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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
An easy movie to pick apart, but it lives, breathes and switches moods from humor to despair better than any American release this year. Read full review
Now Singleton, too, dares to take a hard look at his community. His characters are a little older, and he is older, too, and less forgiving. Read full review
Lacks the cumulative impact of "Boyz," since Singleton allows repetition and sermonizing to dull his theme about the infantilization of black males. But Baby Boy leaves you shaken. Read full review
Jody's story is told with so much heart -- and his character is acted with such a winning combination of playfulness, vulnerability and sexual dynamism by Mr. Gibson -- that you can forgive the occasionally incoherent storytelling, the overwrought moments and the haphazard, unconvincing excursions into dream and fantasy. Read full review
What holds the movie together, however, is Gibson's broodingly responsive performance. Read full review
At once too neat and too messy, but films like this are too rare to leave it at that. Ragged but ambitious, it retains a core of genuine emotion -- this picture is doing the best it can, and although that may not be everything, it ought to count for something. Read full review
You may or may not like what you see, but there it is, indisputably, right in your face. Read full review
It would have been enough that Singleton raise these difficult questions without trying to wrap them up, too, in the last five minutes. Read full review
Can be taken to task for its overt point-making, lackluster style and some late-on dramatic contrivances seemingly dragged in to provide a little violence. Read full review
The movie makes an over-long deal about Jody's immaturity and never seems to get beyond it. Read full review