|
Harry Joe Brown (Producer)
|
Il Figlio del Capitano Blood
|
1962
|
|
Henry King (Director)
|
This Earth Is Mine
|
1959
|
|
George W. Davis (Art Director)
|
This Earth Is Mine
|
1959
|
|
Russell Metty (Cinematographer)
|
This Earth Is Mine
|
1959
|
|
Alfred Hitchcock (Director)
|
Alfred Hitchcock Presents: Poison
|
1958
|
|
Fritz Lang (Director)
|
While the City Sleeps
|
1956
|
|
John Farrow (Director)
|
A Bullet Is Waiting
|
1954
|
|
Michael Curtiz (Director)
|
The Egyptian
|
1954
|
|
Darryl F. Zanuck (Producer)
|
The Egyptian
|
1954
|
|
Leon Shamroy (Cinematographer)
|
The Egyptian
|
1954
|
|
Charles LeMaire (Costume Designer)
|
The Egyptian
|
1954
|
|
George W. Davis (Art Director)
|
The Egyptian
|
1954
|
|
Charles LeMaire (Costume Designer)
|
Diplomatic Courier
|
1952
|
|
Lucien Ballard (Cinematographer)
|
Diplomatic Courier
|
1952
|
|
James B. Clark (Editor)
|
Diplomatic Courier
|
1952
|
|
Henry Hathaway (Director)
|
Diplomatic Courier
|
1952
|
|
Henry King (Director)
|
The Snows of Kilimanjaro
|
1952
|
|
Darryl F. Zanuck (Producer)
|
The Snows of Kilimanjaro
|
1952
|
|
Leon Shamroy (Cinematographer)
|
The Snows of Kilimanjaro
|
1952
|
|
Charles LeMaire (Costume Designer)
|
The Snows of Kilimanjaro
|
1952
|
|
Leon Shamroy (Cinematographer)
|
Two Flags West
|
1950
|
|
Robert Wise (Director)
|
Two Flags West
|
1950
|
|
Dorothy Spencer (Editor)
|
Under My Skin
|
1950
|
|
Jean Negulesco (Director)
|
Under My Skin
|
1950
|
|
Charles LeMaire (Costume Designer)
|
Under My Skin
|
1950
|
|
John M. Stahl (Director)
|
Father Was a Fullback
|
1949
|
|
Fred Kohlmar (Producer)
|
Father Was a Fullback
|
1949
|
|
Jean Louis (Costume Designer)
|
The Mating of Millie
|
1948
|
|
George Cukor (Director)
|
Desire Me
|
1947
|
|
Mervyn LeRoy (Director)
|
Desire Me
|
1947
|
|
Cedric Gibbons (Art Director)
|
Desire Me
|
1947
|
|
Arthur Hornblow, Jr. (Producer)
|
Desire Me
|
1947
|
|
Benedict E. Bogeaus (Producer)
|
The Macomber Affair
|
1947
|
|
Zoltan Korda (Director)
|
The Macomber Affair
|
1947
|
|
Freddie Francis (Cinematographer)
|
The Macomber Affair
|
1947
|
|
Karl Struss (Cinematographer)
|
The Macomber Affair
|
1947
|
|
Orry-Kelly (Costume Designer)
|
The Corn Is Green
|
1945
|
|
Sol Polito (Cinematographer)
|
The Corn Is Green
|
1945
|
|
Jack L. Warner (Executive Producer)
|
The Corn Is Green
|
1945
|
|
Hal B. Wallis (Producer)
|
Saratoga Trunk
|
1945
|
|
Ralph Dawson (Editor)
|
Saratoga Trunk
|
1945
|
|
Sam Wood (Director)
|
Saratoga Trunk
|
1945
|
|
Ernest Haller (Cinematographer)
|
Saratoga Trunk
|
1945
|
|
Jacques Tourneur (Director)
|
Days of Glory
|
1944
|
|
Michael Curtiz (Director)
|
Passage to Marseille
|
1944
|
|
James Wong Howe (Cinematographer)
|
Passage to Marseille
|
1944
|
|
Hal B. Wallis (Producer)
|
Passage to Marseille
|
1944
|
|
Lionel Banks (Art Director)
|
The Racket Man
|
1944
|
|
Michael Curtiz (Director)
|
This Is the Army
|
1943
|
|
LeRoy J. Prinz (Choreography)
|
This Is the Army
|
1943
|
|
Orry-Kelly (Costume Designer)
|
This Is the Army
|
1943
|
|
Sol Polito (Cinematographer)
|
This Is the Army
|
1943
|
|
Hal B. Wallis (Producer)
|
This Is the Army
|
1943
|
|
Jack L. Warner (Producer)
|
This Is the Army
|
1943
|
|
Hal B. Wallis (Producer)
|
Now, Voyager
|
1942
|
|
Orry-Kelly (Costume Designer)
|
Now, Voyager
|
1942
|
|
Sol Polito (Cinematographer)
|
Now, Voyager
|
1942
|
|
Robert M. Haas (Art Director)
|
Now, Voyager
|
1942
|
|
Warren Low (Editor)
|
Now, Voyager
|
1942
|
|
Hal B. Wallis (Producer)
|
Kings Row
|
1941
|
|
Ralph Dawson (Editor)
|
Kings Row
|
1941
|
|
Sam Wood (Director)
|
Kings Row
|
1941
|
|
James Wong Howe (Cinematographer)
|
Kings Row
|
1941
|
|
Orry-Kelly (Costume Designer)
|
Kings Row
|
1941
|
|
Orry-Kelly (Costume Designer)
|
Million Dollar Baby
|
1941
|
|
Charles Rosher Sr. (Cinematographer)
|
Million Dollar Baby
|
1941
|
|
Warren Low (Editor)
|
One Foot in Heaven
|
1941
|
|
Hal B. Wallis (Producer)
|
One Foot in Heaven
|
1941
|
|
Jack L. Warner (Producer)
|
One Foot in Heaven
|
1941
|
|
Charles Rosher Sr. (Cinematographer)
|
One Foot in Heaven
|
1941
|
|
Orry-Kelly (Costume Designer)
|
All This and Heaven Too
|
1940
|
|
Anatole Litvak (Director)
|
All This and Heaven Too
|
1940
|
|
Ernest Haller (Cinematographer)
|
All This and Heaven Too
|
1940
|
|
Warren Low (Editor)
|
All This and Heaven Too
|
1940
|
|
Hal B. Wallis (Producer)
|
All This and Heaven Too
|
1940
|
|
Jack L. Warner (Producer)
|
All This and Heaven Too
|
1940
|
|
Hal B. Wallis (Executive Producer)
|
Dark Victory
|
1939
|
|
William Holmes (Editor)
|
Dark Victory
|
1939
|
|
Edmund Goulding (Director)
|
Dark Victory
|
1939
|
|
Robert M. Haas (Art Director)
|
Dark Victory
|
1939
|
|
Orry-Kelly (Costume Designer)
|
Dark Victory
|
1939
|
|
Ernest Haller (Cinematographer)
|
Dark Victory
|
1939
|
|
Orry-Kelly (Costume Designer)
|
The Old Maid
|
1939
|
|
Robert M. Haas (Art Director)
|
The Old Maid
|
1939
|
|
Edmund Goulding (Director)
|
The Old Maid
|
1939
|
|
Hal B. Wallis (Executive Producer)
|
The Old Maid
|
1939
|
|
Ralph Dawson (Editor)
|
Yes, My Darling Daughter
|
1939
|
|
William Keighley (Director)
|
Yes, My Darling Daughter
|
1939
|
|
Charles Rosher Sr. (Cinematographer)
|
Yes, My Darling Daughter
|
1939
|
|
Hal B. Wallis (Producer)
|
Yes, My Darling Daughter
|
1939
|
|
Jack L. Warner (Producer)
|
Yes, My Darling Daughter
|
1939
|
|
Hal B. Wallis (Producer)
|
Four's a Crowd
|
1938
|
|
Ernest Haller (Cinematographer)
|
Four's a Crowd
|
1938
|
|
Orry-Kelly (Costume Designer)
|
Four's a Crowd
|
1938
|
|
Michael Curtiz (Director)
|
Four's a Crowd
|
1938
|
|
Henry Blanke (Producer)
|
Call It a Day
|
1937
|
|
Hal B. Wallis (Producer)
|
Call It a Day
|
1937
|
|
Archie Mayo (Director)
|
Call It a Day
|
1937
|
|
Ernest Haller (Cinematographer)
|
Call It a Day
|
1937
|
|
Orry-Kelly (Costume Designer)
|
It's Love I'm After
|
1937
|
|
Archie Mayo (Director)
|
It's Love I'm After
|
1937
|
|
Tony Martinelli (Editor)
|
It's Love I'm After
|
1937
|
|
Hal B. Wallis (Producer)
|
It's Love I'm After
|
1937
|
|
Harry Joe Brown (Producer)
|
It's Love I'm After
|
1937
|
|
Harry Joe Brown (Producer)
|
Stolen Holiday
|
1937
|
|
Hal B. Wallis (Producer)
|
Stolen Holiday
|
1937
|
|
Michael Curtiz (Director)
|
Stolen Holiday
|
1937
|
|
Orry-Kelly (Costume Designer)
|
Stolen Holiday
|
1937
|
|
Anton Grot (Art Director)
|
Stolen Holiday
|
1937
|
|
Anton Grot (Art Director)
|
Tovarich
|
1937
|
|
Anatole Litvak (Director)
|
Tovarich
|
1937
|
|
Archie Mayo (Director)
|
Give Me Your Heart
|
1936
|
|
Orry-Kelly (Costume Designer)
|
Give Me Your Heart
|
1936
|
|
Marion Davies (Producer)
|
Hearts Divided
|
1936
|
|
Harry Joe Brown (Producer)
|
Hearts Divided
|
1936
|
|
Orry-Kelly (Costume Designer)
|
Hearts Divided
|
1936
|
|
Frank Borzage (Director)
|
Hearts Divided
|
1936
|
|
William Holmes (Editor)
|
Hearts Divided
|
1936
|
|
Harry Joe Brown (Producer)
|
I Married a Doctor
|
1936
|
|
Archie Mayo (Director)
|
I Married a Doctor
|
1936
|
|
Byron Haskin (Cinematographer)
|
I Married a Doctor
|
1936
|
|
Ernest Haller (Cinematographer)
|
Captain Blood
|
1935
|
|
Hal Mohr (Cinematographer)
|
Captain Blood
|
1935
|
|
Milo Anderson (Costume Designer)
|
Captain Blood
|
1935
|
|
Anton Grot (Art Director)
|
Captain Blood
|
1935
|
|
Michael Curtiz (Director)
|
Captain Blood
|
1935
|
|
Harry Joe Brown (Producer)
|
Captain Blood
|
1935
|
|
Harry Joe Brown (Producer)
|
I Found Stella Parish
|
1935
|
|
Mervyn LeRoy (Director)
|
I Found Stella Parish
|
1935
|
|
Robert M. Haas (Art Director)
|
I Found Stella Parish
|
1935
|
|
Orry-Kelly (Costume Designer)
|
I Found Stella Parish
|
1935
|
|
Orry Kelly (Costume Designer)
|
I Found Stella Parish
|
1935
|
|
Ralph Murphy (Director)
|
McFadden's Flats
|
1935
|
|
Joseph Kane (Editor)
|
McFadden's Flats
|
1935
|
|
Charles R. Rogers (Producer)
|
McFadden's Flats
|
1935
|
|
Charles R. Rogers (Producer)
|
Eight Girls in a Boat
|
1934
|
|
Richard Wallace (Director)
|
Eight Girls in a Boat
|
1934
|
|
Charles R. Rogers (Producer)
|
Here Comes the Groom
|
1934
|
|
Charles R. Rogers (Producer)
|
She Made Her Bed
|
1934
|
|
Ralph Murphy (Director)
|
She Made Her Bed
|
1934
|
|
Ralph Murphy (Director)
|
Golden Harvest
|
1933
|
|
Charles R. Rogers (Producer)
|
Golden Harvest
|
1933
|
|
Harry Joe Brown (Director)
|
I Love That Man
|
1933
|
|
Charles R. Rogers (Producer)
|
I Love That Man
|
1933
|
|
Roy Hunt (Cinematographer)
|
Lucky Devils
|
1933
|
|
David O. Selznick (Executive Producer)
|
Lucky Devils
|
1933
|
|
Ralph Murphy (Director)
|
Song of the Eagle
|
1933
|
|
Joseph Kane (Editor)
|
Song of the Eagle
|
1933
|
|
Charles R. Rogers (Producer)
|
Song of the Eagle
|
1933
|
|
Joseph Kane (Editor)
|
Strictly Personal
|
1933
|
|
Ralph Murphy (Director)
|
Strictly Personal
|
1933
|
|
William Seiter (Director)
|
Is My Face Red?
|
1932
|
|
David O. Selznick (Executive Producer)
|
Is My Face Red?
|
1932
|
|
Joseph Kane (Editor)
|
Is My Face Red?
|
1932
|
|
Ted Tetzlaff (Cinematographer)
|
The Last Parade
|
1931
|
|
Erle C. Kenton (Director)
|
The Last Parade
|
1931
|
|
Harry Joe Brown (Director)
|
The Squealer
|
1930
|
|
Harry Cohn (Producer)
|
The Squealer
|
1930
|
|
Ted Tetzlaff (Cinematographer)
|
The Squealer
|
1930
|
|
Erle C. Kenton (Director)
|
Companionate Marriage
|
1928
|
|
William Beaudine (Director)
|
Do Your Duty
|
1928
|
|
Stuart Heisler (Editor)
|
Do Your Duty
|
1928
|
|
William Seiter (Director)
|
Waterfront
|
1928
|
|
William Seiter (Producer)
|
Waterfront
|
1928
|
|
Alexander Korda (Director)
|
Private Life of Helen of Troy
|
1927
|