BasquiatMovie Reviews

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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 100
    Rolling Stone | Peter Travers

    Most movies stress the agony of art (think of Kirk Douglas' Van Gogh in "Lust for Life"). Schnabel's exceptional film honors his friend by showing the act of creation as a natural high. Read full review

  • 88
    Chicago Sun-Times | Roger Ebert

    The New York art world quickly makes Basquiat a star. His work is good (when you see it in the movie, you can feel why people liked it so much), but his story is better: from a cardboard box to a gallery opening! Read full review

  • 83
    Entertainment Weekly | Owen Gleiberman

    Basquiat is an engrossing spectacle, but by the end, as a zoned-out Basquiat stands regally in a cruising Jeep, we realize that Schnabel has reconfigured his story as a kind of ghostly myth, and that we've never completely seen the man behind it. Read full review

  • 75
    San Francisco Chronicle | Edward Guthmann

    It's smart and good-hearted and boasts an amazingly good score, but the film is limited by the very private nature of the man it portrays. Read full review

  • 70
    Washington Post | Desson Thomson

    But the film, written and directed by fellow artist Julian Schnabel, is so tender in its affections, these omissions and poetic licenses seem like the embellishments of a good friend. Read full review

  • 70
    Variety | Emanuel Levy

    As writer and director, Schnabel should be commended for avoiding Hollywood's biopic cliches about artists, as Basquiat's meteoric rise to fame and tragic death at the age of 27 would have fit perfectly the timeworn formula. Read full review

  • 63
    USA Today | Mike Clark

    The movie meanders without a rudimentary sense of the dramatic, yet it remains intermittently interesting thanks to a surprisingly voluminous cast of usual suspects from the world of independent cinema. [14 Aug 1996 Pg.09.D] Read full review

  • 60
    The New York Times | Elvis Mitchell

    But the film's central figure remains a cipher, the subject of a colorful scrapbook rather than a revealing portrait. Read full review

  • 50
    Washington Post | Hal Hinson

    Despite the movie's suffocating sense of chic Soho hipness, it touches on all the square cliches about the tragic life of the misunderstood artist. Read full review

  • 30
    Los Angeles Times | Kenneth Turan

    A paint-by-numbers version of an artist's life, Basquiat is amusing for all the wrong reasons, especially at those horrible moments when you realize you're supposed to be taking it seriously. Read full review

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