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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
The film has enough originality to interest demanding fans of the genre. Read full review
Craft connoisseurs won't be disappointed with the splendidly executed result. However, everyone else is likely to wonder what the fuss about given the plot's dated cyborgs-and-supercomputers hijinks. Read full review
Only real fans, however, will be willing to slog through the heaping helpings of incomprehensible exposition. Read full review
The characters are (hand-painted) so flat that the film looks like a paper-doll convention at Epcot. Read full review
While there are some genuinely dazzling moments of visual bravura, the marriage of flatness and depth that Mr. Aramaki attempts doesn't quite work. Read full review
At this point, there's something almost masochistic about the way animators in Japan use cheesy ''Westernized'' heroes to fuel their fantasies. Read full review
Its busy, stiff, artificial graphics are a perfect match for its busy, stiff, artificial plot. A simple Shirow pinup parade might almost be preferable. Read full review
The film's snazzy new automated animation style falls short: The supposedly human face of our metal-plated robocop's partner -- the inevitable curvy female in a leather jump suit -- is an inexpressive, glossy doll mask, untouched by human hands. Read full review
Dazzling visually but is flattened by corny dialogue better suited to the 1936 "Flash Gordon" serial, a needlessly hard to follow plot and heavy-handed exposition clotted with pseudo-scientific mumbo jumbo. Read full review
Held back by a story and script that is often silly and confusing. Read full review