Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Pablo Berger’s Blancanieves is the purest, boldest re-imagining of silent cinema yet. Read full review
It is extremely pleasurable to watch, and shows every sign of having been extremely pleasurable to make. Read full review
It is a full-bodied silent film of the sort that might have been made by the greatest directors of the 1920s, if such details as the kinky sadomasochism of this film's evil stepmother could have been slipped past the censors. Read full review
The silents, as this film suggests, achieved aesthetic marvels before sound came along to set things back for a while. Read full review
The new film from Spanish writer-director Pablo Berger is a silent, black-and-white film so witty, riveting, and drop-dead gorgeous that moviegoers may forget to notice that they can't hear the dialogue. Read full review
Best of all: the musical score by Alfonso de Vilallonga. It's terrific — witty, symphonically lush and shrewdly informed by flamenco strains throughout. Read full review
You don’t need to know the resume of Maribel Verdú to know that the “Y Tu Mama Tambien” star is this film’s meal ticket. With an equal division of screentime with her co-star, Verdú’s ferocious sexuality projects that she was meant to become the fairest of them all by sheer force of will. Read full review
If nothing else, Blancanieves offers an excellent case for revisiting the early days of cinema -- and for recognizing how much has been lost in its absence. While "The Artist" recalled the silent film industry, Blancanieves solely pays tribute to the art. Read full review
We’re not in Disney’s world. Berger knows his Grimm, and he suffuses his entrancing fairy tale with a moving sense of melancholy.
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Expressively (Berger knows his grammar), a white communion dress is dipped in black dye as her custodial grandmother passes away and an evil castle beckons. Read full review
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