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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
An effective thriller precisely because it is true to the way sophisticated people might behave in this situation. Its characters are not movie creatures, gullible, emotional and quickly moved to tears. They're realists, rich, a little jaded. Read full review
While it veers heavily toward pretentiousness, this striking metaphysical mystery is intensely compelling, conjuring a mood between European high-arthouse and the unsettling psychological horror of "Rosemary's Baby." Read full review
What the intelligently spooky Birth does best is disturb us. Read full review
Without Ms. Kidman's brilliantly nuanced performance, Birth might feel arch, chilly and a little sadistic, but she gives herself so completely to the role that the film becomes both spellbinding and heartbreaking, a delicate chamber piece with the large, troubled heart of an opera. Read full review
The best of what's onscreen is a mesmerizing mind-teaser. Read full review
Birth presents an intriguing premise about death and the possibility of rebirth in an elegant, melancholy and deliberate fashion. Read full review
Begins like a penetrating exploration of love, grief and suffering and ends looking like a highbrow version of "Bride of Chucky." Read full review
When Kidman slithers into a bathtub with her young ''husband,'' the scene, in its soft-pedaled way, is the definition of exploitation: It appears to have been cooked up for no other purpose than to conjure creepy child-porn overtones. Read full review
For all its art-house posturing, for all its exploration of the taboo topic, Birth is anything but good. Read full review
A paranormal mystery without a spine. It has no suspense because it has no belief in itself. Read full review