|
Rob Marshall (Choreography)
|
Victor/Victoria
|
1999
|
|
Arnon Milchan (Executive Producer)
|
Switch
|
1991
|
|
Joe Roth (Producer)
|
Skin Deep
|
1989
|
|
Anthony Richmond (Cinematographer)
|
Sunset
|
1988
|
|
Harry Stradling, Jr. (Cinematographer)
|
Blind Date
|
1987
|
|
Gary Hendler (Executive Producer)
|
Blind Date
|
1987
|
|
Harry Stradling, Jr. (Cinematographer)
|
A Fine Mess
|
1986
|
|
Anthony Richmond (Cinematographer)
|
That's Life!
|
1986
|
|
Harry Stradling, Jr. (Cinematographer)
|
Micki + Maude
|
1984
|
|
Haskell Wexler (Cinematographer)
|
The Man Who Loved Women
|
1983
|
|
Ann Roth (Costume Designer)
|
The Man Who Loved Women
|
1983
|
|
Harry Stradling, Jr. (Cinematographer)
|
S.O.B.
|
1981
|
|
Geoffrey Unsworth (Cinematographer)
|
The Return of the Pink Panther
|
1975
|
|
Freddie Young (Cinematographer)
|
The Tamarind Seed
|
1974
|
|
George W. Davis (Art Director)
|
Wild Rovers
|
1971
|
|
Hermes Pan (Choreography)
|
Darling Lili
|
1970
|
|
Aaron Spelling (Executive Producer)
|
The Monk
|
1969
|
|
Danny Thomas (Executive Producer)
|
The Monk
|
1969
|
|
Jerry Jameson (Editor)
|
The Monk
|
1969
|
|
Lucien Ballard (Cinematographer)
|
The Party
|
1968
|
|
Robert Burks (Cinematographer)
|
Waterhole #3
|
1967
|
|
Warren Low (Editor)
|
Waterhole #3
|
1967
|
|
Edith Head (Costume Designer)
|
The Great Race
|
1965
|
|
Hermes Pan (Choreography)
|
The Great Race
|
1965
|
|
Christopher G. Challis (Cinematographer)
|
A Shot in the Dark
|
1964
|
|
Hermes Pan (Choreography)
|
The Pink Panther
|
1963
|
|
Ralph Nelson (Director)
|
Soldier in the Rain
|
1963
|
|
Arthur E. Arling (Cinematographer)
|
The Notorious Landlady
|
1962
|
|
Kim Novak (Costume Designer)
|
The Notorious Landlady
|
1962
|
|
Richard Quine (Director)
|
The Notorious Landlady
|
1962
|
|
Fred Kohlmar (Producer)
|
The Notorious Landlady
|
1962
|
|
Edith Head (Costume Designer)
|
Breakfast at Tiffany's
|
1961
|
|
Herman A. Blumenthal (Art Director)
|
High Time
|
1960
|
|
Charles Brackett (Producer)
|
High Time
|
1960
|
|
Robert Arthur (Producer)
|
Operation Petticoat
|
1959
|
|
Robert Arthur (Producer)
|
The Perfect Furlough
|
1958
|
|
Ross Hunter (Producer)
|
This Happy Feeling
|
1958
|
|
Arthur E. Arling (Cinematographer)
|
This Happy Feeling
|
1958
|
|
Russell Metty (Cinematographer)
|
Mister Cory
|
1957
|
|
Robert Arthur (Producer)
|
Mister Cory
|
1957
|
|
Richard Quine (Director)
|
Operation Mad Ball
|
1957
|
|
Charles Lawton (Cinematographer)
|
Operation Mad Ball
|
1957
|
|
Charles Lawton (Cinematographer)
|
Bring Your Smile Along
|
1955
|
|
Jean Louis (Costume Designer)
|
My Sister Eileen
|
1955
|
|
Bob Fosse (Choreography)
|
My Sister Eileen
|
1955
|
|
Charles Lawton (Cinematographer)
|
My Sister Eileen
|
1955
|
|
Richard Quine (Director)
|
My Sister Eileen
|
1955
|
|
Fred Kohlmar (Producer)
|
My Sister Eileen
|
1955
|
|
Richard Quine (Director)
|
Drive a Crooked Road
|
1954
|
|
Charles Lawton (Cinematographer)
|
Drive a Crooked Road
|
1954
|
|
Charles Lawton (Cinematographer)
|
All Ashore
|
1953
|
|
Richard Quine (Director)
|
All Ashore
|
1953
|
|
Richard Quine (Director)
|
Cruisin' Down the River
|
1953
|
|
Charles Lawton (Cinematographer)
|
Cruisin' Down the River
|
1953
|
|
Richard Quine (Director)
|
Rainbow 'round My Shoulder
|
1952
|
|
Richard Quine (Director)
|
Sound Off
|
1952
|
|
Scott R. Dunlap (Producer)
|
Stampede
|
1949
|
|
Henry Edwards (Director)
|
One Precious Year
|
1933
|
|
Herbert Wilcox (Producer)
|
One Precious Year
|
1933
|