Wandering from scene to scene instead of focusing on the issue at hand, this story is meant to be about Thai workers finding jobs in Arab countries like Bahrain while leaving their country and their wives behind them. Instead of staying with this theme, interludes like a prince in Bahrain giving a tour of his mansion, and a film censor discussing film detract from the ostensible purpose of director Amos Gitai. ~ Eleanor Mannikka, Rovi