Written
December 19, 2008
A Coupe De Ville, but not an Eldorado
This movie's rather choppy story telling of the lives of these important blues legends was saved by the great soundtrack and visual performance of their rousing music. Such an undertold (untold?) (and unfamiliar to anyone under 60) musical time period, I longed for more of a documentary approach, without the forced drama, particularily the scenes involving Etta James.
Performances were all very credible, with the exception of Beyonce, who, even under a short blonde wig, is a just too recognizable as the product she is. An unfamiliar face would have been much more effective story telling.
The what-became-of-them credits shown at the end of the movie were welcome, but you'd better first revisit your Evelyn Wood Speed-Reading course, cause they aren't shown long enough to be completely read, much less reflected upon. An accompanying in-the-era picture of each of these important ledgends was a missing touch as well. A welcome musical acknowledgment, and very worthy entertainment
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6
out of
9
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