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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Slickly charming, genteelly erotic and directed with supreme polish, Cashback is a conventional romantic comedy that plays unconventional games with time and memory. Read full review
A sleek little meditation on beauty, desire, love and time. Now and then, it's fairly sophisticated stuff. Read full review
It's no small trick to blend fantasy, slapstick and genuine emotion, but Ellis pulls it off with whimsy to spare. Read full review
Writer-director Sean Ellis more-or-less successfully expands his Academy Award-nominated 18-minute short to full length, showcasing his talented young cast to good effect. Read full review
The movie is lightweight, as it should be. Read full review
The movie is too cute by half, made close to unbearable whenever Ben's narration spews glib pseudo-profundities about memory and temporal stillness. But the flaky humor of wage slaves serial-killing time is good, rude fun. Read full review
Springs from that childhood fantasy of being able to stop time and wander freely among the temporarily frozen. If only writer-director Sean Ellis had done more than use the conceit for a functional romance. Read full review
In short form, Cashback simply dealt with how a quirky group of supermarket employees whiled away the endless hours of a night shift, but the feature version spoils that economy by tacking on a romantic subplot and indulging its hero's precious ruminations on love and art. Read full review
Cashback suggests a "Malcolm in the Middle" episode directed by Paul Thomas Anderson. The hero's pained, hilarious childhood flashbacks deserve a much better movie. Read full review
Director Sean Ellis has a lovely eye, but he's set the film in his blind spot. Not only can't he distinguish between art and porn, savoring and wallowing, universal truths and exhausted clichs -- he doesn't even seem interested in these distinctions. Read full review
2.0
Dave White Profile
puddle-deep emotional jabbering Read full review