Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Best when skewering New Age entrepreneurs for what might be called Compassionate Capitalism. Steve Martin is sublime as Kate's boss, Barry, purveyor of organic food and Zen koans. Read full review
Even though Kinnear is meant to be obvious love interest, it's the relationship between Kate and Angie that becomes the film's central story, making this comedy sweeter -- and more honest in its depiction of class difference -- than one might otherwise expect. Read full review
It's the chemistry between the stars that makes the film stand out in a drab spring. Read full review
Although the big picture itself gets mushy, the small moments, especially involving Fey, are sharp. Read full review
Though the competition hasn't exactly been stiff, Fey and Poehler may well be the best female comedy duo since Lucy and Ethel. Read full review
In this era of Apatow and Ferrell and Rogen and Wilson, of men monopolizing movie comedy, Baby Mama feels absurdly momentous, and even political. Fey and Poehler aren't just taking back control of their bodies. They're taking back control of their profession. Read full review
Baby Boom serves up plenty of smart, knowing laughs early on, but by the time it hits the third act (or would that be trimester?), it barely crawls to the finish line. Read full review
In a pleasing contrast to Fey's sharpness, Poehler keeps her performance unpredictable and fuzzy. In this just-add-water comedy, a very funny movie star is born. Read full review
You could blast for it, and you still won't find 30 uninterrupted seconds of truth in Baby Mama. The characters are lies. Their emotional workings are lies. The jokes are based on lies about human behavior. Read full review
The show is redeemed by its co-stars, up to a point. They struggle womanfully, and sometimes successfully, to find truth in the script's silly symphony of false notes. Read full review
made me laugh from beginning to end.
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