|
Milo Anderson (Costume Designer)
|
Backfire
|
1950
|
|
Vincent Sherman (Director)
|
Backfire
|
1950
|
|
Anthony Veiller (Producer)
|
Backfire
|
1950
|
|
Henry Blanke (Producer)
|
June Bride
|
1948
|
|
Jack L. Warner (Executive Producer)
|
June Bride
|
1948
|
|
Edith Head (Costume Designer)
|
June Bride
|
1948
|
|
Raoul Walsh (Director)
|
One Sunday Afternoon
|
1948
|
|
Jerry Wald (Producer)
|
One Sunday Afternoon
|
1948
|
|
Michael Curtiz (Producer)
|
Romance on the High Seas
|
1948
|
|
Alex Gottlieb (Producer)
|
Romance on the High Seas
|
1948
|
|
Michael Curtiz (Director)
|
Romance on the High Seas
|
1948
|
|
Milo Anderson (Costume Designer)
|
Romance on the High Seas
|
1948
|
|
Busby Berkeley (Choreography)
|
Romance on the High Seas
|
1948
|
|
James Wong Howe (Cinematographer)
|
Nora Prentiss
|
1947
|
|
Vincent Sherman (Director)
|
Nora Prentiss
|
1947
|
|
Jack L. Warner (Executive Producer)
|
Nora Prentiss
|
1947
|
|
Jerry Wald (Producer)
|
Possessed
|
1947
|
|
Jack L. Warner (Executive Producer)
|
Possessed
|
1947
|
|
Adrian (Costume Designer)
|
Possessed
|
1947
|
|
Edith Head (Costume Designer)
|
The Two Mrs. Carrolls
|
1947
|
|
Milo Anderson (Costume Designer)
|
The Two Mrs. Carrolls
|
1947
|
|
Mark Hellinger (Producer)
|
The Two Mrs. Carrolls
|
1947
|
|
Michael Curtiz (Producer)
|
The Unsuspected
|
1947
|
|
Michael Curtiz (Director)
|
The Unsuspected
|
1947
|
|
Milo Anderson (Costume Designer)
|
The Unsuspected
|
1947
|
|
Ernest Haller (Cinematographer)
|
Deception
|
1946
|
|
Jack L. Warner (Executive Producer)
|
Deception
|
1946
|
|
Alan Crosland, Jr. (Editor)
|
Deception
|
1946
|
|
Henry Blanke (Producer)
|
Deception
|
1946
|
|
Henry Blanke (Producer)
|
My Reputation
|
1946
|
|
Edith Head (Costume Designer)
|
My Reputation
|
1946
|
|
James Wong Howe (Cinematographer)
|
My Reputation
|
1946
|
|
Arthur Edeson (Cinematographer)
|
Never Say Goodbye
|
1946
|
|
Henry Blanke (Producer)
|
One More Tomorrow
|
1946
|
|
Milo Anderson (Costume Designer)
|
Mildred Pierce
|
1945
|
|
Ernest Haller (Cinematographer)
|
Mildred Pierce
|
1945
|
|
Michael Curtiz (Director)
|
Mildred Pierce
|
1945
|
|
Jack L. Warner (Executive Producer)
|
Mildred Pierce
|
1945
|
|
Jerry Wald (Producer)
|
Mildred Pierce
|
1945
|
|
Jesse Lasky (Producer)
|
Rhapsody in Blue
|
1945
|
|
Milo Anderson (Costume Designer)
|
Rhapsody in Blue
|
1945
|
|
LeRoy J. Prinz (Choreography)
|
Rhapsody in Blue
|
1945
|
|
Sol Polito (Cinematographer)
|
Rhapsody in Blue
|
1945
|
|
Arthur Edeson (Cinematographer)
|
The Conspirators
|
1944
|
|
Jean Negulesco (Director)
|
The Conspirators
|
1944
|
|
Jack L. Warner (Producer)
|
Thank Your Lucky Stars
|
1943
|
|
Mark Hellinger (Producer)
|
Thank Your Lucky Stars
|
1943
|
|
Milo Anderson (Costume Designer)
|
Thank Your Lucky Stars
|
1943
|
|
David Butler (Director)
|
Thank Your Lucky Stars
|
1943
|
|
LeRoy J. Prinz (Choreography)
|
Thank Your Lucky Stars
|
1943
|
|
Arthur Edeson (Cinematographer)
|
Thank Your Lucky Stars
|
1943
|
|
Lloyd Bacon (Director)
|
Affectionately Yours
|
1941
|
|
Hal B. Wallis (Producer)
|
Affectionately Yours
|
1941
|
|
Mark Hellinger (Producer)
|
Affectionately Yours
|
1941
|
|
Hal B. Wallis (Producer)
|
The Sea Wolf
|
1941
|
|
Jack L. Warner (Producer)
|
The Sea Wolf
|
1941
|
|
Michael Curtiz (Director)
|
The Sea Wolf
|
1941
|
|
Sol Polito (Cinematographer)
|
The Sea Wolf
|
1941
|
|
Orry-Kelly (Costume Designer)
|
A Dispatch from Reuters
|
1940
|
|
James Wong Howe (Cinematographer)
|
A Dispatch from Reuters
|
1940
|
|
William Dieterle (Director)
|
A Dispatch from Reuters
|
1940
|
|
Hal B. Wallis (Executive Producer)
|
A Dispatch from Reuters
|
1940
|
|
Henry Blanke (Producer)
|
A Dispatch from Reuters
|
1940
|
|
Warren Low (Editor)
|
A Dispatch from Reuters
|
1940
|
|
Hal B. Wallis (Producer)
|
The Sea Hawk
|
1940
|
|
Jack L. Warner (Producer)
|
The Sea Hawk
|
1940
|
|
Henry Blanke (Producer)
|
The Sea Hawk
|
1940
|
|
Orry-Kelly (Costume Designer)
|
The Sea Hawk
|
1940
|
|
Michael Curtiz (Director)
|
The Sea Hawk
|
1940
|
|
Sol Polito (Cinematographer)
|
The Sea Hawk
|
1940
|
|
William Dieterle (Director)
|
Juarez
|
1939
|
|
Orry-Kelly (Costume Designer)
|
Juarez
|
1939
|
|
Henry Blanke (Producer)
|
Juarez
|
1939
|
|
Hal B. Wallis (Producer)
|
Juarez
|
1939
|
|
Warren Low (Editor)
|
Juarez
|
1939
|
|
Hal B. Wallis (Producer)
|
The Private Lives of Elizabeth and Essex
|
1939
|
|
Orry-Kelly (Costume Designer)
|
The Private Lives of Elizabeth and Essex
|
1939
|
|
Michael Curtiz (Director)
|
The Private Lives of Elizabeth and Essex
|
1939
|
|
Sol Polito (Cinematographer)
|
The Private Lives of Elizabeth and Essex
|
1939
|
|
James Wong Howe (Cinematographer)
|
They Made Me a Criminal
|
1939
|
|
Busby Berkeley (Director)
|
They Made Me a Criminal
|
1939
|
|
Milo Anderson (Costume Designer)
|
They Made Me a Criminal
|
1939
|
|
Hal B. Wallis (Producer)
|
They Made Me a Criminal
|
1939
|
|
Jack L. Warner (Producer)
|
They Made Me a Criminal
|
1939
|
|
Mervyn LeRoy (Director)
|
Fools for Scandal
|
1938
|
|
William Holmes (Editor)
|
Fools for Scandal
|
1938
|
|
Mervyn LeRoy (Producer)
|
Fools for Scandal
|
1938
|
|
Milo Anderson (Costume Designer)
|
Fools for Scandal
|
1938
|
|
Travis Banton (Costume Designer)
|
Fools for Scandal
|
1938
|
|
Ted Tetzlaff (Cinematographer)
|
Fools for Scandal
|
1938
|
|
Charles Rosher Sr. (Cinematographer)
|
Hard to Get
|
1938
|
|
Ray Enright (Director)
|
Hard to Get
|
1938
|
|
Hal B. Wallis (Producer)
|
Hard to Get
|
1938
|
|
William Keighley (Director)
|
Secrets of an Actress
|
1938
|
|
Orry-Kelly (Costume Designer)
|
Secrets of an Actress
|
1938
|
|
Orry-Kelly (Costume Designer)
|
Confession
|
1937
|
|
Orry Kelly (Costume Designer)
|
Confession
|
1937
|
|
Joe May (Director)
|
Confession
|
1937
|
|
Henry Blanke (Producer)
|
Confession
|
1937
|
|
Hal B. Wallis (Producer)
|
Confession
|
1937
|
|
Warren Low (Editor)
|
The Great Garrick
|
1937
|
|
Ernest Haller (Cinematographer)
|
The Great Garrick
|
1937
|
|
Mervyn LeRoy (Producer)
|
The Great Garrick
|
1937
|
|
James Whale (Director)
|
The Great Garrick
|
1937
|
|
Milo Anderson (Costume Designer)
|
The Great Garrick
|
1937
|
|
Warren Low (Editor)
|
The Life of Emile Zola
|
1937
|
|
William Dieterle (Director)
|
The Life of Emile Zola
|
1937
|
|
Milo Anderson (Costume Designer)
|
The Life of Emile Zola
|
1937
|
|
Henry Blanke (Producer)
|
The Life of Emile Zola
|
1937
|
|
Harry Joe Brown (Producer)
|
Stolen Holiday
|
1937
|
|
Hal B. Wallis (Producer)
|
Stolen Holiday
|
1937
|
|
Orry-Kelly (Costume Designer)
|
Stolen Holiday
|
1937
|
|
Michael Curtiz (Director)
|
Stolen Holiday
|
1937
|
|
Anatole Litvak (Director)
|
Tovarich
|
1937
|
|
Henry Blanke (Producer)
|
Anthony Adverse
|
1936
|
|
Jack L. Warner (Producer)
|
Anthony Adverse
|
1936
|
|
Ralph Dawson (Editor)
|
Anthony Adverse
|
1936
|
|
Mervyn LeRoy (Director)
|
Anthony Adverse
|
1936
|
|
Milo Anderson (Costume Designer)
|
Anthony Adverse
|
1936
|
|
Orry-Kelly (Costume Designer)
|
Bright Lights
|
1935
|
|
Busby Berkeley (Director)
|
Bright Lights
|
1935
|
|
Ernest Haller (Cinematographer)
|
Captain Blood
|
1935
|
|
Harry Joe Brown (Producer)
|
Captain Blood
|
1935
|
|
Michael Curtiz (Director)
|
Captain Blood
|
1935
|
|
Milo Anderson (Costume Designer)
|
Captain Blood
|
1935
|
|
Hal Mohr (Cinematographer)
|
Captain Blood
|
1935
|
|
Orry-Kelly (Costume Designer)
|
The Case of the Curious Bride
|
1935
|
|
Michael Curtiz (Director)
|
The Case of the Curious Bride
|
1935
|
|
Harry Joe Brown (Producer)
|
The Case of the Curious Bride
|
1935
|
|
William Dieterle (Director)
|
Dr. Socrates
|
1935
|
|
Ralph Dawson (Editor)
|
Dr. Socrates
|
1935
|
|
Busby Berkeley (Director)
|
Gold Diggers of 1935
|
1935
|
|
George Barnes (Cinematographer)
|
Gold Diggers of 1935
|
1935
|
|
Max Reinhardt (Producer)
|
A Midsummer Night's Dream
|
1935
|
|
Ralph Dawson (Editor)
|
A Midsummer Night's Dream
|
1935
|
|
William Dieterle (Director)
|
A Midsummer Night's Dream
|
1935
|
|
Hal Mohr (Cinematographer)
|
A Midsummer Night's Dream
|
1935
|
|
Max Reinhardt (Director)
|
A Midsummer Night's Dream
|
1935
|
|
William Dieterle (Director)
|
The Secret Bride
|
1935
|
|
Orry-Kelly (Costume Designer)
|
The Secret Bride
|
1935
|
|
Ernest Haller (Cinematographer)
|
The Secret Bride
|
1935
|
|
Henry Blanke (Producer)
|
The Secret Bride
|
1935
|
|
William Holmes (Editor)
|
Stranded
|
1935
|
|
Orry-Kelly (Costume Designer)
|
Stranded
|
1935
|
|
Frank Borzage (Director)
|
Stranded
|
1935
|
|
Ray Enright (Director)
|
The Traveling Saleslady
|
1935
|
|
Orry-Kelly (Costume Designer)
|
The Traveling Saleslady
|
1935
|
|
George Barnes (Cinematographer)
|
The Traveling Saleslady
|
1935
|
|
Lloyd Bacon (Director)
|
6 Day Bike Rider
|
1934
|
|
Ernest Haller (Cinematographer)
|
British Agent
|
1934
|
|
Michael Curtiz (Director)
|
British Agent
|
1934
|
|
William Keighley (Director)
|
Doctor Monica
|
1934
|
|
Sol Polito (Cinematographer)
|
Doctor Monica
|
1934
|
|
Orry-Kelly (Costume Designer)
|
Doctor Monica
|
1934
|
|
William Keighley (Director)
|
Easy to Love
|
1934
|
|
Henry Blanke (Producer)
|
Easy to Love
|
1934
|
|
Ernest Haller (Cinematographer)
|
Easy to Love
|
1934
|
|
Orry-Kelly (Costume Designer)
|
Easy to Love
|
1934
|
|
Orry Kelly (Costume Designer)
|
Easy to Love
|
1934
|
|
William Dieterle (Director)
|
The Firebird
|
1934
|
|
Ernest Haller (Cinematographer)
|
The Firebird
|
1934
|
|
Ralph Dawson (Editor)
|
The Firebird
|
1934
|
|
Orry-Kelly (Costume Designer)
|
Gambling Lady
|
1934
|
|
Archie Mayo (Producer)
|
Gambling Lady
|
1934
|
|
George Barnes (Cinematographer)
|
Gambling Lady
|
1934
|
|
Archie Mayo (Director)
|
Gambling Lady
|
1934
|
|
Orry-Kelly (Costume Designer)
|
He Was Her Man
|
1934
|
|
Orry Kelly (Costume Designer)
|
He Was Her Man
|
1934
|
|
Lloyd Bacon (Director)
|
He Was Her Man
|
1934
|
|
George Barnes (Cinematographer)
|
He Was Her Man
|
1934
|
|
Michael Curtiz (Director)
|
Mandalay
|
1934
|
|
Orry-Kelly (Costume Designer)
|
Mandalay
|
1934
|
|
Orry-Kelly (Costume Designer)
|
Side Streets
|
1934
|
|
Byron Haskin (Cinematographer)
|
Side Streets
|
1934
|
|
Lloyd Bacon (Director)
|
Six-Day Bike Rider
|
1934
|
|
Orry-Kelly (Costume Designer)
|
Upper World
|
1934
|
|
Roy Del Ruth (Director)
|
Upper World
|
1934
|
|
Michael Curtiz (Director)
|
20,000 Years in Sing-Sing
|
1933
|
|
Darryl F. Zanuck (Producer)
|
20,000 Years in Sing-Sing
|
1933
|
|
Orry-Kelly (Costume Designer)
|
20,000 Years in Sing-Sing
|
1933
|
|
Orry-Kelly (Costume Designer)
|
Baby Face
|
1933
|
|
Raymond Griffith (Producer)
|
Baby Face
|
1933
|
|
Archie Mayo (Director)
|
Ever in My Heart
|
1933
|
|
Milo Anderson (Costume Designer)
|
Footlight Parade
|
1933
|
|
Lloyd Bacon (Director)
|
Footlight Parade
|
1933
|
|
George Barnes (Cinematographer)
|
Footlight Parade
|
1933
|
|
Busby Berkeley (Choreography)
|
Footlight Parade
|
1933
|
|
William Dieterle (Director)
|
From Headquarters
|
1933
|
|
Mervyn LeRoy (Director)
|
Gold Diggers of 1933
|
1933
|
|
Orry-Kelly (Costume Designer)
|
Gold Diggers of 1933
|
1933
|
|
Sol Polito (Cinematographer)
|
Gold Diggers of 1933
|
1933
|
|
Busby Berkeley (Choreography)
|
Gold Diggers of 1933
|
1933
|
|
Jack L. Warner (Producer)
|
Gold Diggers of 1933
|
1933
|
|
Orry-Kelly (Costume Designer)
|
The Keyhole
|
1933
|
|
Michael Curtiz (Director)
|
The Keyhole
|
1933
|
|
Orry Kelly (Costume Designer)
|
The Keyhole
|
1933
|
|
Hal B. Wallis (Producer)
|
The Keyhole
|
1933
|
|
Orry-Kelly (Costume Designer)
|
The King's Vacation
|
1933
|
|
Orry-Kelly (Costume Designer)
|
The Mystery of the Wax Museum
|
1933
|
|
Michael Curtiz (Director)
|
The Mystery of the Wax Museum
|
1933
|
|
Ray Rennahan (Cinematographer)
|
The Mystery of the Wax Museum
|
1933
|
|
Henry Blanke (Producer)
|
The Mystery of the Wax Museum
|
1933
|
|
Lloyd Bacon (Director)
|
Son of a Sailor
|
1933
|
|
Lloyd Bacon (Director)
|
Alias the Doctor
|
1932
|
|
Michael Curtiz (Director)
|
Alias the Doctor
|
1932
|
|
William Holmes (Editor)
|
Alias the Doctor
|
1932
|
|
Roy Del Ruth (Director)
|
Beauty and the Boss
|
1932
|
|
Mervyn LeRoy (Director)
|
Big City Blues
|
1932
|
|
Mervyn LeRoy (Producer)
|
Big City Blues
|
1932
|
|
Ray Rennahan (Cinematographer)
|
Doctor X
|
1932
|
|
Michael Curtiz (Director)
|
Doctor X
|
1932
|
|
Tay Garnett (Director)
|
One Way Passage
|
1932
|
|
Orry-Kelly (Costume Designer)
|
One Way Passage
|
1932
|
|
Ralph Dawson (Editor)
|
One Way Passage
|
1932
|
|
Hal B. Wallis (Producer)
|
One Way Passage
|
1932
|
|
Hal B. Wallis (Producer)
|
Scarlet Dawn
|
1932
|
|
Ernest Haller (Cinematographer)
|
Scarlet Dawn
|
1932
|
|
Orry-Kelly (Costume Designer)
|
Scarlet Dawn
|
1932
|
|
William Dieterle (Director)
|
Scarlet Dawn
|
1932
|
|
Archie Mayo (Director)
|
Street of Women
|
1932
|
|
Ernest Haller (Cinematographer)
|
Street of Women
|
1932
|
|
Hal B. Wallis (Producer)
|
Street of Women
|
1932
|
|
Hal B. Wallis (Producer)
|
Two Seconds
|
1932
|
|
Sol Polito (Cinematographer)
|
Two Seconds
|
1932
|
|
Mervyn LeRoy (Director)
|
Two Seconds
|
1932
|
|
Paul Weatherwax (Editor)
|
Body and Soul
|
1931
|
|
Mervyn LeRoy (Director)
|
Broadminded
|
1931
|
|
Sol Polito (Cinematographer)
|
Going Wild
|
1931
|
|
William Seiter (Director)
|
Going Wild
|
1931
|
|
William Seiter (Producer)
|
Going Wild
|
1931
|
|
Ralph Dawson (Editor)
|
The Mad Genius
|
1931
|
|
Michael Curtiz (Director)
|
The Mad Genius
|
1931
|
|
William Holmes (Editor)
|
The Road to Singapore
|
1931
|
|
James Wong Howe (Cinematographer)
|
Surrender
|
1931
|
|
Paul Weatherwax (Editor)
|
Surrender
|
1931
|
|
William Howard (Director)
|
Surrender
|
1931
|
|
William Holmes (Editor)
|
Svengali
|
1931
|
|
Archie Mayo (Director)
|
Svengali
|
1931
|
|
Hal B. Wallis (Producer)
|
Little Caesar
|
1930
|
|
Mervyn LeRoy (Director)
|
Little Caesar
|
1930
|
|
Edward Stevenson (Costume Designer)
|
A Notorious Affair
|
1930
|
|
Ernest Haller (Cinematographer)
|
A Notorious Affair
|
1930
|
|
Lloyd Bacon (Director)
|
A Notorious Affair
|
1930
|
|
Alan Crosland (Director)
|
Song of the Flame
|
1930
|
|
Edward Stevenson (Costume Designer)
|
Song of the Flame
|
1930
|
|
Mervyn LeRoy (Director)
|
Top Speed
|
1930
|
|
William Seiter (Director)
|
Smiling Irish Eyes
|
1929
|
|
Edward Stevenson (Costume Designer)
|
Smiling Irish Eyes
|
1929
|
|
Cecil B. DeMille (Producer)
|
Hold'em Yale
|
1928
|
|
Arthur C. Miller (Cinematographer)
|
Hold'em Yale
|
1928
|
|
Michael Curtiz (Director)
|
Noah's Ark
|
1928
|
|
Hal Mohr (Cinematographer)
|
Noah's Ark
|
1928
|
|
Donald Crisp (Producer)
|
Stand and Deliver
|
1928
|
|
Donald Crisp (Director)
|
Stand and Deliver
|
1928
|
|
Adrian (Costume Designer)
|
Stand and Deliver
|
1928
|
|
Cecil B. DeMille (Director)
|
The King of Kings
|
1927
|
|
Cecil B. DeMille (Producer)
|
The King of Kings
|
1927
|
|
Adrian (Costume Designer)
|
Vanity
|
1927
|
|
Donald Crisp (Director)
|
Vanity
|
1927
|
|
Arthur C. Miller (Director)
|
Vanity
|
1927
|
|
William Howard (Director)
|
White Gold
|
1927
|
|
Lucien Andriot (Cinematographer)
|
White Gold
|
1927
|
|
Cecil B. DeMille (Producer)
|
The Volga Boatmen
|
1926
|
|
Adrian (Costume Designer)
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The Volga Boatmen
|
1926
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Arthur C. Miller (Cinematographer)
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The Volga Boatmen
|
1926
|
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Cecil B. DeMille (Director)
|
The Volga Boatmen
|
1926
|
|
Adrian (Costume Designer)
|
Walking Back
|
1926
|
|
Rupert Julian (Director)
|
Walking Back
|
1926
|
|
Cecil B. DeMille (Producer)
|
The Road to Yesterday
|
1925
|
|
Cecil B. DeMille (Director)
|
The Road to Yesterday
|
1925
|
|
Raoul Walsh (Director)
|
The Thief of Bagdad
|
1924
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|
Mitchell Leisen (Costume Designer)
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The Thief of Bagdad
|
1924
|
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Arthur Edeson (Cinematographer)
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The Thief of Bagdad
|
1924
|
|
Douglas Fairbanks (Producer)
|
The Thief of Bagdad
|
1924
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