When Cecil B. DeMille was set to direct a re-make of his 1938 swashbuckler The Buccaneer and suddenly became ill, his...
|
Executive Producer
|
1958
|
The Buster Keaton Story is the sublimely inaccurate life story of immortal film comedian Buster Keaton, played by...
|
|
1957
|
Based on the Holy Scriptures, with additional dialogue by several other hands, The Ten Commandments was the last film...
|
Director, Producer
|
1956
|
Cecil B. DeMille's The Greatest Show on Earth is a lavish tribute to circuses, featuring three intertwining plotlines...
|
Director, Producer
|
1952
|
A sequel to Bob Hope's 1948 box-office success The Paleface, 1952's Son of Paleface is a superior product in every way,...
|
|
1952
|
Billy Wilder's Sunset Boulevard ranks among the most scathing satires of Hollywood and the cruel fickleness of movie fandom....
|
|
1950
|
|
Director, Producer
|
1949
|
|
Director, Producer
|
1947
|
This story of two young hopefuls who come to Hollywood is merely a thin device to feature almost every star working for...
|
|
1947
|
|
Director, Producer
|
1944
|
|
Director, Producer
|
1942
|
In this drama, a dedicated forest ranger begins suspecting that a recent series of fires has been caused by arson. He...
|
|
1942
|
Star-Spangled Rhythm is a typical wartime all-star musical-comedy melange, this time from Paramount Pictures. The slender...
|
|
1942
|
Cecil B. De Mille directed this lavish all-star spectacular paying tribute to America's neighbors to the North. In 1885, as...
|
Director, Producer
|
1940
|
Originally designed for exhibition at the 1939 World's Fair, Land of Liberty is a 137-minute compendium of filmclips from...
|
Editor
|
1939
|
Cecil B. DeMille takes us back to the 1860s, then rebuilds the first intercontinental railroad in Union Pacific. The...
|
Director, Producer
|
1939
|
|
Director, Producer
|
1938
|
|
Director, Producer
|
1937
|
Set during the terrible Spanish Civil War, this film avoids political commentary in favor of objectively centering on the...
|
|
1937
|
The Holy Wars are given the usual overblown Cecil B. DeMille treatment in The Crusades. It all begins in the 12th-century AD,...
|
Director, Producer
|
1935
|
|
Director, Producer
|
1934
|
Cecil B. DeMille's least characteristic sound feature, Four Frightened People is a character study about a quartet of...
|
Director, Producer
|
1934
|
Cecil B. DeMille's This Day and Age was perhaps the most Draconian entry in Hollywood's early-1930s "vigilante" film cycle....
|
Director, Producer
|
1933
|
Director Cecil B. DeMille returned to Paramount Pictures for this typically epic production, which became his first box...
|
Director, Producer
|
1932
|
Cecil B. DeMille's third remake of his debut film, this was the first sound version of Edwin Milton Royle's stage western...
|
Director, Producer
|
1931
|
The second of Cecil B. DeMille's talkies (as well as his second for MGM), Madam Satan is an exercise in incoherence, but this...
|
Director, Producer
|
1930
|
Filmed in 1929 and released early in 1930, Dynamite was Cecil B. DeMille's first all-talking feature. As one observer has...
|
Director, Producer
|
1930
|
Completed as a silent film, Cecil B. DeMille's The Godless Girl was quickly converted into a part-talkie by the simple...
|
Director, Producer
|
1929
|
|
Producer
|
1928
|
One of the most readily available features of the silent era, The Yankee Clipper is happily also one of the best. A pre-...
|
Producer
|
1927
|
|
Director, Producer
|
1927
|
|
Producer
|
1926
|
One feels that if Cecil B. DeMille had been assigned to direct the one-character play Krapp's Last Tape, he'd have added...
|
Director, Producer
|
1926
|
|
Presented by
|
1926
|
Judy Nichols (Leatrice Joy), a poor girl from Chicago, has decided she cannot marry without money. Her sweetheart, Ronald...
|
Producer
|
1925
|
Cecil B. DeMille's century-hopping extravaganza The Road to Yesterday begins in the present (1925, that is). Wealthy...
|
Director, Producer
|
1925
|
|
Producer
|
1925
|
Produced but not directed by Cecil B. DeMille, The Coming of Amos nevertheless has many earmarks of a typical DeMille film,...
|
Producer
|
1925
|
|
Director, Producer
|
1925
|
Under the supervision of Cecil B. DeMille, character actor Alan Hale handled the directing chores in Wedding Song. DeMille...
|
Supervisor/Manager
|
1925
|
|
Director, Producer
|
1924
|
While this Cecil B. DeMille production has many of the elements common to his pictures -- lavish, expensive sets and...
|
Director, Producer
|
1924
|
Cecil B. DeMille's first screen version of The Ten Commandments is only peripherally a Biblical story. The film's first 45...
|
Director, Producer
|
1923
|
No, this society drama is not related in any way, shape or form to the 1949 Katherine Hepburn/Spencer Tracy comedy. It's one...
|
Director, Producer
|
1923
|
The premise is clichéd -- it's the usual tale of a pretty girl from the sticks trying to break into movies -- but this satire...
|
|
1923
|
Even with its share of sumptuous sets and domestic mixups, this comedy-drama was not typical for director Cecil B. DeMille....
|
Director, Producer
|
1922
|
|
|
1922
|
|
Director, Producer
|
1922
|
Cecil B. DeMille's much-maligned cinemadaptation of Arthur Schnitzler's The Affairs of Anatol holds up better than its...
|
Director, Producer
|
1921
|
Mary (Agnes Ayres) works as a seamstress for the wealthy Mallory family to support herself and her worthless husband Steve...
|
Director, Producer
|
1921
|
Although this expensive drama was "suggested by" a short story, The Laurels and the Lady, by Leodard Merrick, one can't help...
|
Director, Producer
|
1921
|
During the late teens and early '20s, filmmaker Cecil B. DeMille reveled in much cinematic pomp and circumstance, mixing epic...
|
Director, Producer
|
1920
|
One of the best of Cecil B. DeMille's sophisticated sex comedies of the silent era, Why Change Your Wife? hinges upon a...
|
Director, Producer
|
1920
|
|
Director
|
1919
|
Don't let that title fool you: Male and Female is really James M. Barrie's The Admirable Crichton, as interpreted by...
|
Director, Producer
|
1919
|
Director Cecil B. DeMille tones down his usual elegance and instead focuses on the drama of America during the Great War....
|
Director, Producer
|
1919
|
During World War I, every director made at least one film about the battles going on in Europe, even Cecil B. DeMille. These...
|
Director, Producer
|
1918
|
The Whispering Chorus was arguably the closest Cecil B. DeMille ever came to making an "art" picture. Stalwart DeMille...
|
Director, Editor, Producer
|
1918
|
|
Director, Producer
|
1918
|
The first of Cecil B. DeMille's series of sophisticated romantic comedy-dramas, Old Wives for New was adapted from a novel by...
|
Director, Editor, Producer
|
1918
|
We Can't Have Everything was at once a typical Cecil B. DeMille marital comedy and also a satire of the whole genre. Aware...
|
Director, Editor, Producer
|
1918
|
With the exception of Joan the Woman, which contained a "contemporary" subplot, The Woman God Forgot was Cecil B. DeMille's...
|
Director, Editor, Producer
|
1917
|
|
Director, Editor, Producer
|
1917
|
|
Director, Editor, Producer, Screenwriter
|
1917
|
This typically overbaked Cecil B. DeMille opus takes place off the seacoast of Brittany. While ambling along the beach,...
|
Director, Editor, Producer
|
1917
|
One of the few opera divas to achieve success on the silent screen (due in part to her affable, non-diva temperament),...
|
Director, Editor, Producer
|
1916
|
|
Screenwriter
|
1916
|
|
Director, Editor, Producer
|
1916
|
A sweeping chronicle of the life and death of Joan of Arc, the Maid of Orlean, this epic stands as one of director...
|
Director, Editor, Producer
|
1916
|
|
Director, Editor, Producer
|
1916
|
|
Director
|
1916
|
Though many of Cecil B. DeMille's earliest films were based on plays and novels, The Dream Girl was a complete original,...
|
Director, Editor, Producer
|
1916
|
In the years before he became known for his sexy domestic films and elaborate spectaculars, fledgling director Cecil B....
|
Director, Editor, Producer, Screenwriter
|
1915
|
During the brief "movie star" phase of his career, Broadway comedian Victor Moore appeared in several inconsequential...
|
Screenwriter
|
1915
|
The hoary old David Belasco stage operetta is given the full DeMille treatment in this classic silent western starring...
|
Director, Editor, Producer, Screenwriter
|
1915
|
|
Director, Editor, Producer
|
1915
|
1915 was a big year for civil war films -- this powerful five-reeler was released around the same time as D.W. Griffith's...
|
Director, Editor, Producer
|
1915
|
Famed opera singer Geraldine Farrar had just recently achieved silent film stardom with Carmen (a part she had also sung on...
|
Director, Editor, Producer
|
1915
|
Bowery toughie Chimmie Fadden was the creation of New York Sun journalist E. W. Townsend. Chimmie proved popular enough with...
|
Director, Editor, Producer, Screenwriter
|
1915
|
Walter Crane makes a bet with a group of his fellow women-hating clubmen that he can take a pretty girl and cultivate her so...
|
Director, Producer
|
1915
|
The grandfather of Betty Wright (Ina Claire) is willing to give her a substantial amount of money if she marries the son of a...
|
Director, Editor, Producer
|
1915
|
The Paramount version of Carmen had Cecil B. DeMille directing, prima donna Geraldine Farrar in her film debut, recreating a...
|
Director, Editor, Producer
|
1915
|
|
Director, Editor, Producer, Screenwriter
|
1915
|
This Cecil B. DeMille picture (adapted from the novel by Eleanor M. Ingram) was the screen debut for French actress Rita...
|
Director, Editor, Producer
|
1915
|
|
Director, Editor, Producer, Screenwriter
|
1915
|
|
Director, Editor, Producer
|
1915
|
The Golden Chance was the last of 12 (!) films directed in 1915 by Cecil B. DeMille. Scripted by DeMille and...
|
Director, Editor, Producer
|
1915
|
|
Director, Screenwriter
|
1914
|
Producer Jesse Lasky and stage impresario David Belasco teamed up for several films in the mid-teens and this tale of...
|
Director, Editor, Producer, Screenwriter
|
1914
|
|
Screenwriter
|
1914
|
|
Director, Producer, Screenwriter
|
1914
|
|
Director
|
1914
|
This is the first film in which budding filmmaker Cecil B. DeMille received full credit as a director. Set in the wild...
|
Director, Producer, Screenwriter
|
1914
|
Although this was only Cecil B. DeMille's fifth feature, it shows some of the qualities that would make his work famous in...
|
Director, Editor, Producer
|
1914
|
|
Director, Producer, Screenwriter
|
1914
|
This early Cecil B. DeMille film is surprisingly simple and unpretentious. It's the story of small-town inhabitants Harvey...
|
Director, Editor, Producer, Screenwriter
|
1914
|
Although this was Cecil B. DeMille's third directorial effort, it was the first time he attempted it on his own, without the...
|
Director, Editor, Producer, Screenwriter
|
1914
|
If the larger-than-life approach to this complicated picture (based on the novel The Rose in the Ring by George Barr...
|
Screenwriter
|
1914
|
This comedy drama involves the adventures of a cavalryman, Bob Warburton (Max Figman). Warburton's regiment saves a...
|
Director
|
1914
|