpe (Director)
|
The Prodigal
|
1955
|
|
John Sturges (Director)
|
The Scarlet Coat
|
1955
|
|
Charles Walters (Director)
|
The Tender Trap
|
1955
|
|
Robert Surtees (Cinematographer)
|
Trial
|
1955
|
|
Mark Robson (Director)
|
Trial
|
1955
|
|
Arthur Freed (Producer)
|
Brigadoon
|
1954
|
|
Gene Kelly (Choreography)
|
Brigadoon
|
1954
|
|
Vincente Minnelli (Director)
|
Brigadoon
|
1954
|
|
Irene Sharaff (Costume Designer)
|
Brigadoon
|
1954
|
|
Stanley Donen (Director)
|
Deep in My Heart
|
1954
|
|
John Houseman (Producer)
|
Executive Suite
|
1954
|
|
Robert Wise (Director)
|
Executive Suite
|
1954
|
|
Harold Kress (Editor)
|
Green Fire
|
1954
|
|
Andrew Marton (Director)
|
Green Fire
|
1954
|
|
John Houseman (Producer)
|
Her Twelve Men
|
1954
|
|
Robert Z. Leonard (Director)
|
Her Twelve Men
|
1954
|
|
Richard Brooks (Director)
|
The Last Time I Saw Paris
|
1954
|
|
Jack Cummings (Producer)
|
The Last Time I Saw Paris
|
1954
|
|
Robert Surtees (Cinematographer)
|
The Long, Long Trailer
|
1954
|
|
Vincente Minnelli (Director)
|
The Long, Long Trailer
|
1954
|
|
Pandro S. Berman (Producer)
|
The Long, Long Trailer
|
1954
|
|
Andrew Marton (Director)
|
Men of the Fighting Lady
|
1954
|
|
Andrew Marton (Director)
|
Prisoner of War
|
1954
|
|
Charles Vidor (Director)
|
Rhapsody
|
1954
|
|
John F. Seitz (Cinematographer)
|
Rogue Cop
|
1954
|
|
Roy Rowland (Director)
|
Rogue Cop
|
1954
|
|
Busby Berkeley (Choreography)
|
Rose Marie
|
1954
|
|
Mervyn LeRoy (Director)
|
Rose Marie
|
1954
|
|
Mervyn LeRoy (Producer)
|
Rose Marie
|
1954
|
|
Harold Kress (Editor)
|
Rose Marie
|
1954
|
|
Michael Kidd (Choreography)
|
Seven Brides for Seven Brothers
|
1954
|
|
Jack Cummings (Producer)
|
Seven Brides for Seven Brothers
|
1954
|
|
Stanley Donen (Director)
|
Seven Brides for Seven Brothers
|
1954
|
|
Joe Pasternak (Producer)
|
The Student Prince
|
1954
|
|
Hermes Pan (Choreography)
|
The Student Prince
|
1954
|
|
Richard Thorpe (Director)
|
The Student Prince
|
1954
|
|
Harold Kress (Editor)
|
Valley of the Kings
|
1954
|
|
Jack Martin Smith (Art Director)
|
Valley of the Kings
|
1954
|
|
Robert Surtees (Cinematographer)
|
Valley of the Kings
|
1954
|
|
George Cukor (Director)
|
The Actress
|
1953
|
|
Harold Hal Rosson (Cinematographer)
|
The Actress
|
1953
|
|
Arthur Freed (Producer)
|
The Band Wagon
|
1953
|
|
Vincente Minnelli (Director)
|
The Band Wagon
|
1953
|
|
Michael Kidd (Choreography)
|
The Band Wagon
|
1953
|
|
Richard Brooks (Director)
|
Battle Circus
|
1953
|
|
Pandro S. Berman (Producer)
|
Battle Circus
|
1953
|
|
James Basevi (Art Director)
|
Battle Circus
|
1953
|
|
Robert Aldrich (Director)
|
The Big Leaguer
|
1953
|
|
Robert Z. Leonard (Director)
|
The Clown
|
1953
|
|
Joseph H. Lewis (Director)
|
Cry of the Hunted
|
1953
|
|
Sidney Sheldon (Director)
|
Dream Wife
|
1953
|
|
Dore Schary (Producer)
|
Dream Wife
|
1953
|
|
Charles Walters (Director)
|
Easy to Love
|
1953
|
|
Joe Pasternak (Producer)
|
Easy to Love
|
1953
|
|
Busby Berkeley (Choreography)
|
Easy to Love
|
1953
|
|
Jack Martin Smith (Art Director)
|
Easy to Love
|
1953
|
|
John Sturges (Director)
|
Escape from Fort Bravo
|
1953
|
|
Robert Surtees (Cinematographer)
|
Escape from Fort Bravo
|
1953
|
|
John Sturges (Director)
|
Fast Company
|
1953
|
|
Richard Thorpe (Director)
|
The Girl Who Had Everything
|
1953
|
|
Jack Cummings (Producer)
|
Give a Girl a Break
|
1953
|
|
Stanley Donen (Director)
|
Give a Girl a Break
|
1953
|
|
Stanley Donen (Choreography)
|
Give a Girl a Break
|
1953
|
|
Edwin H. Knopf (Producer)
|
The Great Diamond Robbery
|
1953
|
|
Robert Z. Leonard (Director)
|
The Great Diamond Robbery
|
1953
|
|
Don Weis (Director)
|
I Love Melvin
|
1953
|
|
Harold Hal Rosson (Cinematographer)
|
I Love Melvin
|
1953
|
|
Jack Martin Smith (Art Director)
|
I Love Melvin
|
1953
|
|
John Sturges (Director)
|
Jeopardy
|
1953
|
|
John Houseman (Producer)
|
Julius Caesar
|
1953
|
|
Joseph L. Mankiewicz (Director)
|
Julius Caesar
|
1953
|
|
Jack Cummings (Producer)
|
Kiss Me Kate
|
1953
|
|
Charles Rosher Sr. (Cinematographer)
|
Kiss Me Kate
|
1953
|
|
Hermes Pan (Choreography)
|
Kiss Me Kate
|
1953
|
|
Bob Fosse (Choreography)
|
Kiss Me Kate
|
1953
|
|
George Sidney (Director)
|
Kiss Me Kate
|
1953
|
|
Joe Pasternak (Producer)
|
Latin Lovers
|
1953
|
|
Mervyn LeRoy (Director)
|
Latin Lovers
|
1953
|
|
Charles Walters (Director)
|
Lili
|
1953
|
|
Edwin H. Knopf (Producer)
|
Lili
|
1953
|
|
Charles Walters (Choreography)
|
Lili
|
1953
|
|
Anthony Mann (Director)
|
The Naked Spur
|
1953
|
|
Don Weis (Director)
|
Remains to Be Seen
|
1953
|
|
Arthur Hornblow, Jr. (Producer)
|
Remains to Be Seen
|
1953
|
|
Robert Surtees (Cinematographer)
|
Ride, Vaquero!
|
1953
|
|
John Farrow (Director)
|
Ride, Vaquero!
|
1953
|
|
Harold Kress (Editor)
|
Ride, Vaquero!
|
1953
|
|
Jean Negulesco (Director)
|
Scandal at Scourie
|
1953
|
|
Edwin H. Knopf (Producer)
|
Scandal at Scourie
|
1953
|
|
Don Weis (Director)
|
A Slight Case of Larceny
|
1953
|
|
Joe Pasternak (Producer)
|
Small Town Girl
|
1953
|
|
Busby Berkeley (Director)
|
Small Town Girl
|
1953
|
|
Busby Berkeley (Choreography)
|
Small Town Girl
|
1953
|
|
Jose Greco (Choreography)
|
Sombrero
|
1953
|
|
Jack Cummings (Producer)
|
Sombrero
|
1953
|
|
Hermes Pan (Choreography)
|
Sombrero
|
1953
|
|
Vincente Minnelli (Director)
|
The Story of Three Loves
|
1953
|
|
Harold Hal Rosson (Cinematographer)
|
The Story of Three Loves
|
1953
|
|
Charles Rosher Sr. (Cinematographer)
|
The Story of Three Loves
|
1953
|
|
Richard Brooks (Director)
|
Take the High Ground
|
1953
|
|
Dore Schary (Producer)
|
Take the High Ground
|
1953
|
|
Charles Walters (Choreography)
|
Torch Song
|
1953
|
|
Charles Walters (Director)
|
Torch Song
|
1953
|
|
Charles Rosher Sr. (Cinematographer)
|
Young Bess
|
1953
|
|
George Sidney (Director)
|
Young Bess
|
1953
|
|
Norman Panama (Producer)
|
Above and Beyond
|
1952
|
|
Melvin Frank (Producer)
|
Above and Beyond
|
1952
|
|
Norman Panama (Director)
|
Above and Beyond
|
1952
|
|
Melvin Frank (Director)
|
Above and Beyond
|
1952
|
|
Robert Surtees (Cinematographer)
|
The Bad and the Beautiful
|
1952
|
|
Vincente Minnelli (Director)
|
The Bad and the Beautiful
|
1952
|
|
John Houseman (Producer)
|
The Bad and the Beautiful
|
1952
|
|
Jack Martin Smith (Art Director)
|
The Belle of New York
|
1952
|
|
Arthur Freed (Producer)
|
The Belle of New York
|
1952
|
|
Charles Walters (Director)
|
The Belle of New York
|
1952
|
|
Richard Thorpe (Director)
|
Carbine Williams
|
1952
|
|
Joseph H. Lewis (Director)
|
Desperate Search
|
1952
|
|
Robert Z. Leonard (Director)
|
Everything I Have Is Yours
|
1952
|
|
Nick Castle (Choreography)
|
Everything I Have Is Yours
|
1952
|
|
Edwin H. Knopf (Producer)
|
Fearless Fagan
|
1952
|
|
Stanley Donen (Director)
|
Fearless Fagan
|
1952
|
|
John Sturges (Director)
|
The Girl in White
|
1952
|
|
William H. Daniels (Cinematographer)
|
Glory Alley
|
1952
|
|
Raoul Walsh (Director)
|
Glory Alley
|
1952
|
|
John Houseman (Producer)
|
Holiday for Sinners
|
1952
|
|
James Basevi (Art Director)
|
Just This Once
|
1952
|
|
Don Weis (Director)
|
Just This Once
|
1952
|
|
Stanley Donen (Director)
|
Love Is Better Than Ever
|
1952
|
|
Harold Hal Rosson (Cinematographer)
|
Love Is Better Than Ever
|
1952
|
|
Hermes Pan (Choreography)
|
Lovely to Look At
|
1952
|
|
Adrian (Costume Designer)
|
Lovely to Look At
|
1952
|
|
Jack Cummings (Producer)
|
Lovely to Look At
|
1952
|
|
Mervyn LeRoy (Director)
|
Lovely to Look At
|
1952
|
|
Robert Surtees (Cinematographer)
|
The Merry Widow
|
1952
|
|
Joe Pasternak (Producer)
|
The Merry Widow
|
1952
|
|
Mervyn LeRoy (Director)
|
Million Dollar Mermaid
|
1952
|
|
Arthur Hornblow, Jr. (Producer)
|
Million Dollar Mermaid
|
1952
|
|
Jack Martin Smith (Art Director)
|
Million Dollar Mermaid
|
1952
|
|
Busby Berkeley (Choreography)
|
Million Dollar Mermaid
|
1952
|
|
William Wellman (Director)
|
My Man and I
|
1952
|
|
James Basevi (Art Director)
|
My Man and I
|
1952
|
|
George Cukor (Director)
|
Pat and Mike
|
1952
|
|
Orry-Kelly (Costume Designer)
|
Pat and Mike
|
1952
|
|
William H. Daniels (Cinematographer)
|
Pat and Mike
|
1952
|
|
William H. Daniels (Cinematographer)
|
The Plymouth Adventure
|
1952
|
|
Clarence Brown (Director)
|
The Plymouth Adventure
|
1952
|
|
Dore Schary (Producer)
|
The Plymouth Adventure
|
1952
|
|
Pandro S. Berman (Producer)
|
The Prisoner of Zenda
|
1952
|
|
Richard Thorpe (Director)
|
The Prisoner of Zenda
|
1952
|
|
George Sidney (Director)
|
Scaramouche
|
1952
|
|
Charles Rosher Sr. (Cinematographer)
|
Scaramouche
|
1952
|
|
Gene Kelly (Director)
|
Singin' in the Rain
|
1952
|
|
Arthur Freed (Producer)
|
Singin' in the Rain
|
1952
|
|
Stanley Donen (Director)
|
Singin' in the Rain
|
1952
|
|
Harold Hal Rosson (Cinematographer)
|
Singin' in the Rain
|
1952
|
|
Nick Castle (Choreography)
|
Skirts Ahoy!
|
1952
|
|
Sidney Lanfield (Director)
|
Skirts Ahoy!
|
1952
|
|
Joe Pasternak (Producer)
|
Skirts Ahoy!
|
1952
|
|
Dore Schary (Producer)
|
Washington Story
|
1952
|
|
William H. Daniels (Cinematographer)
|
When in Rome
|
1952
|
|
Clarence Brown (Director)
|
When in Rome
|
1952
|
|
Clarence Brown (Producer)
|
When in Rome
|
1952
|
|
Andrew Marton (Director)
|
The Wild North
|
1952
|
|
Robert Surtees (Cinematographer)
|
The Wild North
|
1952
|
|
Don Weis (Director)
|
You for Me
|
1952
|
|
Mitchell Leisen (Director)
|
Young Man with Ideas
|
1952
|
|
James Basevi (Art Director)
|
Across the Wide Missouri
|
1951
|
|
William Wellman (Director)
|
Across the Wide Missouri
|
1951
|
|
Arthur Freed (Producer)
|
An American in Paris
|
1951
|
|
Gene Kelly (Choreography)
|
An American in Paris
|
1951
|
|
Orry-Kelly (Costume Designer)
|
An American in Paris
|
1951
|
|
Irene Sharaff (Costume Designer)
|
An American in Paris
|
1951
|
|
Vincente Minnelli (Director)
|
An American in Paris
|
1951
|
|
Melvin Frank (Producer)
|
Callaway Went Thataway
|
1951
|
|
Norman Panama (Producer)
|
Callaway Went Thataway
|
1951
|
|
Norman Panama (Director)
|
Callaway Went Thataway
|
1951
|
|
Melvin Frank (Director)
|
Callaway Went Thataway
|
1951
|
|
Tay Garnett (Director)
|
Cause for Alarm
|
1951
|
|
Jack Cummings (Producer)
|
Excuse My Dust
|
1951
|
|
Hermes Pan (Choreography)
|
Excuse My Dust
|
1951
|
|
Roy Rowland (Director)
|
Excuse My Dust
|
1951
|
|
Pandro S. Berman (Producer)
|
Father's Little Dividend
|
1951
|
|
Vincente Minnelli (Director)
|
Father's Little Dividend
|
1951
|
|
Dore Schary (Producer)
|
Go for Broke!
|
1951
|
|
Joe Pasternak (Producer)
|
The Great Caruso
|
1951
|
|
Richard Thorpe (Director)
|
The Great Caruso
|
1951
|
|
John Sturges (Director)
|
Kind Lady
|
1951
|
|
Edwin H. Knopf (Director)
|
The Law and the Lady
|
1951
|
|
Edwin H. Knopf (Producer)
|
The Law and the Lady
|
1951
|
|
Robert Surtees (Cinematographer)
|
The Light Touch
|
1951
|
|
Pandro S. Berman (Producer)
|
The Light Touch
|
1951
|
|
Richard Brooks (Director)
|
The Light Touch
|
1951
|
|
Harold Hal Rosson (Cinematographer)
|
Lone Star
|
1951
|
|
Vincent Sherman (Director)
|
Lone Star
|
1951
|
|
Edwin H. Knopf (Producer)
|
Mr. Imperium
|
1951
|
|
Edwin H. Knopf (Producer)
|
Night into Morning
|
1951
|
|
James Basevi (Art Director)
|
Night into Morning
|
1951
|
|
Harold Kress (Director)
|
No Questions Asked
|
1951
|
|
Chester M. Franklin (Producer)
|
The Painted Hills
|
1951
|
|
Harold Kress (Director)
|
The Painted Hills
|
1951
|
|
James Basevi (Art Director)
|
The People Against O'Hara
|
1951
|
|
John Sturges (Director)
|
The People Against O'Hara
|
1951
|
|
Mervyn LeRoy (Director)
|
Quo Vadis?
|
1951
|
|
Robert Surtees (Cinematographer)
|
Quo Vadis?
|
1951
|
|
Sam Zimbalist (Producer)
|
Quo Vadis?
|
1951
|
|
John Huston (Director)
|
The Red Badge of Courage
|
1951
|
|
Harold Hal Rosson (Cinematographer)
|
The Red Badge of Courage
|
1951
|
|
Joe Pasternak (Producer)
|
Rich, Young and Pretty
|
1951
|
|
Norman Taurog (Director)
|
Rich, Young and Pretty
|
1951
|
|
Nick Castle (Choreography)
|
Rich, Young and Pretty
|
1951
|
|
Jack Martin Smith (Art Director)
|
Royal Wedding
|
1951
|
|
Arthur Freed (Producer)
|
Royal Wedding
|
1951
|
|
Nick Castle (Choreography)
|
Royal Wedding
|
1951
|
|
Stanley Donen (Director)
|
Royal Wedding
|
1951
|
|
Charles Rosher Sr. (Cinematographer)
|
Show Boat
|
1951
|
|
Jack Martin Smith (Art Director)
|
Show Boat
|
1951
|
|
Arthur Freed (Producer)
|
Show Boat
|
1951
|
|
George Sidney (Director)
|
Show Boat
|
1951
|
|
Tay Garnett (Director)
|
Soldiers Three
|
1951
|
|
Pandro S. Berman (Producer)
|
Soldiers Three
|
1951
|
|
Norman Panama (Director)
|
Strictly Dishonorable
|
1951
|
|
Melvin Frank (Producer)
|
Strictly Dishonorable
|
1951
|
|
Melvin Frank (Director)
|
Strictly Dishonorable
|
1951
|
|
Norman Panama (Producer)
|
Strictly Dishonorable
|
1951
|
|
Robert Surtees (Cinematographer)
|
The Strip
|
1951
|
|
Joe Pasternak (Producer)
|
The Strip
|
1951
|
|
Nick Castle (Choreography)
|
The Strip
|
1951
|
|
Anthony Mann (Director)
|
The Tall Target
|
1951
|
|
Hermes Pan (Choreography)
|
Texas Carnival
|
1951
|
|
Jack Cummings (Producer)
|
Texas Carnival
|
1951
|
|
Charles Walters (Director)
|
Texas Carnival
|
1951
|
|
Charles Walters (Director)
|
Three Guys Named Mike
|
1951
|
|
Sam Zimbalist (Producer)
|
Too Young to Kiss
|
1951
|
|
Frederick de Cordova (Director)
|
Too Young to Kiss
|
1951
|
|
Robert Z. Leonard (Director)
|
Too Young to Kiss
|
1951
|
|
Richard Thorpe (Director)
|
The Unknown Man
|
1951
|
|
Richard Thorpe (Director)
|
Vengeance Valley
|
1951
|
|
Dore Schary (Producer)
|
Westward the Women
|
1951
|
|
William Wellman (Director)
|
Westward the Women
|
1951
|
|
Sam Wood (Director)
|
Ambush
|
1950
|
|
Charles Rosher Sr. (Cinematographer)
|
Annie Get Your Gun
|
1950
|
|
George Sidney (Director)
|
Annie Get Your Gun
|
1950
|
|
Arthur Freed (Producer)
|
Annie Get Your Gun
|
1950
|
|
Arthur Hornblow, Jr. (Producer)
|
The Asphalt Jungle
|
1950
|
|
John Huston (Director)
|
The Asphalt Jungle
|
1950
|
|
Harold Hal Rosson (Cinematographer)
|
The Asphalt Jungle
|
1950
|
|
Richard Thorpe (Director)
|
The Black Hand
|
1950
|
|
Richard Brooks (Director)
|
Crisis
|
1950
|
|
Arthur Freed (Producer)
|
Crisis
|
1950
|
|
Anthony Mann (Director)
|
Devil's Doorway
|
1950
|
|
Joe Pasternak (Producer)
|
The Duchess of Idaho
|
1950
|
|
Robert Z. Leonard (Director)
|
The Duchess of Idaho
|
1950
|
|
Vincente Minnelli (Director)
|
Father of the Bride
|
1950
|
|
Pandro S. Berman (Producer)
|
Father of the Bride
|
1950
|
|
Robert Z. Leonard (Director)
|
Grounds for Marriage
|
1950
|
|
Samuel Marx (Producer)
|
Grounds for Marriage
|
1950
|
|
William Wellman (Director)
|
The Happy Years
|
1950
|
|
Don Weis (Director)
|
It's a Big Country
|
1950
|
|
John Sturges (Director)
|
It's a Big Country
|
1950
|
|
Clarence Brown (Director)
|
It's a Big Country
|
1950
|
|
William Wellman (Director)
|
It's a Big Country
|
1950
|
|
Richard Thorpe (Director)
|
It's a Big Country
|
1950
|
|
Charles Vidor (Director)
|
It's a Big Country
|
1950
|
|
George Sidney (Director)
|
Key to the City
|
1950
|
|
Harold Hal Rosson (Cinematographer)
|
Key to the City
|
1950
|
|
Irene Sharaff (Costume Designer)
|
Key to the City
|
1950
|
|
Andrew Marton (Director)
|
King Solomon's Mines
|
1950
|
|
Sam Zimbalist (Producer)
|
King Solomon's Mines
|
1950
|
|
Robert Surtees (Cinematographer)
|
King Solomon's Mines
|
1950
|
|
Joseph H. Lewis (Director)
|
A Lady without Passport
|
1950
|
|
Samuel Marx (Producer)
|
A Lady without Passport
|
1950
|
|
George Cukor (Director)
|
A Life of Her Own
|
1950
|
|
John Sturges (Director)
|
The Magnificent Yankee
|
1950
|
|
Norman Taurog (Director)
|
Mrs. O'Malley and Mr. Malone
|
1950
|
|
John Sturges (Director)
|
Mystery Street
|
1950
|
|
Joe Pasternak (Producer)
|
Nancy Goes to Rio
|
1950
|
|
Jack Martin Smith (Art Director)
|
Nancy Goes to Rio
|
1950
|
|
Robert Z. Leonard (Director)
|
Nancy Goes to Rio
|
1950
|
|
William Wellman (Director)
|
The Next Voice You Hear
|
1950
|
|
Dore Schary (Producer)
|
The Next Voice You Hear
|
1950
|
|
Charles Rosher Sr. (Cinematographer)
|
Pagan Love Song
|
1950
|
|
Arthur Freed (Producer)
|
Pagan Love Song
|
1950
|
|
Val Lewton (Producer)
|
Please Believe Me
|
1950
|
|
Irene (Costume Designer)
|
Please Believe Me
|
1950
|
|
Norman Taurog (Director)
|
Please Believe Me
|
1950
|
|
Norman Panama (Director)
|
The Reformer and the Redhead
|
1950
|
|
Melvin Frank (Director)
|
The Reformer and the Redhead
|
1950
|
|
Norman Panama (Producer)
|
The Reformer and the Redhead
|
1950
|
|
Melvin Frank (Producer)
|
The Reformer and the Redhead
|
1950
|
|
John Sturges (Director)
|
Right Cross
|
1950
|
|
Norbert F. Brodin (Cinematographer)
|
Right Cross
|
1950
|
|
Irene Sharaff (Costume Designer)
|
Shadow on the Wall
|
1950
|
|
Sam Zimbalist (Producer)
|
Side Street
|
1950
|
|
Anthony Mann (Director)
|
Side Street
|
1950
|
|
Elliott Nugent (Director)
|
The Skipper Surprised His Wife
|
1950
|
|
Jacques Tourneur (Director)
|
Stars in My Crown
|
1950
|
|
Jack Martin Smith (Art Director)
|
Summer Stock
|
1950
|
|
Nick Castle (Choreography)
|
Summer Stock
|
1950
|
|
Gene Kelly (Choreography)
|
Summer Stock
|
1950
|
|
Charles Walters (Choreography)
|
Summer Stock
|
1950
|
|
Joe Pasternak (Producer)
|
Summer Stock
|
1950
|
|
Charles Walters (Director)
|
Summer Stock
|
1950
|
|
Hermes Pan (Choreography)
|
Three Little Words
|
1950
|
|
Richard Thorpe (Director)
|
Three Little Words
|
1950
|
|
Jack Cummings (Producer)
|
Three Little Words
|
1950
|
|
Fred Astaire (Choreography)
|
Three Little Words
|
1950
|
|
Harold Hal Rosson (Cinematographer)
|
To Please a Lady
|
1950
|
|
Clarence Brown (Producer)
|
To Please a Lady
|
1950
|
|
James Basevi (Art Director)
|
To Please a Lady
|
1950
|
|
Clarence Brown (Director)
|
To Please a Lady
|
1950
|
|
Joe Pasternak (Producer)
|
The Toast of New Orleans
|
1950
|
|
Norman Taurog (Director)
|
The Toast of New Orleans
|
1950
|
|
Busby Berkeley (Choreography)
|
Two Weeks With Love
|
1950
|
|
Jack Cummings (Producer)
|
Two Weeks With Love
|
1950
|
|
Roy Rowland (Director)
|
Two Weeks With Love
|
1950
|
|
Harry Stradling (Cinematographer)
|
The Yellow Cab Man
|
1950
|
|
Robert Surtees (Cinematographer)
|
Act of Violence
|
1949
|
|
Fred Zinnemann (Director)
|
Act of Violence
|
1949
|
|
George Cukor (Director)
|
Adam's Rib
|
1949
|
|
Arthur Freed (Producer)
|
Any Number Can Play
|
1949
|
|
Harold Hal Rosson (Cinematographer)
|
Any Number Can Play
|
1949
|
|
Mervyn LeRoy (Director)
|
Any Number Can Play
|
1949
|
|
Hermes Pan (Choreography)
|
The Barkleys of Broadway
|
1949
|
|
Harry Stradling (Cinematographer)
|
The Barkleys of Broadway
|
1949
|
|
Charles Walters (Director)
|
The Barkleys of Broadway
|
1949
|
|
Arthur Freed (Producer)
|
The Barkleys of Broadway
|
1949
|
|
William Wellman (Director)
|
Battleground
|
1949
|
|
Dore Schary (Producer)
|
Battleground
|
1949
|
|
Anthony Mann (Director)
|
Border Incident
|
1949
|
|
Irene (Costume Designer)
|
The Bribe
|
1949
|
|
Pandro S. Berman (Producer)
|
The Bribe
|
1949
|
|
Robert Z. Leonard (Director)
|
The Bribe
|
1949
|
|
Richard Thorpe (Director)
|
Challenge to Lassie
|
1949
|
|
Pandro S. Berman (Producer)
|
The Doctor and the Girl
|
1949
|
|
Mervyn LeRoy (Director)
|
East Side, West Side
|
1949
|
|
Harold Kress (Editor)
|
East Side, West Side
|
1949
|
|
Charles Rosher Sr. (Cinematographer)
|
East Side, West Side
|
1949
|
|
Harold Kress (Editor)
|
The Great Sinner
|
1949
|
|
Robert Siodmak (Director)
|
The Great Sinner
|
1949
|
|
Joe Pasternak (Producer)
|
In the Good Old Summertime
|
1949
|
|
Harry Stradling (Cinematographer)
|
In the Good Old Summertime
|
1949
|
|
Robert Z. Leonard (Director)
|
In the Good Old Summertime
|
1949
|
|
Irene Sharaff (Costume Designer)
|
In the Good Old Summertime
|
1949
|
|
Clarence Brown (Producer)
|
Intruder in the Dust
|
1949
|
|
Robert Surtees (Cinematographer)
|
Intruder in the Dust
|
1949
|
|
Clarence Brown (Director)
|
Intruder in the Dust
|
1949
|
|
Mervyn LeRoy (Producer)
|
Little Women
|
1949
|
|
Mervyn LeRoy (Director)
|
Little Women
|
1949
|
|
Jack Martin Smith (Art Director)
|
Madame Bovary
|
1949
|
|
Vincente Minnelli (Director)
|
Madame Bovary
|
1949
|
|
Pandro S. Berman (Producer)
|
Madame Bovary
|
1949
|
|
Edwin H. Knopf (Producer)
|
Malaya
|
1949
|
|
Richard Thorpe (Director)
|
Malaya
|
1949
|
|
Jack Cummings (Producer)
|
Neptune's Daughter
|
1949
|
|
Edward N. Buzzell (Director)
|
Neptune's Daughter
|
1949
|
|
Irene (Costume Designer)
|
Neptune's Daughter
|
1949
|
|
Charles Rosher Sr. (Cinematographer)
|
Neptune's Daughter
|
1949
|
|
Harold Hal Rosson (Cinematographer)
|
On the Town
|
1949
|
|
Arthur Freed (Producer)
|
On the Town
|
1949
|
|
Stanley Donen (Choreography)
|
On the Town
|
1949
|
|
Gene Kelly (Choreography)
|
On the Town
|
1949
|
|
Stanley Donen (Director)
|
On the Town
|
1949
|
|
Gene Kelly (Director)
|
On the Town
|
1949
|
|
Jack Martin Smith (Art Director)
|
On the Town
|
1949
|
|
Charles Rosher Sr. (Cinematographer)
|
The Red Danube
|
1949
|
|
George Sidney (Director)
|
The Red Danube
|
1949
|
|
Roy Rowland (Director)
|
Scene of the Crime
|
1949
|
|
Irene (Costume Designer)
|
Scene of the Crime
|
1949
|
|
Clarence Brown (Producer)
|
The Secret Garden
|
1949
|
|
Sam Wood (Director)
|
The Stratton Story
|
1949
|
|
Harold Hal Rosson (Cinematographer)
|
The Stratton Story
|
1949
|
|
Jack Cummings (Producer)
|
The Stratton Story
|
1949
|
|
Richard Thorpe (Director)
|
The Sun Comes Up
|
1949
|
|
Irene (Costume Designer)
|
The Sun Comes Up
|
1949
|
|
Busby Berkeley (Director)
|
Take Me Out to the Ball Game
|
1949
|
|
Arthur Freed (Producer)
|
Take Me Out to the Ball Game
|
1949
|
|
Gene Kelly (Choreography)
|
Take Me Out to the Ball Game
|
1949
|
|
Stanley Donen (Choreography)
|
Take Me Out to the Ball Game
|
1949
|
|
Harry Stradling (Cinematographer)
|
Tension
|
1949
|
|
John Berry (Director)
|
Tension
|
1949
|
|
Norman Taurog (Director)
|
That Midnight Kiss
|
1949
|
|
Joe Pasternak (Producer)
|
That Midnight Kiss
|
1949
|
|
Robert Surtees (Cinematographer)
|
That Midnight Kiss
|
1949
|
|
Irene (Costume Designer)
|
B.F.'s Daughter
|
1948
|
|
Robert Z. Leonard (Director)
|
B.F.'s Daughter
|
1948
|
|
Edwin H. Knopf (Producer)
|
B.F.'s Daughter
|
1948
|
|
Joe Pasternak (Producer)
|
The Big City
|
1948
|
|
Robert Surtees (Cinematographer)
|
The Big City
|
1948
|
|
Stanley Donen (Choreography)
|
The Big City
|
1948
|
|
Norman Taurog (Director)
|
The Big City
|
1948
|
|
Norman Taurog (Director)
|
The Bride Goes Wild
|
1948
|
|
Harold Kress (Editor)
|
Command Decision
|
1948
|
|
Harold Hal Rosson (Cinematographer)
|
Command Decision
|
1948
|
|
Sam Wood (Director)
|
Command Decision
|
1948
|
|
Richard Thorpe (Director)
|
A Date with Judy
|
1948
|
|
Robert Surtees (Cinematographer)
|
A Date with Judy
|
1948
|
|
Joe Pasternak (Producer)
|
A Date with Judy
|
1948
|
|
Stanley Donen (Choreography)
|
A Date with Judy
|
1948
|
|
Harold Kress (Editor)
|
A Date with Judy
|
1948
|
|
Harry Stradling (Cinematographer)
|
Easter Parade
|
1948
|
|
Charles Walters (Director)
|
Easter Parade
|
1948
|
|
Charles Walters (Choreography)
|
Easter Parade
|
1948
|
|
Jack Martin Smith (Art Director)
|
Easter Parade
|
1948
|
|
Fred Astaire (Choreography)
|
Easter Parade
|
1948
|
|
Arthur Freed (Producer)
|
Easter Parade
|
1948
|
|
Mervyn LeRoy (Director)
|
Homecoming
|
1948
|
|
Harold Hal Rosson (Cinematographer)
|
Homecoming
|
1948
|
|
Irene (Costume Designer)
|
Julia Misbehaves
|
1948
|
|
Jack Conway (Director)
|
Julia Misbehaves
|
1948
|
|
Robert Surtees (Cinematographer)
|
The Kissing Bandit
|
1948
|
|
Stanley Donen (Choreography)
|
The Kissing Bandit
|
1948
|
|
Joe Pasternak (Producer)
|
The Kissing Bandit
|
1948
|
|
Richard Whorf (Director)
|
Luxury Liner
|
1948
|
|
Jean Louis (Costume Designer)
|
Luxury Liner
|
1948
|
|
Joe Pasternak (Producer)
|
Luxury Liner
|
1948
|
|
Nick Castle (Choreography)
|
Luxury Liner
|
1948
|
|
Joe Pasternak (Producer)
|
On an Island with You
|
1948
|
|
Richard Thorpe (Director)
|
On an Island with You
|
1948
|
|
Irene (Costume Designer)
|
On an Island with You
|
1948
|
|
Charles Rosher Sr. (Cinematographer)
|
On an Island with You
|
1948
|
|
Vincente Minnelli (Director)
|
The Pirate
|
1948
|
|
Jack Martin Smith (Art Director)
|
The Pirate
|
1948
|
|
Gene Kelly (Choreography)
|
The Pirate
|
1948
|
|
Arthur Freed (Producer)
|
The Pirate
|
1948
|
|
Harry Stradling (Cinematographer)
|
The Pirate
|
1948
|
|
Irene (Costume Designer)
|
State of the Union
|
1948
|
|
Frank Capra (Producer)
|
State of the Union
|
1948
|
|
Frank Capra (Director)
|
State of the Union
|
1948
|
|
Arthur Freed (Producer)
|
Summer Holiday
|
1948
|
|
Jack Martin Smith (Art Director)
|
Summer Holiday
|
1948
|
|
Irene (Costume Designer)
|
Summer Holiday
|
1948
|
|
Rouben Mamoulian (Director)
|
Summer Holiday
|
1948
|
|
Charles Walters (Choreography)
|
Summer Holiday
|
1948
|
|
Roy Rowland (Director)
|
Tenth Avenue Angel
|
1948
|
|
Robert Surtees (Cinematographer)
|
Tenth Avenue Angel
|
1948
|
|
Irene (Costume Designer)
|
Three Daring Daughters
|
1948
|
|
Joe Pasternak (Producer)
|
Three Daring Daughters
|
1948
|
|
George Sidney (Director)
|
The Three Musketeers
|
1948
|
|
Pandro S. Berman (Producer)
|
The Three Musketeers
|
1948
|
|
Arthur Freed (Producer)
|
Words and Music
|
1948
|
|
Jack Martin Smith (Art Director)
|
Words and Music
|
1948
|
|
Harry Stradling (Cinematographer)
|
Words and Music
|
1948
|
|
Charles Rosher Sr. (Cinematographer)
|
Words and Music
|
1948
|
|
Norman Taurog (Director)
|
Words and Music
|
1948
|
|
Jerry Bresler (Producer)
|
The Arnelo Affair
|
1947
|
|
Irene Sharaff (Costume Designer)
|
The Arnelo Affair
|
1947
|
|
Arch Oboler (Director)
|
The Arnelo Affair
|
1947
|
|
Irene Sharaff (Costume Designer)
|
The Beginning or the End
|
1947
|
|
Norman Taurog (Director)
|
The Beginning or the End
|
1947
|
|
Samuel Marx (Producer)
|
The Beginning or the End
|
1947
|
|
Arthur Hornblow, Jr. (Producer)
|
Cass Timberlane
|
1947
|
|
George Sidney (Director)
|
Cass Timberlane
|
1947
|
|
Irene (Costume Designer)
|
Cass Timberlane
|
1947
|
|
Edwin H. Knopf (Producer)
|
Cynthia
|
1947
|
|
Irene (Costume Designer)
|
Cynthia
|
1947
|
|
Robert Z. Leonard (Director)
|
Cynthia
|
1947
|
|
Charles Rosher Sr. (Cinematographer)
|
Dark Delusion
|
1947
|
|
George Cukor (Director)
|
Desire Me
|
1947
|
|
Arthur Hornblow, Jr. (Producer)
|
Desire Me
|
1947
|
|
Mervyn LeRoy (Director)
|
Desire Me
|
1947
|
|
Charles Rosher Sr. (Cinematographer)
|
Fiesta
|
1947
|
|
Richard Thorpe (Director)
|
Fiesta
|
1947
|
|
Irene Sharaff (Costume Designer)
|
Fiesta
|
1947
|
|
Jack Cummings (Producer)
|
Fiesta
|
1947
|
|
Charles Walters (Director)
|
Good News
|
1947
|
|
Arthur Freed (Producer)
|
Good News
|
1947
|
|
Irene Sharaff (Costume Designer)
|
The High Barbaree
|
1947
|
|
Jack Conway (Director)
|
The High Barbaree
|
1947
|
|
Arthur Hornblow, Jr. (Producer)
|
The Hucksters
|
1947
|
|
Irene Sharaff (Costume Designer)
|
The Hucksters
|
1947
|
|
Jack Conway (Director)
|
The Hucksters
|
1947
|
|
Harold Hal Rosson (Cinematographer)
|
The Hucksters
|
1947
|
|
Irene Sharaff (Costume Designer)
|
If Winter Comes
|
1947
|
|
Pandro S. Berman (Producer)
|
If Winter Comes
|
1947
|
|
Jack Cummings (Producer)
|
It Happened in Brooklyn
|
1947
|
|
Richard Whorf (Director)
|
It Happened in Brooklyn
|
1947
|
|
Roy Rowland (Director)
|
Killer McCoy
|
1947
|
|
Sam Zimbalist (Producer)
|
Killer McCoy
|
1947
|
|
Fred Zinnemann (Director)
|
Little Mister Jim
|
1947
|
|
Irene Sharaff (Costume Designer)
|
Living in a Big Way
|
1947
|
|
Harold Hal Rosson (Cinematographer)
|
Living in a Big Way
|
1947
|
|
Stanley Donen (Choreography)
|
Living in a Big Way
|
1947
|
|
Pandro S. Berman (Producer)
|
Living in a Big Way
|
1947
|
|
Gregory La Cava (Director)
|
Living in a Big Way
|
1947
|
|
Gene Kelly (Choreography)
|
Living in a Big Way
|
1947
|
|
Roy Rowland (Director)
|
The Romance of Rosy Ridge
|
1947
|
|
Jack Cummings (Producer)
|
The Romance of Rosy Ridge
|
1947
|
|
Irene Sharaff (Costume Designer)
|
The Romance of Rosy Ridge
|
1947
|
|
Harry Stradling (Cinematographer)
|
The Sea of Grass
|
1947
|
|
Elia Kazan (Director)
|
The Sea of Grass
|
1947
|
|
Pandro S. Berman (Producer)
|
The Sea of Grass
|
1947
|
|
Harry Stradling (Cinematographer)
|
Song of Love
|
1947
|
|
Clarence Brown (Producer)
|
Song of Love
|
1947
|
|
Clarence Brown (Director)
|
Song of Love
|
1947
|
|
Charles Rosher Sr. (Cinematographer)
|
Song of the Thin Man
|
1947
|
|
Nat Perrin (Producer)
|
Song of the Thin Man
|
1947
|
|
Edward N. Buzzell (Director)
|
Song of the Thin Man
|
1947
|
|
Irene Sharaff (Costume Designer)
|
Song of the Thin Man
|
1947
|
|
Joe Pasternak (Producer)
|
This Time for Keeps
|
1947
|
|
Richard Thorpe (Director)
|
This Time for Keeps
|
1947
|
|
Karl W. Freund (Cinematographer)
|
This Time for Keeps
|
1947
|
|
Stanley Donen (Choreography)
|
This Time for Keeps
|
1947
|
|
Irene (Costume Designer)
|
Undercover Maisie
|
1947
|
|
Irene Sharaff (Costume Designer)
|
The Unfinished Dance
|
1947
|
|
Henry Koster (Director)
|
The Unfinished Dance
|
1947
|
|
Robert Surtees (Cinematographer)
|
The Unfinished Dance
|
1947
|
|
Joe Pasternak (Producer)
|
The Unfinished Dance
|
1947
|
|
Irene Sharaff (Costume Designer)
|
Courage of Lassie
|
1946
|
|
Jack Cummings (Producer)
|
Easy to Wed
|
1946
|
|
Harry Stradling (Cinematographer)
|
Easy to Wed
|
1946
|
|
Edward N. Buzzell (Director)
|
Easy to Wed
|
1946
|
|
Irene Sharaff (Costume Designer)
|
Easy to Wed
|
1946
|
|
John W. Boyle (Cinematographer)
|
Gallant Bess
|
1946
|
|
Andrew Marton (Director)
|
Gallant Bess
|
1946
|
|
Irene Sharaff (Costume Designer)
|
The Green Years
|
1946
|
|
Arthur Freed (Producer)
|
The Harvey Girls
|
1946
|
|
George Sidney (Director)
|
The Harvey Girls
|
1946
|
|
Harry Stradling (Cinematographer)
|
Holiday in Mexico
|
1946
|
|
George Sidney (Director)
|
Holiday in Mexico
|
1946
|
|
Stanley Donen (Choreography)
|
Holiday in Mexico
|
1946
|
|
Jack Martin Smith (Art Director)
|
Holiday in Mexico
|
1946
|
|
Joe Pasternak (Producer)
|
Holiday in Mexico
|
1946
|
|
Irene Sharaff (Costume Designer)
|
The Hoodlum Saint
|
1946
|
|
Norman Taurog (Director)
|
The Hoodlum Saint
|
1946
|
|
Irene (Costume Designer)
|
Lady in the Lake
|
1946
|
|
Robert Montgomery (Director)
|
Lady in the Lake
|
1946
|
|
Irene Sharaff (Costume Designer)
|
Love Laughs at Andy Hardy
|
1946
|
|
Irene (Costume Designer)
|
The Mighty McGurk
|
1946
|
|
Nat Perrin (Producer)
|
The Mighty McGurk
|
1946
|
|
Samuel Marx (Producer)
|
My Brother Talks to Horses
|
1946
|
|
Fred Zinnemann (Director)
|
My Brother Talks to Horses
|
1946
|
|
Harold Hal Rosson (Cinematographer)
|
My Brother Talks to Horses
|
1946
|
|
Charles Martin (Director)
|
No Leave, No Love
|
1946
|
|
Irene (Costume Designer)
|
No Leave, No Love
|
1946
|
|
Stanley Donen (Choreography)
|
No Leave, No Love
|
1946
|
|
Harold Hal Rosson (Cinematographer)
|
No Leave, No Love
|
1946
|
|
Robert Surtees (Cinematographer)
|
No Leave, No Love
|
1946
|
|
Joe Pasternak (Producer)
|
No Leave, No Love
|
1946
|
|
Irene (Costume Designer)
|
The Postman Always Rings Twice
|
1946
|
|
Tay Garnett (Director)
|
The Postman Always Rings Twice
|
1946
|
|
Edwin H. Knopf (Producer)
|
The Sailor Takes a Wife
|
1946
|
|
Irene (Costume Designer)
|
The Sailor Takes a Wife
|
1946
|
|
Richard Whorf (Director)
|
The Sailor Takes a Wife
|
1946
|
|
Edwin H. Knopf (Producer)
|
The Secret Heart
|
1946
|
|
Robert Z. Leonard (Director)
|
The Secret Heart
|
1946
|
|
Irene Sharaff (Costume Designer)
|
The Secret Heart
|
1946
|
|
Edward N. Buzzell (Director)
|
Three Wise Fools
|
1946
|
|
Harold Hal Rosson (Cinematographer)
|
Three Wise Fools
|
1946
|
|
Arthur Freed (Producer)
|
Till the Clouds Roll By
|
1946
|
|
Richard Whorf (Director)
|
Till the Clouds Roll By
|
1946
|
|
Harry Stradling (Cinematographer)
|
Till the Clouds Roll By
|
1946
|
|
Henry Koster (Director)
|
Two Sisters from Boston
|
1946
|
|
Irene Sharaff (Costume Designer)
|
Two Sisters from Boston
|
1946
|
|
Joe Pasternak (Producer)
|
Two Sisters from Boston
|
1946
|
|
Robert Surtees (Cinematographer)
|
Two Sisters from Boston
|
1946
|
|
Karl W. Freund (Cinematographer)
|
Two Smart People
|
1946
|
|
Jules Dassin (Director)
|
Two Smart People
|
1946
|
|
Karl W. Freund (Cinematographer)
|
Undercurrent
|
1946
|
|
Vincente Minnelli (Director)
|
Undercurrent
|
1946
|
|
Irene (Costume Designer)
|
Undercurrent
|
1946
|
|
Pandro S. Berman (Producer)
|
Undercurrent
|
1946
|
|
Irene (Costume Designer)
|
Up Goes Maisie
|
1946
|
|
Clarence Brown (Director)
|
The Yearling
|
1946
|
|
Arthur E. Arling (Cinematographer)
|
The Yearling
|
1946
|
|
Charles Rosher Sr. (Cinematographer)
|
The Yearling
|
1946
|
|
Harold Kress (Editor)
|
The Yearling
|
1946
|
|
Arthur Freed (Producer)
|
Ziegfeld Follies
|
1946
|
|
Charles Rosher Sr. (Cinematographer)
|
Ziegfeld Follies
|
1946
|
|
Jack Martin Smith (Art Director)
|
Ziegfeld Follies
|
1946
|
|
Norman Taurog (Director)
|
Ziegfeld Follies
|
1946
|
|
Vincente Minnelli (Director)
|
Ziegfeld Follies
|
1946
|
|
Roy Del Ruth (Director)
|
Ziegfeld Follies
|
1946
|
|
George Sidney (Director)
|
Ziegfeld Follies
|
1946
|
|
Charles Walters (Director)
|
Ziegfeld Follies
|
1946
|
|
Irene (Costume Designer)
|
Ziegfeld Follies
|
1946
|
|
Sam Zimbalist (Producer)
|
Adventure
|
1945
|
|
Victor Fleming (Director)
|
Adventure
|
1945
|
|
Irene Sharaff (Costume Designer)
|
Adventure
|
1945
|
|
Stanley Donen (Choreography)
|
Anchors Aweigh
|
1945
|
|
Joe Pasternak (Producer)
|
Anchors Aweigh
|
1945
|
|
George Sidney (Director)
|
Anchors Aweigh
|
1945
|
|
Irene (Costume Designer)
|
Anchors Aweigh
|
1945
|
|
Gene Kelly (Choreography)
|
Anchors Aweigh
|
1945
|
|
Arch Oboler (Director)
|
Bewitched
|
1945
|
|
Jerry Bresler (Producer)
|
Bewitched
|
1945
|
|
Arthur Freed (Producer)
|
The Clock
|
1945
|
|
Vincente Minnelli (Director)
|
The Clock
|
1945
|
|
Irene (Costume Designer)
|
The Clock
|
1945
|
|
Karl W. Freund (Cinematographer)
|
Dangerous Partners
|
1945
|
|
Charles Walters (Choreography)
|
Her Highness and the Bellboy
|
1945
|
|
Harry Stradling (Cinematographer)
|
Her Highness and the Bellboy
|
1945
|
|
Joe Pasternak (Producer)
|
Her Highness and the Bellboy
|
1945
|
|
Richard Thorpe (Director)
|
Her Highness and the Bellboy
|
1945
|
|
Irene Sharaff (Costume Designer)
|
Her Highness and the Bellboy
|
1945
|
|
Richard Whorf (Director)
|
The Hidden Eye
|
1945
|
|
Irene Sharaff (Costume Designer)
|
The Hidden Eye
|
1945
|
|
Edward N. Buzzell (Director)
|
Keep Your Powder Dry
|
1945
|
|
Irene (Costume Designer)
|
Keep Your Powder Dry
|
1945
|
|
Karl W. Freund (Cinematographer)
|
A Letter for Evie
|
1945
|
|
Jules Dassin (Director)
|
A Letter for Evie
|
1945
|
|
Roy Rowland (Director)
|
Our Vines Have Tender Grapes
|
1945
|
|
Robert Surtees (Cinematographer)
|
Our Vines Have Tender Grapes
|
1945
|
|
Irene (Costume Designer)
|
Our Vines Have Tender Grapes
|
1945
|
|
Irene Sharaff (Costume Designer)
|
The Picture of Dorian Gray
|
1945
|
|
Albert Lewin (Director)
|
The Picture of Dorian Gray
|
1945
|
|
Harry Stradling (Cinematographer)
|
The Picture of Dorian Gray
|
1945
|
|
Pandro S. Berman (Producer)
|
The Picture of Dorian Gray
|
1945
|
|
Irene (Costume Designer)
|
Son of Lassie
|
1945
|
|
Samuel Marx (Producer)
|
Son of Lassie
|
1945
|
|
John Ford (Director)
|
They Were Expendable
|
1945
|
|
Joseph H. August (Cinematographer)
|
They Were Expendable
|
1945
|
|
John Ford (Producer)
|
They Were Expendable
|
1945
|
|
Samuel Marx (Producer)
|
This Man's Navy
|
1945
|
|
William Wellman (Director)
|
This Man's Navy
|
1945
|
|
Irene (Costume Designer)
|
Thrill of a Romance
|
1945
|
|
Joe Pasternak (Producer)
|
Thrill of a Romance
|
1945
|
|
Harry Stradling (Cinematographer)
|
Thrill of a Romance
|
1945
|
|
Richard Thorpe (Director)
|
Thrill of a Romance
|
1945
|
|
Irene Sharaff (Costume Designer)
|
Twice Blessed
|
1945
|
|
Tay Garnett (Director)
|
The Valley of Decision
|
1945
|
|
Edwin H. Knopf (Producer)
|
The Valley of Decision
|
1945
|
|
Irene Sharaff (Costume Designer)
|
The Valley of Decision
|
1945
|
|
Robert Z. Leonard (Producer)
|
Weekend at the Waldorf
|
1945
|
|
Arthur Hornblow, Jr. (Producer)
|
Weekend at the Waldorf
|
1945
|
|
Charles Walters (Choreography)
|
Weekend at the Waldorf
|
1945
|
|
Robert Z. Leonard (Director)
|
Weekend at the Waldorf
|
1945
|
|
Irene (Costume Designer)
|
Weekend at the Waldorf
|
1945
|
|
Richard Thorpe (Director)
|
What Next, Corporal Hargrove?
|
1945
|
|
Karl W. Freund (Cinematographer)
|
Without Love
|
1945
|
|
Irene (Costume Designer)
|
Without Love
|
1945
|
|
Arthur Freed (Producer)
|
Yolanda and the Thief
|
1945
|
|
Charles Rosher Sr. (Cinematographer)
|
Yolanda and the Thief
|
1945
|
|
Jack Martin Smith (Art Director)
|
Yolanda and the Thief
|
1945
|
|
Vincente Minnelli (Director)
|
Yolanda and the Thief
|
1945
|
|
Irene (Costume Designer)
|
Yolanda and the Thief
|
1945
|
|
King Vidor (Director)
|
An American Romance
|
1944
|
|
Harold Hal Rosson (Cinematographer)
|
An American Romance
|
1944
|
|
King Vidor (Producer)
|
An American Romance
|
1944
|
|
Irene Sharaff (Costume Designer)
|
Andy Hardy's Blonde Trouble
|
1944
|
|
George B. Seitz (Director)
|
Andy Hardy's Blonde Trouble
|
1944
|
|
Roy Del Ruth (Director)
|
Barbary Coast Gent
|
1944
|
|
Harold Hal Rosson (Cinematographer)
|
Between Two Women
|
1944
|
|
Jack Conway (Director)
|
Dragon Seed
|
1944
|
|
Harold Kress (Editor)
|
Dragon Seed
|
1944
|
|
Pandro S. Berman (Producer)
|
Dragon Seed
|
1944
|
|
George Cukor (Director)
|
Gaslight
|
1944
|
|
Irene Sharaff (Costume Designer)
|
Gaslight
|
1944
|
|
Arthur Hornblow, Jr. (Producer)
|
Gaslight
|
1944
|
|
Irene Sharaff (Costume Designer)
|
Gentle Annie
|
1944
|
|
Andrew Marton (Director)
|
Gentle Annie
|
1944
|
|
Karl W. Freund (Cinematographer)
|
A Guy Named Joe
|
1944
|
|
Irene (Costume Designer)
|
A Guy Named Joe
|
1944
|
|
Victor Fleming (Director)
|
A Guy Named Joe
|
1944
|
|
Charles Rosher Sr. (Cinematographer)
|
Kismet
|
1944
|
|
William Dieterle (Director)
|
Kismet
|
1944
|
|
Irene (Costume Designer)
|
Kismet
|
1944
|
|
Robert Surtees (Cinematographer)
|
Lost Angel
|
1944
|
|
Roy Rowland (Director)
|
Lost Angel
|
1944
|
|
Jerry Bresler (Producer)
|
Main Street After Dark
|
1944
|
|
Pandro S. Berman (Producer)
|
Marriage Is a Private Affair
|
1944
|
|
Robert Z. Leonard (Director)
|
Marriage Is a Private Affair
|
1944
|
|
Irene (Costume Designer)
|
Marriage Is a Private Affair
|
1944
|
|
Arthur Freed (Producer)
|
Meet Me in St. Louis
|
1944
|
|
Charles Walters (Choreography)
|
Meet Me in St. Louis
|
1944
|
|
Irene Sharaff (Costume Designer)
|
Meet Me in St. Louis
|
1944
|
|
Vincente Minnelli (Director)
|
Meet Me in St. Louis
|
1944
|
|
Charles Walters (Choreography)
|
Meet the People
|
1944
|
|
Robert Surtees (Cinematographer)
|
Meet the People
|
1944
|
|
Tay Garnett (Director)
|
Mrs. Parkington
|
1944
|
|
Joe Pasternak (Producer)
|
Music for Millions
|
1944
|
|
Robert Surtees (Cinematographer)
|
Music for Millions
|
1944
|
|
Irene (Costume Designer)
|
Music for Millions
|
1944
|
|
Henry Koster (Director)
|
Music for Millions
|
1944
|
|
Pandro S. Berman (Producer)
|
National Velvet
|
1944
|
|
Irene (Costume Designer)
|
National Velvet
|
1944
|
|
Clarence Brown (Director)
|
National Velvet
|
1944
|
|
Irene (Costume Designer)
|
Nothing But Trouble
|
1944
|
|
Charles Lawton (Cinematographer)
|
See Here, Private Hargrove
|
1944
|
|
Tay Garnett (Director)
|
See Here, Private Hargrove
|
1944
|
|
Wesley Ruggles (Director)
|
See Here, Private Hargrove
|
1944
|
|
Pandro S. Berman (Producer)
|
The Seventh Cross
|
1944
|
|
Karl W. Freund (Cinematographer)
|
The Seventh Cross
|
1944
|
|
Irene (Costume Designer)
|
The Seventh Cross
|
1944
|
|
Fred Zinnemann (Director)
|
The Seventh Cross
|
1944
|
|
Karl W. Freund (Cinematographer)
|
The Thin Man Goes Home
|
1944
|
|
Irene Sharaff (Costume Designer)
|
The Thin Man Goes Home
|
1944
|
|
Richard Thorpe (Director)
|
The Thin Man Goes Home
|
1944
|
|
Sam Zimbalist (Producer)
|
Thirty Seconds Over Tokyo
|
1944
|
|
Mervyn LeRoy (Director)
|
Thirty Seconds Over Tokyo
|
1944
|
|
Robert Surtees (Cinematographer)
|
Thirty Seconds Over Tokyo
|
1944
|
|
Harold Hal Rosson (Cinematographer)
|
Thirty Seconds Over Tokyo
|
1944
|
|
Irene (Costume Designer)
|
Three Men in White
|
1944
|
|
Irene (Costume Designer)
|
Two Girls and a Sailor
|
1944
|
|
Joe Pasternak (Producer)
|
Two Girls and a Sailor
|
1944
|
|
Robert Surtees (Cinematographer)
|
Two Girls and a Sailor
|
1944
|
|
Richard Thorpe (Director)
|
Two Girls and a Sailor
|
1944
|
|
Irene (Costume Designer)
|
The White Cliffs of Dover
|
1944
|
|
Clarence Brown (Director)
|
The White Cliffs of Dover
|
1944
|
|
Richard Thorpe (Director)
|
Above Suspicion
|
1943
|
|
Irene (Costume Designer)
|
Above Suspicion
|
1943
|
|
Tay Garnett (Director)
|
Bataan
|
1943
|
|
Irene (Costume Designer)
|
Best Foot Forward
|
1943
|
|
Arthur Freed (Producer)
|
Best Foot Forward
|
1943
|
|
Edward N. Buzzell (Director)
|
Best Foot Forward
|
1943
|
|
Charles Walters (Choreography)
|
Best Foot Forward
|
1943
|
|
Harold Kress (Editor)
|
Cabin in the Sky
|
1943
|
|
Vincente Minnelli (Director)
|
Cabin in the Sky
|
1943
|
|
Arthur Freed (Producer)
|
Cabin in the Sky
|
1943
|
|
Edwin H. Knopf (Producer)
|
The Cross of Lorraine
|
1943
|
|
Tay Garnett (Director)
|
The Cross of Lorraine
|
1943
|
|
Edwin H. Knopf (Producer)
|
Cry Havoc
|
1943
|
|
Karl W. Freund (Cinematographer)
|
Cry Havoc
|
1943
|
|
Richard Thorpe (Director)
|
Cry Havoc
|
1943
|
|
Norbert F. Brodin (Cinematographer)
|
Dr. Gillespie's Criminal Case
|
1943
|
|
Arthur Freed (Producer)
|
Du Barry Was a Lady
|
1943
|
|
Karl W. Freund (Cinematographer)
|
Du Barry Was a Lady
|
1943
|
|
Charles Walters (Choreography)
|
Du Barry Was a Lady
|
1943
|
|
Roy Del Ruth (Director)
|
Du Barry Was a Lady
|
1943
|
|
Irene (Costume Designer)
|
Du Barry Was a Lady
|
1943
|
|
Arthur Freed (Producer)
|
Girl Crazy
|
1943
|
|
Charles Walters (Choreography)
|
Girl Crazy
|
1943
|
|
Busby Berkeley (Choreography)
|
Girl Crazy
|
1943
|
|
William H. Daniels (Cinematographer)
|
Girl Crazy
|
1943
|
|
Irene (Costume Designer)
|
Girl Crazy
|
1943
|
|
Busby Berkeley (Director)
|
Girl Crazy
|
1943
|
|
Norman Taurog (Director)
|
Girl Crazy
|
1943
|
|
Arthur Hornblow, Jr. (Producer)
|
The Heavenly Body
|
1943
|
|
Irene (Costume Designer)
|
The Heavenly Body
|
1943
|
|
Harry Stradling (Cinematographer)
|
The Human Comedy
|
1943
|
|
Clarence Brown (Producer)
|
The Human Comedy
|
1943
|
|
Irene Sharaff (Costume Designer)
|
The Human Comedy
|
1943
|
|
Clarence Brown (Director)
|
The Human Comedy
|
1943
|
|
Irene Sharaff (Costume Designer)
|
I Dood It
|
1943
|
|
Vincente Minnelli (Director)
|
I Dood It
|
1943
|
|
Jack Cummings (Producer)
|
I Dood It
|
1943
|
|
Samuel Marx (Producer)
|
Lassie Come Home
|
1943
|
|
Irene Sharaff (Costume Designer)
|
Madame Curie
|
1943
|
|
Mervyn LeRoy (Director)
|
Madame Curie
|
1943
|
|
Harold Kress (Editor)
|
Madame Curie
|
1943
|
|
Robert Z. Leonard (Producer)
|
The Man from Down Under
|
1943
|
|
Robert Z. Leonard (Director)
|
The Man from Down Under
|
1943
|
|
George Sidney (Director)
|
Pilot No. 5
|
1943
|
|
Joe Pasternak (Producer)
|
Presenting Lily Mars
|
1943
|
|
Norman Taurog (Director)
|
Presenting Lily Mars
|
1943
|
|
Irene (Costume Designer)
|
Slightly Dangerous
|
1943
|
|
Wesley Ruggles (Director)
|
Slightly Dangerous
|
1943
|
|
Pandro S. Berman (Producer)
|
Slightly Dangerous
|
1943
|
|
Harold Hal Rosson (Cinematographer)
|
Slightly Dangerous
|
1943
|
|
Joe Pasternak (Producer)
|
Song of Russia
|
1943
|
|
Gregory Ratoff (Director)
|
Song of Russia
|
1943
|
|
Harry Stradling (Cinematographer)
|
Song of Russia
|
1943
|
|
Irene Sharaff (Costume Designer)
|
A Stranger in Town
|
1943
|
|
Roy Rowland (Director)
|
A Stranger in Town
|
1943
|
|
Charles Rosher Sr. (Cinematographer)
|
Swing Fever
|
1943
|
|
Norman Z. McLeod (Director)
|
Swing Shift Maisie
|
1943
|
|
Irene Sharaff (Costume Designer)
|
Swing Shift Maisie
|
1943
|
|
Harry Stradling (Cinematographer)
|
Swing Shift Maisie
|
1943
|
|
Irene (Costume Designer)
|
Thousands Cheer
|
1943
|
|
George Sidney (Director)
|
Thousands Cheer
|
1943
|
|
Joe Pasternak (Producer)
|
Thousands Cheer
|
1943
|
|
Richard Thorpe (Director)
|
Three Hearts for Julia
|
1943
|
|
Irene (Costume Designer)
|
Three Hearts for Julia
|
1943
|
|
Charles Lawton (Cinematographer)
|
Young Ideas
|
1943
|
|
Jules Dassin (Director)
|
Young Ideas
|
1943
|
|
Edward N. Buzzell (Director)
|
The Youngest Profession
|
1943
|
|
Irene (Costume Designer)
|
The Youngest Profession
|
1943
|
|
Charles Lawton (Cinematographer)
|
The Youngest Profession
|
1943
|
|
Jules Dassin (Director)
|
The Affairs of Martha
|
1942
|
|
Charles Lawton (Cinematographer)
|
The Affairs of Martha
|
1942
|
|
George B. Seitz (Director)
|
Andy Hardy's Double Life
|
1942
|
|
Joseph L. Mankiewicz (Producer)
|
Cairo
|
1942
|
|
W.S. Van Dyke (Director)
|
Cairo
|
1942
|
|
Edwin H. Knopf (Producer)
|
Crossroads
|
1942
|
|
Jack Conway (Director)
|
Crossroads
|
1942
|
|
Charles Lawton (Cinematographer)
|
Eyes in the Night
|
1942
|
|
Fred Zinnemann (Director)
|
Eyes in the Night
|
1942
|
|
Harry Stradling (Cinematographer)
|
Fingers at the Window
|
1942
|
|
Charles Lawton (Cinematographer)
|
Fingers at the Window
|
1942
|
|
Charles Lederer (Director)
|
Fingers at the Window
|
1942
|
|
Busby Berkeley (Director)
|
For Me and My Gal
|
1942
|
|
Arthur Freed (Producer)
|
For Me and My Gal
|
1942
|
|
William H. Daniels (Cinematographer)
|
For Me and My Gal
|
1942
|
|
Gene Kelly (Choreography)
|
For Me and My Gal
|
1942
|
|
Harry Stradling (Cinematographer)
|
Her Cardboard Lover
|
1942
|
|
George Cukor (Director)
|
Her Cardboard Lover
|
1942
|
|
W.S. Van Dyke (Director)
|
I Married an Angel
|
1942
|
|
Hunt Stromberg (Producer)
|
I Married an Angel
|
1942
|
|
Clyde de Vinna (Cinematographer)
|
Jackals
|
1942
|
|
Norman Z. McLeod (Director)
|
Jackals
|
1942
|
|
Clyde de Vinna (Cinematographer)
|
Jackass Mail
|
1942
|
|
Norman Z. McLeod (Director)
|
Jackass Mail
|
1942
|
|
Richard Thorpe (Director)
|
Joe Smith, American
|
1942
|
|
Charles Lawton (Cinematographer)
|
Joe Smith, American
|
1942
|
|
W.S. Van Dyke (Director)
|
Journey for Margaret
|
1942
|
|
Adrian (Costume Designer)
|
Keeper of the Flame
|
1942
|
|
William H. Daniels (Cinematographer)
|
Keeper of the Flame
|
1942
|
|
George Cukor (Director)
|
Keeper of the Flame
|
1942
|
|
Fred Zinnemann (Director)
|
Kid Glove Killer
|
1942
|
|
Harry Stradling (Cinematographer)
|
Maisie Gets Her Man
|
1942
|
|
Roy Del Ruth (Director)
|
Maisie Gets Her Man
|
1942
|
|
Harold Kress (Editor)
|
Mrs. Miniver
|
1942
|
|
William Wyler (Director)
|
Mrs. Miniver
|
1942
|
|
Samuel Marx (Producer)
|
Northwest Rangers
|
1942
|
|
Edward N. Buzzell (Director)
|
The Omaha Trail
|
1942
|
|
Harry Kurnitz (Editor)
|
Pacific Rendezvous
|
1942
|
|
Harry Kurnitz (Producer)
|
Pacific Rendezvous
|
1942
|
|
Harry Kurnitz (Costume Designer)
|
Pacific Rendezvous
|
1942
|
|
George Sidney (Director)
|
Pacific Rendezvous
|
1942
|
|
Arthur Freed (Producer)
|
Panama Hattie
|
1942
|
|
Vincente Minnelli (Choreography)
|
Panama Hattie
|
1942
|
|
Norman Z. McLeod (Director)
|
Panama Hattie
|
1942
|
|
Charles Rosher Sr. (Cinematographer)
|
Pierre of the Plains
|
1942
|
|
George B. Seitz (Director)
|
Pierre of the Plains
|
1942
|
|
Mervyn LeRoy (Director)
|
Random Harvest
|
1942
|
|
Harold Kress (Editor)
|
Random Harvest
|
1942
|
|
Joseph L. Mankiewicz (Producer)
|
Reunion in France
|
1942
|
|
Jules Dassin (Director)
|
Reunion in France
|
1942
|
|
Irene (Costume Designer)
|
Reunion in France
|
1942
|
|
Joe Pasternak (Producer)
|
Seven Sweethearts
|
1942
|
|
Frank Borzage (Director)
|
Seven Sweethearts
|
1942
|
|
Jack Cummings (Producer)
|
Ship Ahoy
|
1942
|
|
Edward N. Buzzell (Director)
|
Ship Ahoy
|
1942
|
|
Pandro S. Berman (Producer)
|
Somewhere I'll Find You
|
1942
|
|
Harold Hal Rosson (Cinematographer)
|
Somewhere I'll Find You
|
1942
|
|
Wesley Ruggles (Director)
|
Somewhere I'll Find You
|
1942
|
|
Robert Z. Leonard (Producer)
|
Stand by for Action
|
1942
|
|
Robert Z. Leonard (Director)
|
Stand by for Action
|
1942
|
|
Charles Rosher Sr. (Cinematographer)
|
Stand by for Action
|
1942
|
|
Richard Thorpe (Director)
|
Tarzan's New York Adventure
|
1942
|
|
Harold Hal Rosson (Cinematographer)
|
Tennessee Johnson
|
1942
|
|
William Dieterle (Director)
|
Tennessee Johnson
|
1942
|
|
Victor Fleming (Director)
|
Tortilla Flat
|
1942
|
|
Karl W. Freund (Cinematographer)
|
Tortilla Flat
|
1942
|
|
Sam Zimbalist (Producer)
|
Tortilla Flat
|
1942
|
|
Irving Asher (Producer)
|
The War Against Mrs. Hadley
|
1942
|
|
Karl W. Freund (Cinematographer)
|
The War Against Mrs. Hadley
|
1942
|
|
Robert Z. Leonard (Director)
|
We Were Dancing
|
1942
|
|
Adrian (Costume Designer)
|
We Were Dancing
|
1942
|
|
Robert Z. Leonard (Producer)
|
We Were Dancing
|
1942
|
|
Clyde de Vinna (Cinematographer)
|
Whistling in Dixie
|
1942
|
|
Harry Stradling (Cinematographer)
|
White Cargo
|
1942
|
|
Richard Thorpe (Director)
|
White Cargo
|
1942
|
|
Adrian (Costume Designer)
|
Woman of the Year
|
1942
|
|
Joseph L. Mankiewicz (Producer)
|
Woman of the Year
|
1942
|
|
George Stevens (Director)
|
Woman of the Year
|
1942
|
|
Norman Taurog (Director)
|
A Yank at Eton
|
1942
|
|
Karl W. Freund (Cinematographer)
|
A Yank at Eton
|
1942
|
|
Charles Lawton (Cinematographer)
|
A Yank at Eton
|
1942
|
|
Charles Lawton (Cinematographer)
|
The Big Store
|
1941
|
|
Irving Asher (Producer)
|
Billy the Kid
|
1941
|
|
Irving Asher (Producer)
|
Blossoms in the Dust
|
1941
|
|
Karl W. Freund (Cinematographer)
|
Blossoms in the Dust
|
1941
|
|
Mervyn LeRoy (Producer)
|
Blossoms in the Dust
|
1941
|
|
Mervyn LeRoy (Director)
|
Blossoms in the Dust
|
1941
|
|
Adrian (Costume Designer)
|
Blossoms in the Dust
|
1941
|
|
Karl W. Freund (Cinematographer)
|
The Chocolate Soldier
|
1941
|
|
Adrian (Costume Designer)
|
The Chocolate Soldier
|
1941
|
|
Roy Del Ruth (Director)
|
The Chocolate Soldier
|
1941
|
|
Clarence Brown (Producer)
|
Come Live with Me
|
1941
|
|
Adrian (Costume Designer)
|
Come Live with Me
|
1941
|
|
Clarence Brown (Director)
|
Come Live with Me
|
1941
|
|
Norman Taurog (Director)
|
Design for Scandal
|
1941
|
|
William H. Daniels (Cinematographer)
|
Design for Scandal
|
1941
|
|
Adrian (Costume Designer)
|
Dr. Jekyll and Mr. Hyde
|
1941
|
|
Victor Fleming (Director)
|
Dr. Jekyll and Mr. Hyde
|
1941
|
|
Harold Kress (Editor)
|
Dr. Jekyll and Mr. Hyde
|
1941
|
|
Victor Fleming (Producer)
|
Dr. Jekyll and Mr. Hyde
|
1941
|
|
W.S. Van Dyke (Director)
|
The Feminine Touch
|
1941
|
|
Adrian (Costume Designer)
|
The Feminine Touch
|
1941
|
|
Joseph L. Mankiewicz (Producer)
|
The Feminine Touch
|
1941
|
|
Charles Lawton (Cinematographer)
|
Free and Easy
|
1941
|
|
George Sidney (Director)
|
Free and Easy
|
1941
|
|
Edward N. Buzzell (Director)
|
The Get-Away
|
1941
|
|
Harold Kress (Editor)
|
H.M. Pulham, Esq.
|
1941
|
|
King Vidor (Director)
|
H.M. Pulham, Esq.
|
1941
|
|
King Vidor (Producer)
|
H.M. Pulham, Esq.
|
1941
|
|
Jack Conway (Director)
|
Honky Tonk
|
1941
|
|
Pandro S. Berman (Producer)
|
Honky Tonk
|
1941
|
|
Harold Hal Rosson (Cinematographer)
|
Honky Tonk
|
1941
|
|
Harold Hal Rosson (Cinematographer)
|
Johnny Eager
|
1941
|
|
Mervyn LeRoy (Director)
|
Johnny Eager
|
1941
|
|
Oliver Marsh (Cinematographer)
|
Lady Be Good
|
1941
|
|
Busby Berkeley (Choreography)
|
Lady Be Good
|
1941
|
|
Norman Z. McLeod (Director)
|
Lady Be Good
|
1941
|
|
Adrian (Costume Designer)
|
Lady Be Good
|
1941
|
|
Arthur Freed (Producer)
|
Lady Be Good
|
1941
|
|
George B. Seitz (Producer)
|
Life Begins for Andy Hardy
|
1941
|
|
George B. Seitz (Director)
|
Life Begins for Andy Hardy
|
1941
|
|
Jack Conway (Director)
|
Love Crazy
|
1941
|
|
Pandro S. Berman (Producer)
|
Love Crazy
|
1941
|
|
Edward N. Buzzell (Director)
|
Married Bachelor
|
1941
|
|
Harold Hal Rosson (Cinematographer)
|
Men of Boys Town
|
1941
|
|
Norman Taurog (Director)
|
Men of Boys Town
|
1941
|
|
Irving Asher (Producer)
|
Mr. and Mrs. North
|
1941
|
|
Harry Stradling (Cinematographer)
|
Mr. and Mrs. North
|
1941
|
|
Adrian (Costume Designer)
|
Rage in Heaven
|
1941
|
|
Oliver Marsh (Cinematographer)
|
Rage in Heaven
|
1941
|
|
Harold Kress (Editor)
|
Rage in Heaven
|
1941
|
|
W.S. Van Dyke (Director)
|
Rage in Heaven
|
1941
|
|
Charles Lawton (Cinematographer)
|
Ringside Maisie
|
1941
|
|
Hunt Stromberg (Producer)
|
Shadow of the Thin Man
|
1941
|
|
William H. Daniels (Cinematographer)
|
Shadow of the Thin Man
|
1941
|
|
W.S. Van Dyke (Director)
|
Shadow of the Thin Man
|
1941
|
|
Adrian (Costume Designer)
|
Smilin' Through
|
1941
|
|
Frank Borzage (Director)
|
Smilin' Through
|
1941
|
|
Clyde de Vinna (Cinematographer)
|
Tarzan's Secret Treasure
|
1941
|
|
Richard Thorpe (Director)
|
Tarzan's Secret Treasure
|
1941
|
|
Hunt Stromberg (Producer)
|
They Met in Bombay
|
1941
|
|
William H. Daniels (Cinematographer)
|
They Met in Bombay
|
1941
|
|
Clarence Brown (Director)
|
They Met in Bombay
|
1941
|
|
Norman Z. McLeod (Director)
|
The Trial of Mary Dugan
|
1941
|
|
Edwin H. Knopf (Producer)
|
The Trial of Mary Dugan
|
1941
|
|
George Cukor (Director)
|
Two-Faced Woman
|
1941
|
|
Adrian (Costume Designer)
|
Two-Faced Woman
|
1941
|
|
Harold Kress (Editor)
|
Unholy Partners
|
1941
|
|
Mervyn LeRoy (Director)
|
Unholy Partners
|
1941
|
|
Samuel Marx (Producer)
|
Unholy Partners
|
1941
|
|
George Barnes (Cinematographer)
|
Unholy Partners
|
1941
|
|
Edwin H. Knopf (Producer)
|
The Vanishing Virginian
|
1941
|
|
Frank Borzage (Director)
|
The Vanishing Virginian
|
1941
|
|
Charles Lawton (Cinematographer)
|
The Vanishing Virginian
|
1941
|
|
Harold Hal Rosson (Cinematographer)
|
Washington Melodrama
|
1941
|
|
Adrian (Costume Designer)
|
When Ladies Meet
|
1941
|
|
Anita Loos (Director)
|
When Ladies Meet
|
1941
|
|
Robert Z. Leonard (Producer)
|
When Ladies Meet
|
1941
|
|
Robert Z. Leonard (Director)
|
When Ladies Meet
|
1941
|
|
Oliver Marsh (Cinematographer)
|
The Wild Man of Borneo
|
1941
|
|
Joseph L. Mankiewicz (Producer)
|
The Wild Man of Borneo
|
1941
|
|
Pandro S. Berman (Producer)
|
Ziegfeld Girl
|
1941
|
|
Busby Berkeley (Choreography)
|
Ziegfeld Girl
|
1941
|
|
Robert Z. Leonard (Director)
|
Ziegfeld Girl
|
1941
|
|
Adrian (Costume Designer)
|
Ziegfeld Girl
|
1941
|
|
Oliver Marsh (Cinematographer)
|
Bitter Sweet
|
1940
|
|
Adrian (Costume Designer)
|
Bitter Sweet
|
1940
|
|
W.S. Van Dyke (Director)
|
Bitter Sweet
|
1940
|
|
Harold Kress (Editor)
|
Bitter Sweet
|
1940
|
|
Sam Zimbalist (Producer)
|
Boom Town
|
1940
|
|
Harold Hal Rosson (Cinematographer)
|
Boom Town
|
1940
|
|
Paul Landres (Editor)
|
Boom Town
|
1940
|
|
Jack Conway (Director)
|
Boom Town
|
1940
|
|
Adrian (Costume Designer)
|
Boom Town
|
1940
|
|
Jack Cummings (Producer)
|
Broadway Melody of 1940
|
1940
|
|
Oliver Marsh (Cinematographer)
|
Broadway Melody of 1940
|
1940
|
|
Adrian (Costume Designer)
|
Broadway Melody of 1940
|
1940
|
|
Norman Taurog (Director)
|
Broadway Melody of 1940
|
1940
|
|
Harold Kress (Editor)
|
Comrade X
|
1940
|
|
Adrian (Costume Designer)
|
Comrade X
|
1940
|
|
King Vidor (Director)
|
Comrade X
|
1940
|
|
Charles Lawton (Cinematographer)
|
Congo Maisie
|
1940
|
|
John F. Seitz (Cinematographer)
|
Dr. Kildare's Crisis
|
1940
|
|
John F. Seitz (Cinematographer)
|
Dr. Kildare's Strange Case
|
1940
|
|
Charles Lawton (Cinematographer)
|
Dulcy
|
1940
|
|
Richard Thorpe (Director)
|
The Earl of Chicago
|
1940
|
|
Clarence Brown (Director)
|
Edison, the Man
|
1940
|
|
Harold Hal Rosson (Cinematographer)
|
Edison, the Man
|
1940
|
|
Adrian (Costume Designer)
|
Escape
|
1940
|
|
Mervyn LeRoy (Producer)
|
Escape
|
1940
|
|
Mervyn LeRoy (Director)
|
Escape
|
1940
|
|
Harold Hal Rosson (Cinematographer)
|
Flight Command
|
1940
|
|
Frank Borzage (Director)
|
Flight Command
|
1940
|
|
Karl W. Freund (Cinematographer)
|
Florian
|
1940
|
|
Charles Lawton (Cinematographer)
|
Forty Little Mothers
|
1940
|
|
Busby Berkeley (Director)
|
Forty Little Mothers
|
1940
|
|
William Thiele (Director)
|
The Ghost Comes Home
|
1940
|
|
Edward N. Buzzell (Director)
|
Go West
|
1940
|
|
Jack Cummings (Producer)
|
Go West
|
1940
|
|
Charles Lawton (Cinematographer)
|
Gold Rush Maisie
|
1940
|
|
Oliver Marsh (Cinematographer)
|
I Love You Again
|
1940
|
|
W.S. Van Dyke (Director)
|
I Love You Again
|
1940
|
|
Josef von Sternberg (Director)
|
I Take This Woman
|
1940
|
|
Adrian (Costume Designer)
|
I Take This Woman
|
1940
|
|
Harold Hal Rosson (Cinematographer)
|
I Take This Woman
|
1940
|
|
W.S. Van Dyke (Director)
|
I Take This Woman
|
1940
|
|
Norman Taurog (Director)
|
Little Nellie Kelly
|
1940
|
|
Arthur Freed (Producer)
|
Little Nellie Kelly
|
1940
|
|
Edward Chodorov (Producer)
|
The Man from Dakota
|
1940
|
|
Frank Borzage (Producer)
|
The Mortal Storm
|
1940
|
|
William H. Daniels (Cinematographer)
|
The Mortal Storm
|
1940
|
|
Frank Borzage (Director)
|
The Mortal Storm
|
1940
|
|
Adrian (Costume Designer)
|
The Mortal Storm
|
1940
|
|
Adrian (Costume Designer)
|
New Moon
|
1940
|
|
Harold Kress (Editor)
|
New Moon
|
1940
|
|
Robert Z. Leonard (Director)
|
New Moon
|
1940
|
|
Robert Z. Leonard (Producer)
|
New Moon
|
1940
|
|
William H. Daniels (Cinematographer)
|
New Moon
|
1940
|
|
King Vidor (Director)
|
Northwest Passage
|
1940
|
|
Jack Conway (Director)
|
Northwest Passage
|
1940
|
|
Hunt Stromberg (Producer)
|
Northwest Passage
|
1940
|
|
George Cukor (Director)
|
The Philadelphia Story
|
1940
|
|
Joseph L. Mankiewicz (Producer)
|
The Philadelphia Story
|
1940
|
|
Adrian (Costume Designer)
|
The Philadelphia Story
|
1940
|
|
Adrian (Costume Designer)
|
Pride and Prejudice
|
1940
|
|
Robert Z. Leonard (Director)
|
Pride and Prejudice
|
1940
|
|
Hunt Stromberg (Producer)
|
Pride and Prejudice
|
1940
|
|
Karl W. Freund (Cinematographer)
|
Pride and Prejudice
|
1940
|
|
William H. Daniels (Cinematographer)
|
The Shop Around the Corner
|
1940
|
|
Ernst Lubitsch (Director)
|
The Shop Around the Corner
|
1940
|
|
Ernst Lubitsch (Producer)
|
The Shop Around the Corner
|
1940
|
|
Charles Lawton (Cinematographer)
|
Sky Murder
|
1940
|
|
George B. Seitz (Director)
|
Sky Murder
|
1940
|
|
Joseph L. Mankiewicz (Producer)
|
Strange Cargo
|
1940
|
|
Frank Borzage (Director)
|
Strange Cargo
|
1940
|
|
Arthur Freed (Producer)
|
Strike up the Band
|
1940
|
|
Busby Berkeley (Director)
|
Strike up the Band
|
1940
|
|
George Cukor (Director)
|
Susan and God
|
1940
|
|
Adrian (Costume Designer)
|
Susan and God
|
1940
|
|
Hunt Stromberg (Producer)
|
Susan and God
|
1940
|
|
Robert Z. Leonard (Director)
|
Third Finger, Left Hand
|
1940
|
|
Jack Cummings (Producer)
|
Two Girls on Broadway
|
1940
|
|
Adrian (Costume Designer)
|
Waterloo Bridge
|
1940
|
|
Mervyn LeRoy (Director)
|
Waterloo Bridge
|
1940
|
|
Karl W. Freund (Cinematographer)
|
We Who Are Young
|
1940
|
|
Norman Taurog (Director)
|
Young Tom Edison
|
1940
|
|
John F. Seitz (Cinematographer)
|
6,000 Enemies
|
1939
|
|
George B. Seitz (Director)
|
6,000 Enemies
|
1939
|
|
W.S. Van Dyke (Producer)
|
Another Thin Man
|
1939
|
|
Hunt Stromberg (Producer)
|
Another Thin Man
|
1939
|
|
William H. Daniels (Cinematographer)
|
Another Thin Man
|
1939
|
|
Oliver Marsh (Cinematographer)
|
Another Thin Man
|
1939
|
|
W.S. Van Dyke (Director)
|
Another Thin Man
|
1939
|
|
Mervyn LeRoy (Producer)
|
At the Circus
|
1939
|
|
Edward N. Buzzell (Director)
|
At the Circus
|
1939
|
|
Arthur Freed (Producer)
|
Babes in Arms
|
1939
|
|
Busby Berkeley (Director)
|
Babes in Arms
|
1939
|
|
John F. Seitz (Cinematographer)
|
Bad Little Angel
|
1939
|
|
William Thiele (Director)
|
Bad Little Angel
|
1939
|
|
Karl W. Freund (Cinematographer)
|
Balalaika
|
1939
|
|
Adrian (Costume Designer)
|
Balalaika
|
1939
|
|
Harold Kress (Editor)
|
Broadway Serenade
|
1939
|
|
Robert Z. Leonard (Producer)
|
Broadway Serenade
|
1939
|
|
Busby Berkeley (Choreography)
|
Broadway Serenade
|
1939
|
|
Oliver Marsh (Cinematographer)
|
Broadway Serenade
|
1939
|
|
Adrian (Costume Designer)
|
Broadway Serenade
|
1939
|
|
Robert Z. Leonard (Director)
|
Broadway Serenade
|
1939
|
|
Nat Levine (Producer)
|
Four Girls in White
|
1939
|
|
George B. Seitz (Director)
|
The Hardys Ride High
|
1939
|
|
John F. Seitz (Cinematographer)
|
The Hardys Ride High
|
1939
|
|
Oliver Marsh (Cinematographer)
|
The Ice Follies of 1939
|
1939
|
|
Adrian (Costume Designer)
|
The Ice Follies of 1939
|
1939
|
|
William H. Daniels (Cinematographer)
|
Idiot's Delight
|
1939
|
|
Clarence Brown (Director)
|
Idiot's Delight
|
1939
|
|
Adrian (Costume Designer)
|
Idiot's Delight
|
1939
|
|
Hunt Stromberg (Producer)
|
Idiot's Delight
|
1939
|
|
W.S. Van Dyke (Director)
|
It's a Wonderful World
|
1939
|
|
Adrian (Costume Designer)
|
It's a Wonderful World
|
1939
|
|
Harold Kress (Editor)
|
It's a Wonderful World
|
1939
|
|
Oliver Marsh (Cinematographer)
|
It's a Wonderful World
|
1939
|
|
George B. Seitz (Director)
|
Judge Hardy and Son
|
1939
|
|
Jack Conway (Director)
|
Lady of the Tropics
|
1939
|
|
Adrian (Costume Designer)
|
Lady of the Tropics
|
1939
|
|
Sam Zimbalist (Producer)
|
Lady of the Tropics
|
1939
|
|
Norbert F. Brodin (Cinematographer)
|
Lady of the Tropics
|
1939
|
|
Jack Conway (Director)
|
Let Freedom Ring
|
1939
|
|
Tod Browning (Director)
|
Miracles for Sale
|
1939
|
|
Charles Lawton (Cinematographer)
|
Miracles for Sale
|
1939
|
|
Charles Lawton (Cinematographer)
|
Nick Carter, Master Detective
|
1939
|
|
Jacques Tourneur (Director)
|
Nick Carter, Master Detective
|
1939
|
|
Ernst Lubitsch (Director)
|
Ninotchka
|
1939
|
|
Adrian (Costume Designer)
|
Ninotchka
|
1939
|
|
Ernst Lubitsch (Producer)
|
Ninotchka
|
1939
|
|
William H. Daniels (Cinematographer)
|
Ninotchka
|
1939
|
|
Norman Z. McLeod (Director)
|
Remember?
|
1939
|
|
Harold Kress (Editor)
|
Remember?
|
1939
|
|
John F. Seitz (Cinematographer)
|
Sergeant Madden
|
1939
|
|
Josef von Sternberg (Director)
|
Sergeant Madden
|
1939
|
|
W.S. Van Dyke (Director)
|
Stand up and Fight
|
1939
|
|
Mervyn LeRoy (Producer)
|
Stand up and Fight
|
1939
|
|
William H. Daniels (Cinematographer)
|
Stronger Than Desire
|
1939
|
|
Edward Chodorov (Producer)
|
Tell No Tales
|
1939
|
|
Sam Zimbalist (Producer)
|
These Glamour Girls
|
1939
|
|
Harold Kress (Editor)
|
These Glamour Girls
|
1939
|
|
George B. Seitz (Director)
|
Thunder Afloat
|
1939
|
|
John F. Seitz (Cinematographer)
|
Thunder Afloat
|
1939
|
|
Gustav Machaty (Director)
|
Within the Law
|
1939
|
|
Charles Lawton (Cinematographer)
|
Within the Law
|
1939
|
|
Victor Fleming (Director)
|
The Wizard of Oz
|
1939
|
|
Mervyn LeRoy (Producer)
|
The Wizard of Oz
|
1939
|
|
Adrian (Costume Designer)
|
The Wizard of Oz
|
1939
|
|
Harold Hal Rosson (Cinematographer)
|
The Wizard of Oz
|
1939
|
|
Oliver Marsh (Cinematographer)
|
The Women
|
1939
|
|
Hunt Stromberg (Producer)
|
The Women
|
1939
|
|
Adrian (Costume Designer)
|
The Women
|
1939
|
|
George Cukor (Director)
|
The Women
|
1939
|
|
Norman Taurog (Director)
|
Boys Town
|
1938
|
|
Charles Lawton (Cinematographer)
|
The Chaser
|
1938
|
|
Joseph L. Mankiewicz (Producer)
|
A Christmas Carol
|
1938
|
|
Sam Zimbalist (Producer)
|
The Crowd Roars
|
1938
|
|
John F. Seitz (Cinematographer)
|
The Crowd Roars
|
1938
|
|
Richard Thorpe (Director)
|
The Crowd Roars
|
1938
|
|
Adrian (Costume Designer)
|
Dramatic School
|
1938
|
|
William H. Daniels (Cinematographer)
|
Dramatic School
|
1938
|
|
Mervyn LeRoy (Producer)
|
Dramatic School
|
1938
|
|
Edward N. Buzzell (Director)
|
Fast Company
|
1938
|
|
Clyde de Vinna (Cinematographer)
|
Fast Company
|
1938
|
|
Richard Thorpe (Director)
|
The First Hundred Years
|
1938
|
|
Norman Krasna (Producer)
|
The First Hundred Years
|
1938
|
|
Robert Z. Leonard (Director)
|
The Girl of the Golden West
|
1938
|
|
Oliver Marsh (Cinematographer)
|
The Girl of the Golden West
|
1938
|
|
Adrian (Costume Designer)
|
The Girl of the Golden West
|
1938
|
|
Julien Duvivier (Director)
|
The Great Waltz
|
1938
|
|
George B. Seitz (Director)
|
Judge Hardy's Children
|
1938
|
|
Charles Lawton (Cinematographer)
|
Listen, Darling
|
1938
|
|
Jack Cummings (Producer)
|
Listen, Darling
|
1938
|
|
John F. Seitz (Cinematographer)
|
Lord Jeff
|
1938
|
|
Sam Wood (Director)
|
Lord Jeff
|
1938
|
|
George B. Seitz (Director)
|
Love Finds Andy Hardy
|
1938
|
|
Richard Thorpe (Director)
|
Love Is a Headache
|
1938
|
|
John F. Seitz (Cinematographer)
|
Love Is a Headache
|
1938
|
|
Karl W. Freund (Cinematographer)
|
Man-Proof
|
1938
|
|
Richard Thorpe (Director)
|
Man-Proof
|
1938
|
|
William H. Daniels (Cinematographer)
|
Marie Antoinette
|
1938
|
|
W.S. Van Dyke (Director)
|
Marie Antoinette
|
1938
|
|
Hunt Stromberg (Producer)
|
Marie Antoinette
|
1938
|
|
Adrian (Costume Designer)
|
Marie Antoinette
|
1938
|
|
Clyde de Vinna (Cinematographer)
|
Of Human Hearts
|
1938
|
|
Clarence Brown (Director)
|
Of Human Hearts
|
1938
|
|
Edward N. Buzzell (Director)
|
Paradise for Three
|
1938
|
|
Sam Zimbalist (Producer)
|
Paradise for Three
|
1938
|
|
Karl W. Freund (Cinematographer)
|
Port of Seven Seas
|
1938
|
|
James Whale (Director)
|
Port of Seven Seas
|
1938
|
|
Edward Chodorov (Producer)
|
Rich Man, Poor Girl
|
1938
|
|
Oliver Marsh (Cinematographer)
|
Rosalie
|
1938
|
|
W.S. Van Dyke (Director)
|
Rosalie
|
1938
|
|
Frank Borzage (Director)
|
The Shining Hour
|
1938
|
|
Adrian (Costume Designer)
|
The Shining Hour
|
1938
|
|
Joseph L. Mankiewicz (Producer)
|
The Shining Hour
|
1938
|
|
Adrian (Costume Designer)
|
The Shopworn Angel
|
1938
|
|
Joseph L. Mankiewicz (Producer)
|
The Shopworn Angel
|
1938
|
|
John F. Seitz (Cinematographer)
|
Stablemates
|
1938
|
|
Sam Wood (Director)
|
Stablemates
|
1938
|
|
W.S. Van Dyke (Director)
|
Sweethearts
|
1938
|
|
Hunt Stromberg (Producer)
|
Sweethearts
|
1938
|
|
Oliver Marsh (Cinematographer)
|
Sweethearts
|
1938
|
|
Adrian (Costume Designer)
|
Sweethearts
|
1938
|
|
Victor Fleming (Director)
|
Test Pilot
|
1938
|
|
Frank Borzage (Director)
|
Three Comrades
|
1938
|
|
Joseph L. Mankiewicz (Producer)
|
Three Comrades
|
1938
|
|
Oliver Marsh (Cinematographer)
|
The Toy Wife
|
1938
|
|
Merian C. Cooper (Producer)
|
The Toy Wife
|
1938
|
|
Richard Thorpe (Director)
|
The Toy Wife
|
1938
|
|
Edward Chodorov (Producer)
|
Woman Against Woman
|
1938
|
|
Jack Cummings (Producer)
|
Yellow Jack
|
1938
|
|
George B. Seitz (Director)
|
Yellow Jack
|
1938
|
|
John F. Seitz (Cinematographer)
|
Young Dr. Kildare
|
1938
|
|
William H. Daniels (Cinematographer)
|
Beg, Borrow or Steal
|
1937
|
|
William Thiele (Director)
|
Beg, Borrow or Steal
|
1937
|
|
John F. Seitz (Cinematographer)
|
Between Two Women
|
1937
|
|
Adrian (Costume Designer)
|
Between Two Women
|
1937
|
|
George B. Seitz (Director)
|
Between Two Women
|
1937
|
|
Frank Borzage (Director)
|
The Big City
|
1937
|
|
Norman Krasna (Producer)
|
The Big City
|
1937
|
|
Joseph L. Mankiewicz (Producer)
|
The Bride Wore Red
|
1937
|
|
Adrian (Costume Designer)
|
The Bride Wore Red
|
1937
|
|
Dorothy Arzner (Director)
|
The Bride Wore Red
|
1937
|
|
Jack Cummings (Producer)
|
Broadway Melody of 1938
|
1937
|
|
William H. Daniels (Cinematographer)
|
Broadway Melody of 1938
|
1937
|
|
Adrian (Costume Designer)
|
Broadway Melody of 1938
|
1937
|
|
Roy Del Ruth (Director)
|
Broadway Melody of 1938
|
1937
|
|
Harold Hal Rosson (Cinematographer)
|
Captains Courageous
|
1937
|
|
Arnold A. Gillespie (Art Director)
|
Captains Courageous
|
1937
|
|
Victor Fleming (Director)
|
Captains Courageous
|
1937
|
|
Karl W. Freund (Cinematographer)
|
Conquest
|
1937
|
|
Clarence Brown (Director)
|
Conquest
|
1937
|
|
Sam Wood (Director)
|
A Day at the Races
|
1937
|
|
Sam Wood (Producer)
|
A Day at the Races
|
1937
|
|
Irving G. Thalberg (Producer)
|
A Day at the Races
|
1937
|
|
Richard Thorpe (Director)
|
Double Wedding
|
1937
|
|
Adrian (Costume Designer)
|
Double Wedding
|
1937
|
|
William H. Daniels (Cinematographer)
|
Double Wedding
|
1937
|
|
Joseph L. Mankiewicz (Producer)
|
Double Wedding
|
1937
|
|
Harold Hal Rosson (Cinematographer)
|
The Emperor's Candlesticks
|
1937
|
|
George B. Seitz (Director)
|
A Family Affair
|
1937
|
|
Samuel Marx (Producer)
|
A Family Affair
|
1937
|
|
Hunt Stromberg (Producer)
|
The Firefly
|
1937
|
|
Oliver Marsh (Cinematographer)
|
The Firefly
|
1937
|
|
Adrian (Costume Designer)
|
The Firefly
|
1937
|
|
Robert Z. Leonard (Producer)
|
The Firefly
|
1937
|
|
Robert Z. Leonard (Director)
|
The Firefly
|
1937
|
|
Albert Lewin (Producer)
|
The Good Earth
|
1937
|
|
Arnold A. Gillespie (Art Director)
|
The Good Earth
|
1937
|
|
Irving G. Thalberg (Producer)
|
The Good Earth
|
1937
|
|
Karl W. Freund (Cinematographer)
|
The Good Earth
|
1937
|
|
Victor Fleming (Director)
|
The Good Earth
|
1937
|
|
William H. Daniels (Cinematographer)
|
The Last Gangster
|
1937
|
|
Adrian (Costume Designer)
|
The Last Gangster
|
1937
|
|
Dorothy Arzner (Director)
|
The Last of Mrs. Cheyney
|
1937
|
|
Adrian (Costume Designer)
|
The Last of Mrs. Cheyney
|
1937
|
|
Richard Boleslawski (Director)
|
The Last of Mrs. Cheyney
|
1937
|
|
William Thiele (Director)
|
London by Night
|
1937
|
|
Sam Zimbalist (Producer)
|
London by Night
|
1937
|
|
John F. Seitz (Cinematographer)
|
Madame X
|
1937
|
|
Sam Wood (Director)
|
Madame X
|
1937
|
|
Joseph L. Mankiewicz (Producer)
|
Mannequin
|
1937
|
|
Frank Borzage (Director)
|
Mannequin
|
1937
|
|
Adrian (Costume Designer)
|
Mannequin
|
1937
|
|
Robert Z. Leonard (Director)
|
Maytime
|
1937
|
|
Adrian (Costume Designer)
|
Maytime
|
1937
|
|
Oliver Marsh (Cinematographer)
|
Maytime
|
1937
|
|
Hunt Stromberg (Producer)
|
Maytime
|
1937
|
|
Robert Z. Leonard (Producer)
|
Maytime
|
1937
|
|
Herman Mankiewicz (Producer)
|
My Dear Miss Aldrich
|
1937
|
|
Charles Lawton (Cinematographer)
|
My Dear Miss Aldrich
|
1937
|
|
George B. Seitz (Director)
|
My Dear Miss Aldrich
|
1937
|
|
Sam Zimbalist (Producer)
|
Navy Blue and Gold
|
1937
|
|
John F. Seitz (Cinematographer)
|
Navy Blue and Gold
|
1937
|
|
Sam Wood (Director)
|
Navy Blue and Gold
|
1937
|
|
Hunt Stromberg (Producer)
|
Night Must Fall
|
1937
|
|
Richard Thorpe (Director)
|
Night Must Fall
|
1937
|
|
John M. Stahl (Producer)
|
Parnell
|
1937
|
|
Karl W. Freund (Cinematographer)
|
Parnell
|
1937
|
|
John M. Stahl (Director)
|
Parnell
|
1937
|
|
Adrian (Costume Designer)
|
Parnell
|
1937
|
|
W.S. Van Dyke (Director)
|
Personal Property
|
1937
|
|
William H. Daniels (Cinematographer)
|
Personal Property
|
1937
|
|
Jack Conway (Director)
|
Saratoga
|
1937
|
|
W.S. Van Dyke (Director)
|
They Gave Him a Gun
|
1937
|
|
Harold Hal Rosson (Cinematographer)
|
They Gave Him a Gun
|
1937
|
|
George B. Seitz (Director)
|
The Thirteenth Chair
|
1937
|
|
Charles G. Clarke (Cinematographer)
|
The Thirteenth Chair
|
1937
|
|
Hunt Stromberg (Producer)
|
After the Thin Man
|
1936
|
|
Oliver Marsh (Cinematographer)
|
After the Thin Man
|
1936
|
|
W.S. Van Dyke (Director)
|
After the Thin Man
|
1936
|
|
Adrian (Costume Designer)
|
Born to Dance
|
1936
|
|
Roy Del Ruth (Director)
|
Born to Dance
|
1936
|
|
Margaret Booth (Editor)
|
Camille
|
1936
|
|
Irving G. Thalberg (Producer)
|
Camille
|
1936
|
|
William H. Daniels (Cinematographer)
|
Camille
|
1936
|
|
Karl W. Freund (Cinematographer)
|
Camille
|
1936
|
|
Adrian (Costume Designer)
|
Camille
|
1936
|
|
George Cukor (Director)
|
Camille
|
1936
|
|
Tod Browning (Director)
|
The Devil Doll
|
1936
|
|
Harold Hal Rosson (Cinematographer)
|
The Devil Is a Sissy
|
1936
|
|
W.S. Van Dyke (Director)
|
The Devil Is a Sissy
|
1936
|
|
Fritz Lang (Director)
|
Fury
|
1936
|
|
Joseph L. Mankiewicz (Producer)
|
Fury
|
1936
|
|
Charles G. Clarke (Cinematographer)
|
The Garden Murder Case
|
1936
|
|
Joseph L. Mankiewicz (Producer)
|
The Gorgeous Hussy
|
1936
|
|
Adrian (Costume Designer)
|
The Gorgeous Hussy
|
1936
|
|
Clarence Brown (Director)
|
The Gorgeous Hussy
|
1936
|
|
Oliver Marsh (Cinematographer)
|
The Great Ziegfeld
|
1936
|
|
Robert Z. Leonard (Director)
|
The Great Ziegfeld
|
1936
|
|
Karl W. Freund (Cinematographer)
|
The Great Ziegfeld
|
1936
|
|
Robert Z. Leonard (Producer)
|
The Great Ziegfeld
|
1936
|
|
Adrian (Costume Designer)
|
The Great Ziegfeld
|
1936
|
|
Hunt Stromberg (Producer)
|
The Great Ziegfeld
|
1936
|
|
W.S. Van Dyke (Director)
|
His Brother's Wife
|
1936
|
|
Oliver Marsh (Cinematographer)
|
His Brother's Wife
|
1936
|
|
Jack Conway (Director)
|
Libeled Lady
|
1936
|
|
Norbert F. Brodin (Cinematographer)
|
Libeled Lady
|
1936
|
|
Samuel Marx (Producer)
|
The Longest Night
|
1936
|
|
Joseph L. Mankiewicz (Producer)
|
Love on the Run
|
1936
|
|
Oliver Marsh (Cinematographer)
|
Love on the Run
|
1936
|
|
W.S. Van Dyke (Director)
|
Love on the Run
|
1936
|
|
Adrian (Costume Designer)
|
Love on the Run
|
1936
|
|
Charles G. Clarke (Cinematographer)
|
Moonlight Murder
|
1936
|
|
Clyde de Vinna (Cinematographer)
|
Old Hutch
|
1936
|
|
Robert Z. Leonard (Director)
|
Piccadilly Jim
|
1936
|
|
George Cukor (Director)
|
Romeo and Juliet
|
1936
|
|
Adrian (Costume Designer)
|
Romeo and Juliet
|
1936
|
|
Margaret Booth (Editor)
|
Romeo and Juliet
|
1936
|
|
William H. Daniels (Cinematographer)
|
Romeo and Juliet
|
1936
|
|
Irving G. Thalberg (Producer)
|
Romeo and Juliet
|
1936
|
|
Hunt Stromberg (Producer)
|
Rose Marie
|
1936
|
|
William H. Daniels (Cinematographer)
|
Rose Marie
|
1936
|
|
W.S. Van Dyke (Director)
|
Rose Marie
|
1936
|
|
Adrian (Costume Designer)
|
Rose Marie
|
1936
|
|
Adrian (Costume Designer)
|
San Francisco
|
1936
|
|
Oliver Marsh (Cinematographer)
|
San Francisco
|
1936
|
|
Arnold A. Gillespie (Art Director)
|
San Francisco
|
1936
|
|
W.S. Van Dyke (Director)
|
San Francisco
|
1936
|
|
Hunt Stromberg (Producer)
|
Small Town Girl
|
1936
|
|
Charles Rosher Sr. (Cinematographer)
|
Small Town Girl
|
1936
|
|
William Wellman (Director)
|
Small Town Girl
|
1936
|
|
George B. Seitz (Director)
|
The Three Wise Guys
|
1936
|
|
Charles G. Clarke (Cinematographer)
|
Trouble for Two
|
1936
|
|
Sam Wood (Director)
|
The Unguarded Hour
|
1936
|
|
Richard Thorpe (Director)
|
The Voice of Bugle Ann
|
1936
|
|
Ernest Haller (Cinematographer)
|
The Voice of Bugle Ann
|
1936
|
|
James Wong Howe (Cinematographer)
|
Whipsaw
|
1936
|
|
Sam Wood (Director)
|
Whipsaw
|
1936
|
|
Hunt Stromberg (Producer)
|
Wife vs. Secretary
|
1936
|
|
Clarence Brown (Director)
|
Wife vs. Secretary
|
1936
|
|
Adrian (Costume Designer)
|
Wife vs. Secretary
|
1936
|
|
Clarence Brown (Director)
|
Ah, Wilderness!
|
1935
|
|
Clyde de Vinna (Cinematographer)
|
Ah, Wilderness!
|
1935
|
|
Hunt Stromberg (Producer)
|
Ah, Wilderness!
|
1935
|
|
Irving G. Thalberg (Producer)
|
Biography of a Bachelor Girl
|
1935
|
|
James Wong Howe (Cinematographer)
|
Biography of a Bachelor Girl
|
1935
|
|
Albert Lewin (Producer)
|
China Seas
|
1935
|
|
Tay Garnett (Director)
|
China Seas
|
1935
|
|
Adrian (Costume Designer)
|
China Seas
|
1935
|
|
George Cukor (Director)
|
David Copperfield
|
1935
|
|
David O. Selznick (Producer)
|
David Copperfield
|
1935
|
|
Oliver Marsh (Cinematographer)
|
David Copperfield
|
1935
|
|
Adrian (Costume Designer)
|
Forsaking All Others
|
1935
|
|
W.S. Van Dyke (Director)
|
Forsaking All Others
|
1935
|
|
Gregg Toland (Cinematographer)
|
Forsaking All Others
|
1935
|
|
W.S. Van Dyke (Director)
|
I Live My Life
|
1935
|
|
Adrian (Costume Designer)
|
I Live My Life
|
1935
|
|
Adrian (Art Director)
|
I Live My Life
|
1935
|
|
Tod Browning (Director)
|
Mark of the Vampire
|
1935
|
|
James Wong Howe (Cinematographer)
|
Mark of the Vampire
|
1935
|
|
Adrian (Costume Designer)
|
Mark of the Vampire
|
1935
|
|
Margaret Booth (Editor)
|
Mutiny on the Bounty
|
1935
|
|
Frank Lloyd (Director)
|
Mutiny on the Bounty
|
1935
|
|
Arnold A. Gillespie (Art Director)
|
Mutiny on the Bounty
|
1935
|
|
Irving G. Thalberg (Producer)
|
Mutiny on the Bounty
|
1935
|
|
Arthur Edeson (Cinematographer)
|
Mutiny on the Bounty
|
1935
|
|
Hunt Stromberg (Producer)
|
Naughty Marietta
|
1935
|
|
W.S. Van Dyke (Director)
|
Naughty Marietta
|
1935
|
|
William H. Daniels (Cinematographer)
|
Naughty Marietta
|
1935
|
|
Adrian (Costume Designer)
|
Naughty Marietta
|
1935
|
|
Irving G. Thalberg (Producer)
|
A Night at the Opera
|
1935
|
|
Sam Wood (Director)
|
A Night at the Opera
|
1935
|
|
George Cukor (Director)
|
No More Ladies
|
1935
|
|
Irving G. Thalberg (Producer)
|
No More Ladies
|
1935
|
|
Oliver Marsh (Cinematographer)
|
No More Ladies
|
1935
|
|
Adrian (Costume Designer)
|
No More Ladies
|
1935
|
|
Richard Boleslawski (Director)
|
O'Shaughnessey's Boy
|
1935
|
|
James Wong Howe (Cinematographer)
|
O'Shaughnessey's Boy
|
1935
|
|
David O. Selznick (Producer)
|
Reckless
|
1935
|
|
Victor Fleming (Director)
|
Reckless
|
1935
|
|
Adrian (Costume Designer)
|
Reckless
|
1935
|
|
Margaret Booth (Editor)
|
Reckless
|
1935
|
|
Irving G. Thalberg (Producer)
|
Riff Raff
|
1935
|
|
George B. Seitz (Director)
|
Society Doctor
|
1935
|
|
Jack Conway (Director)
|
A Tale of Two Cities
|
1935
|
|
David O. Selznick (Producer)
|
A Tale of Two Cities
|
1935
|
|
Oliver Marsh (Cinematographer)
|
A Tale of Two Cities
|
1935
|
|
Monta Bell (Producer)
|
West Point of the Air
|
1935
|
|
Clyde de Vinna (Cinematographer)
|
West Point of the Air
|
1935
|
|
Richard Rosson (Director)
|
West Point of the Air
|
1935
|
|
William H. Daniels (Cinematographer)
|
The Barretts of Wimpole Street
|
1934
|
|
Margaret Booth (Editor)
|
The Barretts of Wimpole Street
|
1934
|
|
Adrian (Costume Designer)
|
The Barretts of Wimpole Street
|
1934
|
|
Irving G. Thalberg (Producer)
|
The Barretts of Wimpole Street
|
1934
|
|
Hunt Stromberg (Producer)
|
Chained
|
1934
|
|
Clarence Brown (Director)
|
Chained
|
1934
|
|
Adrian (Costume Designer)
|
Chained
|
1934
|
|
Charles G. Clarke (Cinematographer)
|
Evelyn Prentice
|
1934
|
|
William Howard (Director)
|
Evelyn Prentice
|
1934
|
|
Arnold A. Gillespie (Art Director)
|
Evelyn Prentice
|
1934
|
|
Jack Conway (Director)
|
The Gay Bride
|
1934
|
|
Adrian (Costume Designer)
|
The Girl from Missouri
|
1934
|
|
Jack Conway (Director)
|
The Girl from Missouri
|
1934
|
|
David O. Selznick (Producer)
|
Manhattan Melodrama
|
1934
|
|
James Wong Howe (Cinematographer)
|
Manhattan Melodrama
|
1934
|
|
W.S. Van Dyke (Director)
|
Manhattan Melodrama
|
1934
|
|
Richard Boleslawski (Director)
|
Men in White
|
1934
|
|
Monta Bell (Producer)
|
Men in White
|
1934
|
|
Irving G. Thalberg (Producer)
|
The Merry Widow
|
1934
|
|
Ernst Lubitsch (Director)
|
The Merry Widow
|
1934
|
|
Adrian (Costume Designer)
|
The Merry Widow
|
1934
|
|
Oliver Marsh (Cinematographer)
|
The Merry Widow
|
1934
|
|
Richard Boleslawski (Director)
|
Operator 13
|
1934
|
|
Arnold A. Gillespie (Art Director)
|
Operator 13
|
1934
|
|
Adrian (Costume Designer)
|
Operator 13
|
1934
|
|
Hunt Stromberg (Producer)
|
The Painted Veil
|
1934
|
|
Richard Boleslawski (Director)
|
The Painted Veil
|
1934
|
|
Adrian (Costume Designer)
|
The Painted Veil
|
1934
|
|
William H. Daniels (Cinematographer)
|
The Painted Veil
|
1934
|
|
Adrian (Costume Designer)
|
Paris Interlude
|
1934
|
|
Walter Wanger (Producer)
|
Stamboul Quest
|
1934
|
|
Sam Wood (Director)
|
Stamboul Quest
|
1934
|
|
James Wong Howe (Cinematographer)
|
Stamboul Quest
|
1934
|
|
Monta Bell (Producer)
|
Student Tour
|
1934
|
|
Charles G. Clarke (Cinematographer)
|
Tarzan and His Mate
|
1934
|
|
Clyde de Vinna (Cinematographer)
|
Tarzan and His Mate
|
1934
|
|
Jack Conway (Director)
|
Tarzan and His Mate
|
1934
|
|
Hunt Stromberg (Producer)
|
The Thin Man
|
1934
|
|
James Wong Howe (Cinematographer)
|
The Thin Man
|
1934
|
|
W.S. Van Dyke (Director)
|
The Thin Man
|
1934
|
|
Hunt Stromberg (Producer)
|
Treasure Island
|
1934
|
|
Clyde de Vinna (Cinematographer)
|
Treasure Island
|
1934
|
|
Harold Hal Rosson (Cinematographer)
|
Treasure Island
|
1934
|
|
Victor Fleming (Director)
|
Treasure Island
|
1934
|
|
Harold Hal Rosson (Cinematographer)
|
The Barbarian
|
1933
|
|
Sam Wood (Director)
|
The Barbarian
|
1933
|
|
Sam Wood (Director)
|
Christopher Bean
|
1933
|
|
William H. Daniels (Cinematographer)
|
Christopher Bean
|
1933
|
|
Margaret Booth (Editor)
|
Dancing Lady
|
1933
|
|
LeRoy J. Prinz (Choreography)
|
Dancing Lady
|
1933
|
|
Oliver Marsh (Cinematographer)
|
Dancing Lady
|
1933
|
|
Adrian (Costume Designer)
|
Dancing Lady
|
1933
|
|
Robert Z. Leonard (Director)
|
Dancing Lady
|
1933
|
|
David O. Selznick (Producer)
|
Dancing Lady
|
1933
|
|
George Cukor (Director)
|
Dinner at Eight
|
1933
|
|
William H. Daniels (Cinematographer)
|
Dinner at Eight
|
1933
|
|
David O. Selznick (Producer)
|
Dinner at Eight
|
1933
|
|
Adrian (Costume Designer)
|
Dinner at Eight
|
1933
|
|
Tod Browning (Director)
|
Fast Workers
|
1933
|
|
Walter Wanger (Producer)
|
Gabriel Over the White House
|
1933
|
|
Adrian (Costume Designer)
|
Gabriel Over the White House
|
1933
|
|
Gregory La Cava (Director)
|
Gabriel Over the White House
|
1933
|
|
Adrian (Costume Designer)
|
Hold Your Man
|
1933
|
|
Harold Hal Rosson (Cinematographer)
|
Hold Your Man
|
1933
|
|
Sam Wood (Producer)
|
Hold Your Man
|
1933
|
|
Sam Wood (Director)
|
Hold Your Man
|
1933
|
|
Adrian (Costume Designer)
|
Made on Broadway
|
1933
|
|
Norbert F. Brodin (Cinematographer)
|
Made on Broadway
|
1933
|
|
Oliver Marsh (Cinematographer)
|
Night Flight
|
1933
|
|
David O. Selznick (Executive Producer)
|
Night Flight
|
1933
|
|
Clarence Brown (Director)
|
Night Flight
|
1933
|
|
Robert Z. Leonard (Producer)
|
Peg O' My Heart
|
1933
|
|
Robert Z. Leonard (Director)
|
Peg O' My Heart
|
1933
|
|
George Barnes (Cinematographer)
|
Peg O' My Heart
|
1933
|
|
Adrian (Costume Designer)
|
Peg O' My Heart
|
1933
|
|
Margaret Booth (Editor)
|
Peg O' My Heart
|
1933
|
|
Adrian (Costume Designer)
|
Reunion in Vienna
|
1933
|
|
Adrian (Costume Designer)
|
The Secret of Madame Blanche
|
1933
|
|
Howard Hawks (Director)
|
Today We Live
|
1933
|
|
Adrian (Costume Designer)
|
Today We Live
|
1933
|
|
Oliver Marsh (Cinematographer)
|
Today We Live
|
1933
|
|
Howard Hawks (Producer)
|
Today We Live
|
1933
|
|
Adrian (Costume Designer)
|
When Ladies Meet
|
1933
|
|
Victor Fleming (Director)
|
The White Sister
|
1933
|
|
William H. Daniels (Cinematographer)
|
The White Sister
|
1933
|
|
Hunt Stromberg (Producer)
|
The White Sister
|
1933
|
|
Samuel Goldwyn (Producer)
|
Arsene Lupin
|
1932
|
|
Oliver Marsh (Cinematographer)
|
Arsene Lupin
|
1932
|
|
Jack Conway (Director)
|
Arsene Lupin
|
1932
|
|
Adrian (Costume Designer)
|
Arsene Lupin
|
1932
|
|
William H. Daniels (Cinematographer)
|
As You Desire Me
|
1932
|
|
Adrian (Costume Designer)
|
As You Desire Me
|
1932
|
|
Ralph Dawson (Editor)
|
The Beast of the City
|
1932
|
|
Norbert F. Brodin (Cinematographer)
|
The Beast of the City
|
1932
|
|
Hunt Stromberg (Producer)
|
The Beast of the City
|
1932
|
|
Marion Davies (Producer)
|
Blondie of the Follies
|
1932
|
|
Edmund Goulding (Director)
|
Blondie of the Follies
|
1932
|
|
Adrian (Costume Designer)
|
Blondie of the Follies
|
1932
|
|
George Barnes (Cinematographer)
|
Blondie of the Follies
|
1932
|
|
Jack Conway (Director)
|
But the Flesh Is Weak
|
1932
|
|
Oliver Marsh (Cinematographer)
|
But the Flesh Is Weak
|
1932
|
|
Adrian (Costume Designer)
|
But the Flesh Is Weak
|
1932
|
|
Monta Bell (Director)
|
Downstairs
|
1932
|
|
Harold Hal Rosson (Cinematographer)
|
Downstairs
|
1932
|
|
Clarence Brown (Director)
|
Emma
|
1932
|
|
Oliver Marsh (Cinematographer)
|
Emma
|
1932
|
|
Arthur Edeson (Cinematographer)
|
Flesh
|
1932
|
|
John Ford (Director)
|
Flesh
|
1932
|
|
Edmund Goulding (Director)
|
Grand Hotel
|
1932
|
|
Irving G. Thalberg (Producer)
|
Grand Hotel
|
1932
|
|
Adrian (Costume Designer)
|
Grand Hotel
|
1932
|
|
William H. Daniels (Cinematographer)
|
Grand Hotel
|
1932
|
|
Sam Wood (Producer)
|
The Huddle
|
1932
|
|
Adrian (Costume Designer)
|
The Huddle
|
1932
|
|
Sam Wood (Director)
|
The Huddle
|
1932
|
|
Harold Hal Rosson (Cinematographer)
|
Kongo
|
1932
|
|
Adrian (Costume Designer)
|
The Mask of Fu Manchu
|
1932
|
|
King Vidor (Director)
|
The Mask of Fu Manchu
|
1932
|
|
Charles Vidor (Director)
|
The Mask of Fu Manchu
|
1932
|
|
Irving G. Thalberg (Producer)
|
The Mask of Fu Manchu
|
1932
|
|
Irving G. Thalberg (Producer)
|
Mata Hari
|
1932
|
|
William H. Daniels (Cinematographer)
|
Mata Hari
|
1932
|
|
Adrian (Costume Designer)
|
Mata Hari
|
1932
|
|
Norbert F. Brodin (Cinematographer)
|
Night Court
|
1932
|
|
W.S. Van Dyke (Director)
|
Night Court
|
1932
|
|
Adrian (Costume Designer)
|
Polly of the Circus
|
1932
|
|
George Barnes (Cinematographer)
|
Polly of the Circus
|
1932
|
|
Sam Wood (Director)
|
Prosperity
|
1932
|
|
William H. Daniels (Cinematographer)
|
Rasputin and the Empress
|
1932
|
|
Richard Boleslawski (Director)
|
Rasputin and the Empress
|
1932
|
|
Adrian (Costume Designer)
|
Rasputin and the Empress
|
1932
|
|
Hunt Stromberg (Producer)
|
Red Dust
|
1932
|
|
Victor Fleming (Producer)
|
Red Dust
|
1932
|
|
Victor Fleming (Director)
|
Red Dust
|
1932
|
|
Adrian (Costume Designer)
|
Red Dust
|
1932
|
|
Harold Hal Rosson (Cinematographer)
|
Red Dust
|
1932
|
|
Harold Hal Rosson (Cinematographer)
|
Red Headed Woman
|
1932
|
|
Jack Conway (Director)
|
Red Headed Woman
|
1932
|
|
William H. Daniels (Cinematographer)
|
Skyscraper Souls
|
1932
|
|
Adrian (Costume Designer)
|
Smilin' Through
|
1932
|
|
Irving G. Thalberg (Producer)
|
Smilin' Through
|
1932
|
|
Margaret Booth (Editor)
|
Smilin' Through
|
1932
|
|
Irving G. Thalberg (Producer)
|
Strange Interlude
|
1932
|
|
Margaret Booth (Editor)
|
Strange Interlude
|
1932
|
|
Adrian (Costume Designer)
|
Strange Interlude
|
1932
|
|
Robert Z. Leonard (Director)
|
Strange Interlude
|
1932
|
|
W.S. Van Dyke (Director)
|
Tarzan, the Ape Man
|
1932
|
|
Clyde de Vinna (Cinematographer)
|
Tarzan, the Ape Man
|
1932
|
|
Harold Hal Rosson (Cinematographer)
|
Tarzan, the Ape Man
|
1932
|
|
Irving G. Thalberg (Producer)
|
Tarzan, the Ape Man
|
1932
|
|
Adrian (Costume Designer)
|
Unashamed
|
1932
|
|
Norbert F. Brodin (Cinematographer)
|
Unashamed
|
1932
|
|
Victor Fleming (Director)
|
The Wet Parade
|
1932
|
|
George Barnes (Cinematographer)
|
The Wet Parade
|
1932
|
|
Hunt Stromberg (Producer)
|
The Wet Parade
|
1932
|
|
Harold Hal Rosson (Cinematographer)
|
When a Feller Needs a Friend
|
1932
|
|
Marion Davies (Producer)
|
The Bachelor Father
|
1931
|
|
Robert Z. Leonard (Producer)
|
The Bachelor Father
|
1931
|
|
Robert Z. Leonard (Director)
|
The Bachelor Father
|
1931
|
|
Oliver Marsh (Cinematographer)
|
The Bachelor Father
|
1931
|
|
King Vidor (Director)
|
The Champ
|
1931
|
|
Adrian (Costume Designer)
|
Dance Fools Dance
|
1931
|
|
Charles Rosher Sr. (Cinematographer)
|
Dance Fools Dance
|
1931
|
|
Jacques Feyder (Director)
|
Daybreak
|
1931
|
|
Jack Conway (Director)
|
The Easiest Way
|
1931
|
|
Margaret Booth (Editor)
|
Five and Ten
|
1931
|
|
George Barnes (Cinematographer)
|
Five and Ten
|
1931
|
|
Marion Davies (Producer)
|
Five and Ten
|
1931
|
|
Adrian (Costume Designer)
|
Five and Ten
|
1931
|
|
Robert Z. Leonard (Director)
|
Five and Ten
|
1931
|
|
Robert Z. Leonard (Producer)
|
Five and Ten
|
1931
|
|
William H. Daniels (Cinematographer)
|
A Free Soul
|
1931
|
|
Clarence Brown (Director)
|
A Free Soul
|
1931
|
|
Adrian (Costume Designer)
|
A Free Soul
|
1931
|
|
Mervyn LeRoy (Director)
|
Gentleman's Fate
|
1931
|
|
William H. Daniels (Cinematographer)
|
The Great Meadow
|
1931
|
|
Clyde de Vinna (Cinematographer)
|
The Great Meadow
|
1931
|
|
Robert Z. Leonard (Director)
|
It's a Wise Child
|
1931
|
|
Margaret Booth (Editor)
|
It's a Wise Child
|
1931
|
|
Oliver Marsh (Cinematographer)
|
It's a Wise Child
|
1931
|
|
Marion Davies (Producer)
|
It's a Wise Child
|
1931
|
|
Robert Z. Leonard (Producer)
|
It's a Wise Child
|
1931
|
|
Jack Conway (Director)
|
Just a Gigolo
|
1931
|
|
Oliver Marsh (Cinematographer)
|
Just a Gigolo
|
1931
|
|
William Haines (Art Director)
|
Just a Gigolo
|
1931
|
|
Jack Conway (Producer)
|
Just a Gigolo
|
1931
|
|
Adrian (Costume Designer)
|
Laughing Sinners
|
1931
|
|
Charles Rosher Sr. (Cinematographer)
|
Laughing Sinners
|
1931
|
|
Sam Wood (Director)
|
The Man in Possession
|
1931
|
|
Oliver Marsh (Cinematographer)
|
The Man in Possession
|
1931
|
|
W.S. Van Dyke (Director)
|
Never the Twain Shall Meet
|
1931
|
|
Buster Keaton (Producer)
|
Parlor, Bedroom and Bath
|
1931
|
|
John S. Robertson (Director)
|
The Phantom of Paris
|
1931
|
|
Oliver Marsh (Cinematographer)
|
The Phantom of Paris
|
1931
|
|
Oliver Marsh (Cinematographer)
|
Possessed
|
1931
|
|
Adrian (Costume Designer)
|
Possessed
|
1931
|
|
Clarence Brown (Director)
|
Possessed
|
1931
|
|
Adrian (Costume Designer)
|
Private Lives
|
1931
|
|
Oliver Marsh (Cinematographer)
|
The Sin of Madelon Claudet
|
1931
|
|
Adrian (Costume Designer)
|
Strangers May Kiss
|
1931
|
|
William H. Daniels (Cinematographer)
|
Strangers May Kiss
|
1931
|
|
Margaret Booth (Editor)
|
Susan Lenox: Her Fall and Rise
|
1931
|
|
Robert Z. Leonard (Producer)
|
Susan Lenox: Her Fall and Rise
|
1931
|
|
William H. Daniels (Cinematographer)
|
Susan Lenox: Her Fall and Rise
|
1931
|
|
Orry-Kelly (Costume Designer)
|
Susan Lenox: Her Fall and Rise
|
1931
|
|
Robert Z. Leonard (Director)
|
Susan Lenox: Her Fall and Rise
|
1931
|
|
Sam Wood (Director)
|
A Tailor Made Man
|
1931
|
|
Oliver Marsh (Cinematographer)
|
Wallingford
|
1931
|
|
Sam Wood (Director)
|
Wallingford
|
1931
|
|
Clarence Brown (Director)
|
Anna Christie
|
1930
|
|
Adrian (Costume Designer)
|
Anna Christie
|
1930
|
|
Clarence Brown (Producer)
|
Anna Christie
|
1930
|
|
William H. Daniels (Cinematographer)
|
Anna Christie
|
1930
|
|
King Vidor (Director)
|
Billy the Kid
|
1930
|
|
King Vidor (Producer)
|
Billy the Kid
|
1930
|
|
Robert Z. Leonard (Producer)
|
The Divorcée
|
1930
|
|
Norbert F. Brodin (Cinematographer)
|
The Divorcée
|
1930
|
|
Adrian (Costume Designer)
|
The Divorcée
|
1930
|
|
Robert Z. Leonard (Director)
|
The Divorcée
|
1930
|
|
Buster Keaton (Producer)
|
Doughboys
|
1930
|
|
Adrian (Costume Designer)
|
Dynamite
|
1930
|
|
Cecil B. DeMille (Producer)
|
Dynamite
|
1930
|
|
Cecil B. DeMille (Director)
|
Dynamite
|
1930
|
|
Marion Davies (Producer)
|
The Florodora Girl
|
1930
|
|
Carl Pierson (Editor)
|
The Florodora Girl
|
1930
|
|
Oliver Marsh (Cinematographer)
|
The Florodora Girl
|
1930
|
|
Sam Wood (Director)
|
The Girl Said No
|
1930
|
|
Robert Z. Leonard (Producer)
|
In Gay Madrid
|
1930
|
|
Adrian (Costume Designer)
|
In Gay Madrid
|
1930
|
|
Oliver Marsh (Cinematographer)
|
In Gay Madrid
|
1930
|
|
Robert Z. Leonard (Director)
|
In Gay Madrid
|
1930
|
|
Sam Wood (Director)
|
It's a Great Life
|
1930
|
|
Sam Wood (Producer)
|
It's a Great Life
|
1930
|
|
Margaret Booth (Editor)
|
The Lady of Scandal
|
1930
|
|
Arthur C. Miller (Cinematographer)
|
The Lady of Scandal
|
1930
|
|
Adrian (Costume Designer)
|
The Lady of Scandal
|
1930
|
|
Oliver Marsh (Cinematographer)
|
The Lady of Scandal
|
1930
|
|
Margaret Booth (Editor)
|
A Lady's Morals
|
1930
|
|
George Barnes (Cinematographer)
|
A Lady's Morals
|
1930
|
|
Adrian (Costume Designer)
|
A Lady's Morals
|
1930
|
|
Robert Z. Leonard (Producer)
|
Let Us Be Gay
|
1930
|
|
Robert Z. Leonard (Director)
|
Let Us Be Gay
|
1930
|
|
Adrian (Costume Designer)
|
Let Us Be Gay
|
1930
|
|
Norbert F. Brodin (Cinematographer)
|
Let Us Be Gay
|
1930
|
|
Adrian (Costume Designer)
|
Madame Satan
|
1930
|
|
Cecil B. DeMille (Producer)
|
Madame Satan
|
1930
|
|
Harold Hal Rosson (Cinematographer)
|
Madame Satan
|
1930
|
|
Cecil B. DeMille (Director)
|
Madame Satan
|
1930
|
|
LeRoy J. Prinz (Choreography)
|
Madame Satan
|
1930
|
|
Hal Roach (Director)
|
Men of the North
|
1930
|
|
Malcolm St. Clair (Director)
|
Montana Moon
|
1930
|
|
Carl Pierson (Editor)
|
Montana Moon
|
1930
|
|
William H. Daniels (Cinematographer)
|
Montana Moon
|
1930
|
|
Malcolm St. Clair (Producer)
|
Montana Moon
|
1930
|
|
Adrian (Costume Designer)
|
Montana Moon
|
1930
|
|
Clarence Brown (Director)
|
Navy Blues
|
1930
|
|
Jack Conway (Director)
|
New Moon
|
1930
|
|
Oliver Marsh (Cinematographer)
|
New Moon
|
1930
|
|
Margaret Booth (Editor)
|
New Moon
|
1930
|
|
Adrian (Costume Designer)
|
New Moon
|
1930
|
|
Marion Davies (Producer)
|
Not So Dumb
|
1930
|
|
Oliver Marsh (Cinematographer)
|
Not So Dumb
|
1930
|
|
Adrian (Costume Designer)
|
Not So Dumb
|
1930
|
|
King Vidor (Director)
|
Not So Dumb
|
1930
|
|
Adrian (Costume Designer)
|
Our Blushing Brides
|
1930
|
|
Adrian (Costume Designer)
|
Paid
|
1930
|
|
Tod Browning (Director)
|
Paid
|
1930
|
|
Sam Wood (Director)
|
Paid
|
1930
|
|
Charles Rosher Sr. (Cinematographer)
|
Paid
|
1930
|
|
Harold Hal Rosson (Cinematographer)
|
Passion Flower
|
1930
|
|
Adrian (Costume Designer)
|
Passion Flower
|
1930
|
|
William C. DeMille (Director)
|
Passion Flower
|
1930
|
|
Fred Niblo (Director)
|
Redemption
|
1930
|
|
Adrian (Costume Designer)
|
Redemption
|
1930
|
|
Margaret Booth (Editor)
|
Redemption
|
1930
|
|
Malcolm St. Clair (Director)
|
Remote Control
|
1930
|
|
Adrian (Costume Designer)
|
The Rogue Song
|
1930
|
|
Margaret Booth (Editor)
|
The Rogue Song
|
1930
|
|
Lionel Barrymore (Producer)
|
The Rogue Song
|
1930
|
|
Lionel Barrymore (Director)
|
The Rogue Song
|
1930
|
|
Hal Roach (Director)
|
The Rogue Song
|
1930
|
|
William H. Daniels (Cinematographer)
|
Romance
|
1930
|
|
Clarence Brown (Director)
|
Romance
|
1930
|
|
Adrian (Costume Designer)
|
Romance
|
1930
|
|
Wesley Ruggles (Director)
|
The Sea Bat
|
1930
|
|
Sam Wood (Director)
|
Sins of the Children
|
1930
|
|
Margaret Booth (Editor)
|
Strictly Unconventional
|
1930
|
|
William H. Daniels (Cinematographer)
|
Strictly Unconventional
|
1930
|
|
Oliver Marsh (Cinematographer)
|
Strictly Unconventional
|
1930
|
|
Sam Wood (Director)
|
They Learned About Women
|
1930
|
|
Jack Conway (Director)
|
They Learned About Women
|
1930
|
|
Harold Hal Rosson (Cinematographer)
|
This Mad World
|
1930
|
|
Adrian (Costume Designer)
|
This Mad World
|
1930
|
|
William C. DeMille (Director)
|
This Mad World
|
1930
|
|
Jack Conway (Director)
|
The Unholy Three
|
1930
|
|
Irving G. Thalberg (Producer)
|
The Unholy Three
|
1930
|
|
Charles Rosher Sr. (Cinematographer)
|
War Nurse
|
1930
|
|
Sam Wood (Director)
|
Way for a Sailor
|
1930
|
|
Fred Niblo (Director)
|
Way Out West
|
1930
|
|
Margaret Booth (Editor)
|
Wise Girls
|
1930
|
|
William H. Daniels (Cinematographer)
|
Wise Girls
|
1930
|
|
Monta Bell (Director)
|
Bellamy Trial
|
1929
|
|
Arthur C. Miller (Cinematographer)
|
Bellamy Trial
|
1929
|
|
Margaret Booth (Editor)
|
The Bridge of San Luis Rey
|
1929
|
|
James Wong Howe (Cinematographer)
|
Desert Nights
|
1929
|
|
Adrian (Costume Designer)
|
Devil May Care
|
1929
|
|
James Cruze (Producer)
|
The Duke Steps Out
|
1929
|
|
James Cruze (Director)
|
The Duke Steps Out
|
1929
|
|
King Vidor (Producer)
|
Hallelujah!
|
1929
|
|
King Vidor (Director)
|
Hallelujah!
|
1929
|
|
Lionel Barrymore (Director)
|
His Glorious Night
|
1929
|
|
William C. DeMille (Director)
|
The Idle Rich
|
1929
|
|
William H. Daniels (Cinematographer)
|
The Kiss
|
1929
|
|
Adrian (Costume Designer)
|
The Kiss
|
1929
|
|
Jacques Feyder (Director)
|
The Kiss
|
1929
|
|
Irving G. Thalberg (Producer)
|
The Last of Mrs. Cheyney
|
1929
|
|
William H. Daniels (Cinematographer)
|
The Last of Mrs. Cheyney
|
1929
|
|
Adrian (Costume Designer)
|
The Last of Mrs. Cheyney
|
1929
|
|
Lionel Barrymore (Director)
|
Madame X
|
1929
|
|
James Cruze (Producer)
|
A Man's Man
|
1929
|
|
James Cruze (Director)
|
A Man's Man
|
1929
|
|
Robert Z. Leonard (Producer)
|
Marianne
|
1929
|
|
Oliver Marsh (Cinematographer)
|
Marianne
|
1929
|
|
Marion Davies (Producer)
|
Marianne
|
1929
|
|
Adrian (Costume Designer)
|
Marianne
|
1929
|
|
Robert Z. Leonard (Director)
|
Marianne
|
1929
|
|
Carl Pierson (Editor)
|
The Mysterious Island
|
1929
|
|
Maurice Tourneur (Director)
|
The Mysterious Island
|
1929
|
|
Benjamin Christensen (Director)
|
The Mysterious Island
|
1929
|
|
Oliver Marsh (Cinematographer)
|
Our Modern Maidens
|
1929
|
|
Jack Conway (Director)
|
Our Modern Maidens
|
1929
|
|
Adrian (Costume Designer)
|
Our Modern Maidens
|
1929
|
|
Hunt Stromberg (Producer)
|
Our Modern Maidens
|
1929
|
|
W.S. Van Dyke (Director)
|
The Pagan
|
1929
|
|
Clyde de Vinna (Cinematographer)
|
The Pagan
|
1929
|
|
Adrian (Costume Designer)
|
A Single Man
|
1929
|
|
Oliver Marsh (Cinematographer)
|
The Single Standard
|
1929
|
|
John S. Robertson (Director)
|
The Single Standard
|
1929
|
|
Adrian (Costume Designer)
|
The Single Standard
|
1929
|
|
Sam Wood (Director)
|
So This Is College
|
1929
|
|
Adrian (Costume Designer)
|
Their Own Desire
|
1929
|
|
William H. Daniels (Cinematographer)
|
Their Own Desire
|
1929
|
|
Adrian (Costume Designer)
|
The Thirteenth Chair
|
1929
|
|
Tod Browning (Producer)
|
The Thirteenth Chair
|
1929
|
|
Tod Browning (Director)
|
The Thirteenth Chair
|
1929
|
|
William H. Daniels (Cinematographer)
|
The Trial of Mary Dugan
|
1929
|
|
Adrian (Costume Designer)
|
The Trial of Mary Dugan
|
1929
|
|
Lionel Barrymore (Director)
|
The Unholy Night
|
1929
|
|
Adrian (Costume Designer)
|
The Unholy Night
|
1929
|
|
Van Nest Polglase (Art Director)
|
Untamed
|
1929
|
|
Oliver Marsh (Cinematographer)
|
Untamed
|
1929
|
|
Jack Conway (Director)
|
Untamed
|
1929
|
|
Adrian (Costume Designer)
|
Untamed
|
1929
|
|
Irving G. Thalberg (Producer)
|
Where East Is East
|
1929
|
|
Tod Browning (Director)
|
Where East Is East
|
1929
|
|
William H. Daniels (Cinematographer)
|
Wild Orchids
|
1929
|
|
Adrian (Costume Designer)
|
Wild Orchids
|
1929
|
|
Clarence Brown (Director)
|
Wonder of Women
|
1929
|
|
John F. Seitz (Cinematographer)
|
Across to Singapore
|
1928
|
|
William H. Daniels (Cinematographer)
|
The Actress
|
1928
|
|
Jack Conway (Director)
|
Alias Jimmy Valentine
|
1928
|
|
Robert Z. Leonard (Director)
|
Baby Mine
|
1928
|
|
Robert Z. Leonard (Producer)
|
Baby Mine
|
1928
|
|
Tod Browning (Director)
|
The Big City
|
1928
|
|
Marion Davies (Producer)
|
The Cardboard Lover
|
1928
|
|
Robert Z. Leonard (Director)
|
The Cardboard Lover
|
1928
|
|
Clarence Brown (Director)
|
Cossacks
|
1928
|
|
Arnold A. Gillespie (Art Director)
|
The Crowd
|
1928
|
|
King Vidor (Producer)
|
The Crowd
|
1928
|
|
King Vidor (Director)
|
The Crowd
|
1928
|
|
Irving G. Thalberg (Producer)
|
The Crowd
|
1928
|
|
Oliver Marsh (Cinematographer)
|
The Divine Woman
|
1928
|
|
Victor Sjöström (Director)
|
The Divine Woman
|
1928
|
|
Fred Niblo (Director)
|
Dream of Love
|
1928
|
|
Oliver Marsh (Cinematographer)
|
Dream of Love
|
1928
|
|
William H. Daniels (Cinematographer)
|
Dream of Love
|
1928
|
|
James Cruze (Producer)
|
Excess Baggage
|
1928
|
|
James Cruze (Director)
|
Excess Baggage
|
1928
|
|
James Wong Howe (Cinematographer)
|
Four Walls
|
1928
|
|
William H. Daniels (Cinematographer)
|
A Lady of Chance
|
1928
|
|
Robert Z. Leonard (Director)
|
A Lady of Chance
|
1928
|
|
Adrian (Costume Designer)
|
A Lady of Chance
|
1928
|
|
Margaret Booth (Editor)
|
A Lady of Chance
|
1928
|
|
Robert Z. Leonard (Producer)
|
A Lady of Chance
|
1928
|
|
Arnold A. Gillespie (Art Director)
|
The Latest from Paris
|
1928
|
|
William H. Daniels (Cinematographer)
|
The Latest from Paris
|
1928
|
|
Sam Wood (Director)
|
The Latest from Paris
|
1928
|
|
Herbert Brenon (Director)
|
Laugh, Clown, Laugh
|
1928
|
|
James Wong Howe (Cinematographer)
|
Laugh, Clown, Laugh
|
1928
|
|
Oliver Marsh (Cinematographer)
|
Masks of the Devil
|
1928
|
|
Victor Sjöström (Director)
|
Masks of the Devil
|
1928
|
|
William H. Daniels (Cinematographer)
|
The Mysterious Lady
|
1928
|
|
Fred Niblo (Director)
|
The Mysterious Lady
|
1928
|
|
Margaret Booth (Editor)
|
The Mysterious Lady
|
1928
|
|
George Barnes (Cinematographer)
|
Our Dancing Daughters
|
1928
|
|
Hunt Stromberg (Producer)
|
Our Dancing Daughters
|
1928
|
|
King Vidor (Director)
|
The Patsy
|
1928
|
|
John F. Seitz (Cinematographer)
|
The Patsy
|
1928
|
|
Marion Davies (Producer)
|
Show People
|
1928
|
|
King Vidor (Director)
|
Show People
|
1928
|
|
Jack Conway (Director)
|
The Smart Set
|
1928
|
|
Oliver Marsh (Cinematographer)
|
The Smart Set
|
1928
|
|
William H. Daniels (Cinematographer)
|
Telling the World
|
1928
|
|
Sam Wood (Director)
|
Telling the World
|
1928
|
|
Margaret Booth (Editor)
|
Telling the World
|
1928
|
|
Clarence Brown (Director)
|
The Trail of '98
|
1928
|
|
John F. Seitz (Cinematographer)
|
The Trail of '98
|
1928
|
|
Irving G. Thalberg (Producer)
|
West of Zanzibar
|
1928
|
|
Tod Browning (Director)
|
West of Zanzibar
|
1928
|
|
Jack Conway (Director)
|
While the City Sleeps
|
1928
|
|
Clyde de Vinna (Cinematographer)
|
Wickedness Preferred
|
1928
|
|
Victor Sjöström (Director)
|
The Wind
|
1928
|
|
Clarence Brown (Director)
|
A Woman of Affairs
|
1928
|
|
Adrian (Costume Designer)
|
A Woman of Affairs
|
1928
|
|
William H. Daniels (Cinematographer)
|
A Woman of Affairs
|
1928
|
|
Robert Z. Leonard (Director)
|
Adam and Evil
|
1927
|
|
Monta Bell (Director)
|
After Midnight
|
1927
|
|
William H. Daniels (Cinematographer)
|
Altars of Desire
|
1927
|
|
William Christy Cabanne (Director)
|
Altars of Desire
|
1927
|
|
Oliver Marsh (Cinematographer)
|
Annie Laurie
|
1927
|
|
John S. Robertson (Director)
|
Annie Laurie
|
1927
|
|
John S. Robertson (Director)
|
Captain Salvation
|
1927
|
|
William H. Daniels (Cinematographer)
|
Captain Salvation
|
1927
|
|
Margaret Booth (Editor)
|
The Enemy
|
1927
|
|
Oliver Marsh (Cinematographer)
|
The Enemy
|
1927
|
|
Fred Niblo (Director)
|
The Enemy
|
1927
|
|
Sam Wood (Producer)
|
The Fair Co-Ed
|
1927
|
|
John F. Seitz (Cinematographer)
|
The Fair Co-Ed
|
1927
|
|
Sam Wood (Director)
|
The Fair Co-Ed
|
1927
|
|
W.S. Van Dyke (Director)
|
Foreign Devils
|
1927
|
|
Clyde de Vinna (Cinematographer)
|
Foreign Devils
|
1927
|
|
William Beaudine (Director)
|
Frisco Sally Levy
|
1927
|
|
Margaret Booth (Editor)
|
In Old Kentucky
|
1927
|
|
John M. Stahl (Director)
|
In Old Kentucky
|
1927
|
|
John M. Stahl (Producer)
|
In Old Kentucky
|
1927
|
|
Robert Z. Leonard (Director)
|
A Little Journey
|
1927
|
|
Robert Z. Leonard (Producer)
|
A Little Journey
|
1927
|
|
Irving G. Thalberg (Producer)
|
London After Midnight
|
1927
|
|
Tod Browning (Director)
|
London After Midnight
|
1927
|
|
Tod Browning (Producer)
|
London After Midnight
|
1927
|
|
Edmund Goulding (Producer)
|
Love
|
1927
|
|
William H. Daniels (Cinematographer)
|
Love
|
1927
|
|
Edmund Goulding (Director)
|
Love
|
1927
|
|
Monta Bell (Director)
|
Man, Woman and Sin
|
1927
|
|
Erich Pommer (Producer)
|
Mockery
|
1927
|
|
Benjamin Christensen (Director)
|
Mockery
|
1927
|
|
William H. Daniels (Cinematographer)
|
On Ze Boulevard
|
1927
|
|
Marion Davies (Producer)
|
Quality Street
|
1927
|
|
Roscoe "Fatty" Arbuckle (Director)
|
The Red Mill
|
1927
|
|
Robert Z. Leonard (Director)
|
Tea for Three
|
1927
|
|
William H. Daniels (Cinematographer)
|
Tillie the Toiler
|
1927
|
|
Jack Conway (Director)
|
Twelve Miles Out
|
1927
|
|
Tod Browning (Director)
|
The Unknown
|
1927
|
|
William H. Daniels (Cinematographer)
|
Bardelys the Magnificent
|
1926
|
|
King Vidor (Director)
|
Bardelys the Magnificent
|
1926
|
|
Tod Browning (Director)
|
The Black Bird
|
1926
|
|
King Vidor (Director)
|
La Bohème
|
1926
|
|
Arnold A. Gillespie (Art Director)
|
Brown of Harvard
|
1926
|
|
Jack Conway (Director)
|
Brown of Harvard
|
1926
|
|
Phil Rosen (Director)
|
The Exquisite Sinner
|
1926
|
|
Josef von Sternberg (Director)
|
The Exquisite Sinner
|
1926
|
|
William H. Daniels (Cinematographer)
|
Flesh and the Devil
|
1926
|
|
Clarence Brown (Director)
|
Flesh and the Devil
|
1926
|
|
John Francis Dillon (Director)
|
Love's Blindness
|
1926
|
|
Oliver Marsh (Cinematographer)
|
Love's Blindness
|
1926
|
|
Margaret Booth (Editor)
|
Memory Lane
|
1926
|
|
John M. Stahl (Producer)
|
Memory Lane
|
1926
|
|
John M. Stahl (Director)
|
Memory Lane
|
1926
|
|
William Christy Cabanne (Director)
|
Monte Carlo
|
1926
|
|
William H. Daniels (Cinematographer)
|
Monte Carlo
|
1926
|
|
Irving G. Thalberg (Producer)
|
The Road to Mandalay
|
1926
|
|
Arnold A. Gillespie (Art Director)
|
The Road to Mandalay
|
1926
|
|
Tod Browning (Director)
|
The Road to Mandalay
|
1926
|
|
Victor Sjöström (Director)
|
The Scarlet Letter
|
1926
|
|
William H. Daniels (Cinematographer)
|
The Temptress
|
1926
|
|
Fred Niblo (Director)
|
The Temptress
|
1926
|
|
Mauritz Stiller (Director)
|
The Temptress
|
1926
|
|
William H. Daniels (Cinematographer)
|
The Torrent
|
1926
|
|
Monta Bell (Director)
|
The Torrent
|
1926
|
|
Robert Z. Leonard (Director)
|
The Waning Sex
|
1926
|
|
Clyde de Vinna (Cinematographer)
|
Ben-Hur: A Tale of the Christ
|
1925
|
|
Karl Struss (Cinematographer)
|
Ben-Hur: A Tale of the Christ
|
1925
|
|
Fred Niblo (Director)
|
Ben-Hur: A Tale of the Christ
|
1925
|
|
James Basevi (Art Director)
|
The Big Parade
|
1925
|
|
King Vidor (Director)
|
The Big Parade
|
1925
|
|
Irving G. Thalberg (Producer)
|
The Big Parade
|
1925
|
|
Robert Z. Leonard (Director)
|
Bright Lights
|
1925
|
|
Robert Z. Leonard (Producer)
|
Bright Lights
|
1925
|
|
Robert Z. Leonard (Director)
|
Cheaper to Marry
|
1925
|
|
Monta Bell (Director)
|
Lady of the Night
|
1925
|
|
Ralph Dawson (Editor)
|
Lady of the Night
|
1925
|
|
Monta Bell (Director)
|
Lights of Old Broadway
|
1925
|
|
Monta Bell (Producer)
|
Lights of Old Broadway
|
1925
|
|
Victor Schertzinger (Director)
|
Man and Maid
|
1925
|
|
Erich Von Stroheim (Costume Designer)
|
The Merry Widow
|
1925
|
|
Erich Von Stroheim (Director)
|
The Merry Widow
|
1925
|
|
Margaret Booth (Editor)
|
The Merry Widow
|
1925
|
|
Erich Von Stroheim (Producer)
|
The Merry Widow
|
1925
|
|
William H. Daniels (Cinematographer)
|
The Merry Widow
|
1925
|
|
Oliver Marsh (Cinematographer)
|
The Merry Widow
|
1925
|
|
Ray Rennahan (Cinematographer)
|
The Merry Widow
|
1925
|
|
Jack Conway (Director)
|
Soul Mates
|
1925
|
|
Oliver Marsh (Cinematographer)
|
Soul Mates
|
1925
|
|
Irving G. Thalberg (Producer)
|
The Tower of Lies
|
1925
|
|
Victor Sjöström (Director)
|
The Tower of Lies
|
1925
|
|
Tod Browning (Director)
|
The Unholy Three
|
1925
|
|
Erich Von Stroheim (Producer)
|
Greed
|
1924
|
|
Samuel Goldwyn (Producer)
|
Greed
|
1924
|
|
William H. Daniels (Cinematographer)
|
Greed
|
1924
|
|
Ernest B. Schoedsack (Cinematographer)
|
Greed
|
1924
|
|
Erich Von Stroheim (Director)
|
Greed
|
1924
|
|
Louis B. Mayer (Producer)
|
He Who Gets Slapped
|
1924
|
|
Victor Sjöström (Director)
|
He Who Gets Slapped
|
1924
|
|
King Vidor (Director)
|
His Hour
|
1924
|
|
Monta Bell (Director)
|
The Snob
|
1924
|
|
Rupert Hughes (Director)
|
Gimmie
|
1923
|
|
Robert Z. Leonard (Producer)
|
Jazzmania
|
1923
|
|
Oliver Marsh (Cinematographer)
|
Jazzmania
|
1923
|
|
Robert Z. Leonard (Director)
|
Jazzmania
|
1923
|
|
Victor Schertzinger (Director)
|
Beating the Game
|
1921
|
|
Frank Lloyd (Director)
|
The Invisible Power
|
1921
|
|
Frank Lloyd (Producer)
|
The Invisible Power
|
1921
|
|
Norbert F. Brodin (Cinematographer)
|
The Invisible Power
|
1921
|
|
Victor Schertzinger (Director)
|
Made in Heaven
|
1921
|