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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
This is the untamed Apocalypse that Coppola envisioned in 1979 before money and mental pressures made him fear he had created something too long, too weird and too morally demanding for the masses. Read full review
The best film of 2001 was made in 1979. Read full review
One of the great films of all time. It shames modern Hollywood's timidity. To watch it is to feel yourself lifted up to the heights where the cinema can take you, but so rarely does. Read full review
The film now seems both mellowed and --thanks in part to the most vibrant-looking prints in its 22-year history -- revitalized. Read full review
Remains a majestic explosion of pure cinema. It's a hallucinatory poem of fear, projecting, in its scale and spirit, a messianic vision of human warfare stretched to the flashpoint of technological and moral breakdown. Read full review
Whatever thematic clarity the added footage may confer is prosaic or didactic and intrusive; this stuff hit the cutting-room floor the first time around for good reason. Read full review
In spite of its limited perspective on Vietnam, its churning, term-paperish exploration of Conrad and the near incoherence of its ending, (it) is a great movie. It grows richer and stranger with each viewing, and the restoration of scenes left in the cutting room two decades ago has only added to its sublimity. Read full review
A weightier, more nuanced and fulsome experience than the film the world has known up to now. Read full review
The more you see of Apocalypse, the more obvious its triumphs AND mistakes. Read full review
The new material makes the film seem lumpy and overstuffed. Read full review