| Hollywood Foreign Press Association |
Avanti! |
Best Director |
1972 |
Nominated |
| Hollywood Foreign Press Association |
Avanti! |
Best Screenplay |
1972 |
Nominated |
| Academy of Motion Picture Arts and Sciences |
The Fortune Cookie |
Best Original Screenplay |
1966 |
Nominated |
| New York Film Critics Circle |
The Apartment |
Best Director |
1960 |
Won |
| Directors Guild of America |
The Apartment |
Best Director |
1960 |
Won |
| Academy of Motion Picture Arts and Sciences |
The Apartment |
Best Director |
1960 |
Won |
| British Academy of Film and Television Arts |
The Apartment |
Best Film - Any Source |
1960 |
Won |
| Academy of Motion Picture Arts and Sciences |
The Apartment |
Best Picture |
1960 |
Won |
| New York Film Critics Circle |
The Apartment |
Best Screenplay |
1960 |
Won |
| Academy of Motion Picture Arts and Sciences |
The Apartment |
Best Original Screenplay |
1960 |
Won |
| Hollywood Foreign Press Association |
The Apartment |
Best Director |
1960 |
Nominated |
| British Academy of Film and Television Arts |
Some Like It Hot |
Best British Film |
1959 |
Nominated |
| Academy of Motion Picture Arts and Sciences |
Some Like It Hot |
Best Adapted Screenplay |
1959 |
Nominated |
| Directors Guild of America |
Some Like It Hot |
Best Director |
1959 |
Nominated |
| Academy of Motion Picture Arts and Sciences |
Some Like It Hot |
Best Director |
1959 |
Nominated |
| Academy of Motion Picture Arts and Sciences |
Witness for the Prosecution |
Best Director |
1957 |
Nominated |
| Directors Guild of America |
Love in the Afternoon |
Best Director |
1957 |
Nominated |
| Hollywood Foreign Press Association |
Witness for the Prosecution |
Best Director |
1957 |
Nominated |
| Directors Guild of America |
Witness for the Prosecution |
Best Director |
1957 |
Nominated |
| Directors Guild of America |
The Seven Year Itch |
Best Director |
1955 |
Nominated |
| Hollywood Foreign Press Association |
Sabrina |
Best Screenplay |
1954 |
Won |
| Academy of Motion Picture Arts and Sciences |
Sabrina |
Best Director |
1954 |
Nominated |
| Directors Guild of America |
Sabrina |
Best Director |
1954 |
Nominated |
| Academy of Motion Picture Arts and Sciences |
Sabrina |
Best Screenplay |
1954 |
Nominated |
| Academy of Motion Picture Arts and Sciences |
Stalag 17 |
Best Director |
1953 |
Nominated |
| Directors Guild of America |
Stalag 17 |
Best Director |
1953 |
Nominated |
| Venice International Film Festival |
Ace in the Hole |
International Prize |
1951 |
Won |
| Hollywood Foreign Press Association |
Sunset Boulevard |
Best Director |
1950 |
Won |
| Academy of Motion Picture Arts and Sciences |
Sunset Boulevard |
Best Story and Screenplay |
1950 |
Won |
| Academy of Motion Picture Arts and Sciences |
Sunset Boulevard |
Best Director |
1950 |
Nominated |
| Directors Guild of America |
Sunset Boulevard |
Best Director |
1950 |
Nominated |
| Hollywood Foreign Press Association |
Sunset Boulevard |
Best Screenplay |
1950 |
Nominated |
| Hollywood Foreign Press Association |
The Lost Weekend |
Best Director |
1945 |
Won |
| Academy of Motion Picture Arts and Sciences |
The Lost Weekend |
Best Director |
1945 |
Won |
| Academy of Motion Picture Arts and Sciences |
The Lost Weekend |
Best Screenplay |
1945 |
Won |
| New York Film Critics Circle |
The Lost Weekend |
Best Director |
1945 |
Won |
| Academy of Motion Picture Arts and Sciences |
Double Indemnity |
Best Director |
1944 |
Nominated |
| Academy of Motion Picture Arts and Sciences |
Double Indemnity |
Best Screenplay |
1944 |
Nominated |
| Academy of Motion Picture Arts and Sciences |
Ball of Fire |
Best Original Story |
1941 |
Nominated |
| Academy of Motion Picture Arts and Sciences |
Ninotchka |
Best Screenplay |
1939 |
Nominated |