Carousel was adapted from the 1945 Rodgers and Hammerstein Broadway musical of the same name--which, in turn, was based on...
|
Screenwriter
|
1956
|
One of the most ambitious productions ever turned out by Monogram studios, Song of My Heart represented the directorial debut...
|
Director, Screenwriter
|
1947
|
In this comedy, an adaptation of the play The Animal Kingdom, a liberal, social reformist photographer falls in love with a...
|
Producer
|
1946
|
Like the John Steinbeck novel on which it is based, Tortilla Flat is not so much a movie as a series of warm-hearted...
|
Screenwriter
|
1942
|
Made just before America's entry into World War II, Paris Calling is one of the earliest French Underground adventures. When...
|
Producer, Screenwriter
|
1941
|
A serious journalist is sent to France and forced to write fashion fluff pieces. Tiring of this, she decides to sneak off to...
|
Screenwriter
|
1940
|
In this comedy, a young woman is determined to spend a weekend with her lover before he takes off to Europe for his new job....
|
Producer
|
1939
|
They Made Me a Criminal opens in New York, depicting the latest victory in the ring for Johnny Bradfield (John Garfield), a...
|
Producer
|
1939
|
Louis Armstrong steals the show as the groom to Jeepers Creepers, a skittish racehorse that can only settle down and run when...
|
Producer
|
1939
|
Fannie Hurst's Sister Act was the source for this money-making Warners weeper. The four daughters of the title are played by...
|
Associate Producer
|
1938
|
In this backwoods musical, two feudin' families provide the basis of the action. The tale begins as the head of one family...
|
Producer
|
1937
|
In this lively musical, an eccentric philanthropist's will dictates that four people receive $5,000 with the stipulation...
|
Producer
|
1937
|
|
Producer
|
1937
|
Pulp fiction writer Max Brand's 1936 creation Dr. Kildare made his screen debut in the amiable person of Joel McCrea in this...
|
Producer
|
1937
|
Anything Goes is a fun-filled but hardly faithful adaptation of the same-named Cole Porter Broadway musical, with additional...
|
Producer
|
1936
|
|
Producer
|
1936
|
|
Producer
|
1935
|
After a false start in 1932, Paramount's Big Broadcast series was jump-started in late 1935 with The Big Broadcast of 1936....
|
Producer
|
1935
|
Love in Bloom ostensibly stars George Burns and Gracie Allen,but the team is actually comedy relief for the romantic leads,...
|
Producer
|
1935
|
|
Producer
|
1935
|
|
Producer, Screenwriter
|
1934
|
We're Not Dressing is a bouncy musical-comedy variation of J. M. Barrie's The Admirable Crichton -- complete with a happier...
|
Producer
|
1934
|
Bolero stars George Raft as Raoul de Barre, an arrogant dancer who rises to fame in the years prior to, during, and after WW...
|
Producer
|
1934
|
In this romantic musical, a carnival knife thrower's assistant falls for a Parisian tour guide who earns money wearing a...
|
Producer, Screenwriter
|
1933
|
William Faulkner's novel Sanctuary was a notorious bestseller upon its publication in 1931, and while it was successful...
|
Producer
|
1933
|
This musical comedy stars Maurice Chevalier as (what else?) a Parisian playboy with a song and a kiss for every beautiful...
|
Screenwriter
|
1933
|
|
Screenwriter
|
1932
|
|
Producer
|
1932
|
|
Screenwriter
|
1932
|
|
Screen Story
|
1932
|
"So much for Carlotta" muses the head of German Espionage (Lewis Stone), shortly after secret agent Karen Morley is put to...
|
Screenwriter
|
1932
|
Based on a play by William DuBois, Pagan Lady top-bills Evelyn Brent as the title character, a "woman of the world" named Dut...
|
Screenwriter
|
1931
|
|
Producer, Screenwriter
|
1931
|
This simple tale of peace-loving hillbillies defeating a gang of outlaws was based on a story by Joseph Hergesheimer and was...
|
Screenwriter
|
1930
|
"Boudoir Diplomat" was, of course, a 1930s euphemism for a wealthy man who slept around. Ian Keith plays Baron Valmi, who...
|
Screenwriter
|
1930
|
Ronald Colman plays the "black sheep" of a wealthy British family, sent to South Africa so that he'll be as far away from...
|
Screenwriter
|
1930
|
|
Producer, Screenwriter
|
1929
|
A vaudevillian working in a third-rate burlesque show suffers marital turmoil when success swells his head in this silent...
|
Screenwriter
|
1929
|
|
Screenwriter
|
1928
|
Based on the oft-filmed play by Kenyon Nicholson, The Barker represented the talking-picture debut of silent-screen favorite...
|
Screenwriter
|
1928
|
The strange and terrible things that the lust for gold can do to the soul comprise the message of this innovative, epic...
|
Screenwriter
|
1928
|
|
Screenwriter
|
1928
|
In 1927, Janet Gaynor won the first Academy Award for Best Actress with her performance in this film, among the most...
|
Play Author, Screenwriter
|
1927
|
The Love Mart was based on The Code of Victor Jallot, an adventure yarn by Edward Childs Carpenter. The story is set in Old...
|
Screenwriter
|
1927
|
It has often been reported that Howard Hawks tried and failed to create an "art" film with Paid to Love, only to return to...
|
Screenwriter
|
1927
|
The Lady in Ermine was based on the Rudolph Schanzer-Ernest Wellisch operetta of the same name. Corinne Griffith stars as...
|
Screenwriter
|
1927
|
Directed with his usual dry wit by the talented and underrated Harry D'Arrast, Gentleman of Paris was based on a short story...
|
Screenwriter
|
1927
|
This sentimental comedy begins when four middle-aged actors jointly adopt an orphaned baby girl, raising her in a backstage...
|
Screenwriter
|
1926
|
Skyrocket was a vehicle for non-actress Peggy Hopkins Joyce, a former Ziegfeld dancer who managed to get herself into the...
|
Screenwriter
|
1926
|
|
Screenwriter
|
1926
|
|
Screenwriter
|
1926
|
Filmgoers of the silent era liked to see crooks reform -- it was a popular theme in motion pictures. This drama, adapted from...
|
Screenwriter
|
1926
|
A bulky, verbose novel by Herman Suderman was the source for the exquisitely silent Flesh and the Devil. On leave from the...
|
Screenwriter
|
1926
|
Fashions for Men was a satirical play by Franz Molnar. In the hands of film company First National, it became a sincere,...
|
Screenwriter
|
1925
|
|
Screenwriter
|
1925
|
This silent adaptation of Franz Lehar's famous operetta (in which precious little of the original story was retained) was a...
|
Screenwriter
|
1925
|
Ramon Novarro and Barbara LaMarr, the featured players who made such an impression in The Prisoner of Zenda, reunite in this...
|
Play Author
|
1924
|
With its racy title and emphasis on jazz parties and youth, this romantic drama was a typical mid-'20s release. But being an...
|
Screenwriter
|
1924
|
Two of the silent screen's major stars, beautiful blonde Alice Terry and British-born Conway Tearle, starred in this lavishly...
|
Screenwriter
|
1924
|