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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
It’s a film of stunning beauty and deep underlying sadness, a self-financed labor of love filled with impossibly gorgeous, oft-unclothed men and dazzling eye candy. Read full review
Firth plays him as a man of his time who is also mournfully ahead of his time. He's addicted to his own broken heart. A Single Man may break yours as well. Read full review
For the most part, Ford has done good by the film, infusing a sad story with warmth and humor to spare. While loss is what makes George's experience universal, heart is what gives him such life. Read full review
Like the speck of sand that seeds a pearl, it’s the tiny fleck of kitsch at the heart of “A Single Man” that makes it luminous and treasurable, despite its imperfections. Read full review
Tom Ford -- the Texas-born fashion designer who for a decade was the creative director at Gucci -- financed this first feature himself. The producer couldn't have hired a smarter director. Read full review
While A Single Man has its flaws, many of these fade in view of the performance and the power of Isherwood’s story. Read full review
Firth plays George superbly, as a man who prepares a face to meet the faces that he meets. Read full review
Though the deliberate pace can feel slow to glacial at times, the visuals are gorgeous, and the melancholy mood is exquisitely evoked. Read full review
A Single Man tells us about love, isolation, and sorrow, but never makes us feel any of those things. Read full review
A Single Man, with one significant exception, gives us only a series of immaculate poses. The exception is Firth, who, in spite of Ford's best efforts to turn him, too, into another piece of movable scenery, manages to convey a real human soul stirring beneath George's petrified façade Read full review
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