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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Much of the joy of the film is to be found in the way Jarman and his team recreate the look and color of the original paintings. Read full review
It's often beautiful to watch, although it's more interested in visual style than philosophical depth. Read full review
Marrying a painterly aesthetic with a defiantly homosexual sensibility, this ironic biopic is probably the most accessible film of avant-garde British director Derek Jarman. Read full review
In a sense, Caravaggio has less to do with its ostensible subject than with Jarman's own insistence on sensual, and largely homoerotic, expression, though there's a feeling of stifling enclosure to the images Jarman invents, of eros turned inward, toward private fantasy and longing, rather than outward to a world of real possibility. Read full review
Less a movie than an act of vandalism. Read full review