|
Chris Menges (Cinematographer)
|
Extremely Loud and Incredibly Close
|
2011
|
|
Stephen Daldry (Director)
|
Extremely Loud and Incredibly Close
|
2011
|
|
Scott Rudin (Producer)
|
Extremely Loud and Incredibly Close
|
2011
|
|
Mark S. Waters (Executive Producer)
|
Mr. Popper's Penguins
|
2011
|
|
Mark S. Waters (Director)
|
Mr. Popper's Penguins
|
2011
|
|
Renny Harlin (Executive Producer)
|
The Resident
|
2011
|
|
Hilary Swank (Executive Producer)
|
The Resident
|
2011
|
|
John Cameron Mitchell (Director)
|
Rabbit Hole
|
2010
|
|
Nicole Kidman (Executive Producer)
|
Rabbit Hole
|
2010
|
|
Nicole Kidman (Producer)
|
Rabbit Hole
|
2010
|
|
Nora Ephron (Producer)
|
Julie & Julia
|
2009
|
|
Scott Rudin (Executive Producer)
|
Julie & Julia
|
2009
|
|
Nora Ephron (Director)
|
Julie & Julia
|
2009
|
|
Roger Deakins (Cinematographer)
|
Doubt
|
2008
|
|
Scott Rudin (Producer)
|
Doubt
|
2008
|
|
Tom Hanks (Executive Producer)
|
Mamma Mia!
|
2008
|
|
Rita Wilson (Executive Producer)
|
Mamma Mia!
|
2008
|
|
Roger Deakins (Cinematographer)
|
The Reader
|
2008
|
|
Chris Menges (Cinematographer)
|
The Reader
|
2008
|
|
Stephen Daldry (Director)
|
The Reader
|
2008
|
|
Bob Weinstein (Executive Producer)
|
The Reader
|
2008
|
|
Harvey Weinstein (Executive Producer)
|
The Reader
|
2008
|
|
Anthony Minghella (Producer)
|
The Reader
|
2008
|
|
Sydney Pollack (Producer)
|
The Reader
|
2008
|
|
Robert De Niro (Producer)
|
What Just Happened
|
2008
|
|
Barry Levinson (Producer)
|
What Just Happened
|
2008
|
|
Barry Levinson (Director)
|
What Just Happened
|
2008
|
|
Lajos Koltai (Director)
|
Evening
|
2007
|
|
Scott Rudin (Producer)
|
Margot at the Wedding
|
2007
|
|
Noah Baumbach (Director)
|
Margot at the Wedding
|
2007
|
|
Joe Roth (Director)
|
Freedomland
|
2006
|
|
Scott Rudin (Producer)
|
Freedomland
|
2006
|
|
Francis Ford Coppola (Executive Producer)
|
The Good Shepherd
|
2006
|
|
Robert De Niro (Producer)
|
The Good Shepherd
|
2006
|
|
Robert De Niro (Director)
|
The Good Shepherd
|
2006
|
|
Robert Richardson (Cinematographer)
|
The Good Shepherd
|
2006
|
|
John Bloom (Editor)
|
Closer
|
2004
|
|
Mike Nichols (Director)
|
Closer
|
2004
|
|
Scott Rudin (Executive Producer)
|
Closer
|
2004
|
|
Mike Nichols (Producer)
|
Closer
|
2004
|
|
Scott Rudin (Producer)
|
The Stepford Wives
|
2004
|
|
Frank Oz (Director)
|
The Stepford Wives
|
2004
|
|
Roger Deakins (Cinematographer)
|
The Village
|
2004
|
|
M. Night Shyamalan (Director)
|
The Village
|
2004
|
|
Scott Rudin (Producer)
|
The Village
|
2004
|
|
M. Night Shyamalan (Producer)
|
The Village
|
2004
|
|
Mike Nichols (Executive Producer)
|
Angels in America
|
2003
|
|
Mike Nichols (Director)
|
Angels in America
|
2003
|
|
John Bloom (Editor)
|
Angels in America
|
2003
|
|
John Seale (Cinematographer)
|
Cold Mountain
|
2003
|
|
Anthony Minghella (Director)
|
Cold Mountain
|
2003
|
|
Bob Weinstein (Executive Producer)
|
Cold Mountain
|
2003
|
|
Harvey Weinstein (Executive Producer)
|
Cold Mountain
|
2003
|
|
Walter Murch (Editor)
|
Cold Mountain
|
2003
|
|
Sydney Pollack (Producer)
|
Cold Mountain
|
2003
|
|
Charlie Kaufman (Executive Producer)
|
Adaptation
|
2002
|
|
Jonathan Demme (Producer)
|
Adaptation
|
2002
|
|
Spike Jonze (Director)
|
Adaptation
|
2002
|
|
Roger Michell (Director)
|
Changing Lanes
|
2002
|
|
Scott Rudin (Producer)
|
Changing Lanes
|
2002
|
|
Scott Rudin (Producer)
|
The Hours
|
2002
|
|
Stephen Daldry (Director)
|
The Hours
|
2002
|
|
Frank Marshall (Producer)
|
Signs
|
2002
|
|
Kathleen Kennedy (Executive Producer)
|
Signs
|
2002
|
|
M. Night Shyamalan (Producer)
|
Signs
|
2002
|
|
Tak Fujimoto (Cinematographer)
|
Signs
|
2002
|
|
M. Night Shyamalan (Director)
|
Signs
|
2002
|
|
Anthony Richmond (Cinematographer)
|
Someone Like You
|
2001
|
|
Tony Goldwyn (Director)
|
Someone Like You
|
2001
|
|
Lynda Obst (Producer)
|
Someone Like You
|
2001
|
|
Mike Nichols (Executive Producer)
|
Wit
|
2001
|
|
John Bloom (Editor)
|
Wit
|
2001
|
|
Mike Nichols (Director)
|
Wit
|
2001
|
|
Gus Van Sant (Director)
|
Finding Forrester
|
2000
|
|
Sean Connery (Producer)
|
Finding Forrester
|
2000
|
|
Garry Shandling (Producer)
|
What Planet Are You From?
|
2000
|
|
Mike Nichols (Producer)
|
What Planet Are You From?
|
2000
|
|
Mike Nichols (Director)
|
What Planet Are You From?
|
2000
|
|
Michael Ballhaus (Cinematographer)
|
What Planet Are You From?
|
2000
|
|
John Bailey (Cinematographer)
|
The Out-of-Towners
|
1999
|
|
Robert Evans (Producer)
|
The Out-of-Towners
|
1999
|
|
Sydney Pollack (Director)
|
Random Hearts
|
1999
|
|
Philippe Rousselot (Cinematographer)
|
Random Hearts
|
1999
|
|
Sydney Pollack (Producer)
|
Random Hearts
|
1999
|
|
John Seale (Cinematographer)
|
The Talented Mr. Ripley
|
1999
|
|
Anthony Minghella (Director)
|
The Talented Mr. Ripley
|
1999
|
|
Walter Murch (Editor)
|
The Talented Mr. Ripley
|
1999
|
|
Sydney Pollack (Executive Producer)
|
The Talented Mr. Ripley
|
1999
|
|
Michael Ballhaus (Cinematographer)
|
Primary Colors
|
1998
|
|
Mike Nichols (Director)
|
Primary Colors
|
1998
|
|
Mike Nichols (Producer)
|
Primary Colors
|
1998
|
|
Lynda Obst (Producer)
|
The Siege
|
1998
|
|
Edward Zwick (Producer)
|
The Siege
|
1998
|
|
Edward Zwick (Director)
|
The Siege
|
1998
|
|
Roger Deakins (Cinematographer)
|
The Siege
|
1998
|
|
Frank Oz (Director)
|
In & Out
|
1997
|
|
Scott Rudin (Producer)
|
In & Out
|
1997
|
|
Barbet Schroeder (Producer)
|
Before and After
|
1996
|
|
Joe Roth (Executive Producer)
|
Before and After
|
1996
|
|
Barbet Schroeder (Director)
|
Before and After
|
1996
|
|
Mike Nichols (Director)
|
The Birdcage
|
1996
|
|
Mike Nichols (Producer)
|
The Birdcage
|
1996
|
|
Saul Zaentz (Producer)
|
The English Patient
|
1996
|
|
Bob Weinstein (Executive Producer)
|
The English Patient
|
1996
|
|
Harvey Weinstein (Executive Producer)
|
The English Patient
|
1996
|
|
Walter Murch (Editor)
|
The English Patient
|
1996
|
|
Anthony Minghella (Director)
|
The English Patient
|
1996
|
|
John Seale (Cinematographer)
|
The English Patient
|
1996
|
|
Lajos Koltai (Cinematographer)
|
Just Cause
|
1995
|
|
Sean Connery (Executive Producer)
|
Just Cause
|
1995
|
|
Sydney Pollack (Producer)
|
Sabrina
|
1995
|
|
Scott Rudin (Producer)
|
Sabrina
|
1995
|
|
Sydney Pollack (Director)
|
Sabrina
|
1995
|
|
Giuseppe Rotunno (Cinematographer)
|
Sabrina
|
1995
|
|
Glenn Close (Executive Producer)
|
Serving in Silence: The Margarethe Cammermeyer Story
|
1995
|
|
Barbra Streisand (Executive Producer)
|
Serving in Silence: The Margarethe Cammermeyer Story
|
1995
|
|
Hugh Wilson (Director)
|
Guarding Tess
|
1994
|
|
Giuseppe Rotunno (Cinematographer)
|
Wolf
|
1994
|
|
Mike Nichols (Director)
|
Wolf
|
1994
|
|
Robert Greenhut (Executive Producer)
|
Wolf
|
1994
|
|
Ivan Reitman (Producer)
|
Dave
|
1993
|
|
Lauren Shuler-Donner (Producer)
|
Dave
|
1993
|
|
Ivan Reitman (Director)
|
Dave
|
1993
|
|
Richard Hornung (Costume Designer)
|
Dave
|
1993
|
|
John Hughes (Producer)
|
Dennis the Menace
|
1993
|
|
Alan J. Pakula (Director)
|
Consenting Adults
|
1992
|
|
Alan J. Pakula (Producer)
|
Consenting Adults
|
1992
|
|
Arnon Milchan (Producer)
|
The Mambo Kings
|
1992
|
|
Michael Ballhaus (Cinematographer)
|
The Mambo Kings
|
1992
|
|
Sherry Lansing (Producer)
|
School Ties
|
1992
|
|
Freddie Francis (Cinematographer)
|
School Ties
|
1992
|
|
Sidney Lumet (Director)
|
A Stranger Among Us
|
1992
|
|
Scott Rudin (Producer)
|
Regarding Henry
|
1991
|
|
Mike Nichols (Producer)
|
Regarding Henry
|
1991
|
|
Robert Greenhut (Executive Producer)
|
Regarding Henry
|
1991
|
|
Mike Nichols (Director)
|
Regarding Henry
|
1991
|
|
Giuseppe Rotunno (Cinematographer)
|
Regarding Henry
|
1991
|
|
Brian De Palma (Director)
|
The Bonfire of the Vanities
|
1990
|
|
Jon Peters (Executive Producer)
|
The Bonfire of the Vanities
|
1990
|
|
Brian De Palma (Producer)
|
The Bonfire of the Vanities
|
1990
|
|
Vilmos Zsigmond (Cinematographer)
|
The Bonfire of the Vanities
|
1990
|
|
Peter Guber (Executive Producer)
|
The Bonfire of the Vanities
|
1990
|
|
Karel Reisz (Director)
|
Everybody Wins
|
1990
|
|
Jeremy Thomas (Producer)
|
Everybody Wins
|
1990
|
|
John Bloom (Editor)
|
Everybody Wins
|
1990
|
|
Joe Roth (Producer)
|
Pacific Heights
|
1990
|
|
John Schlesinger (Director)
|
Pacific Heights
|
1990
|
|
Robert Greenhut (Producer)
|
Postcards From the Edge
|
1990
|
|
Mike Nichols (Director)
|
Postcards From the Edge
|
1990
|
|
Michael Ballhaus (Cinematographer)
|
Postcards From the Edge
|
1990
|
|
Sidney Lumet (Director)
|
Q & A
|
1990
|
|
Arnon Milchan (Producer)
|
Family Business
|
1989
|
|
Sidney Lumet (Director)
|
Family Business
|
1989
|
|
Freddie Francis (Cinematographer)
|
Her Alibi
|
1989
|
|
Bruce Beresford (Director)
|
Her Alibi
|
1989
|
|
Bill Butler (Cinematographer)
|
Biloxi Blues
|
1988
|
|
Mike Nichols (Director)
|
Biloxi Blues
|
1988
|
|
Raymond Stark (Producer)
|
Biloxi Blues
|
1988
|
|
George Roy Hill (Director)
|
Funny Farm
|
1988
|
|
Miroslav Ondrícek (Cinematographer)
|
Funny Farm
|
1988
|
|
Saul Zaentz (Producer)
|
The Unbearable Lightness of Being
|
1988
|
|
Philip Kaufman (Director)
|
The Unbearable Lightness of Being
|
1988
|
|
Sven Nykvist (Cinematographer)
|
The Unbearable Lightness of Being
|
1988
|
|
Michael Ballhaus (Cinematographer)
|
Working Girl
|
1988
|
|
Mike Nichols (Director)
|
Working Girl
|
1988
|
|
Robert Greenhut (Executive Producer)
|
Working Girl
|
1988
|
|
Robert Greenhut (Producer)
|
Heartburn
|
1986
|
|
Mike Nichols (Producer)
|
Heartburn
|
1986
|
|
Mike Nichols (Director)
|
Heartburn
|
1986
|
|
Néstor Almendros (Cinematographer)
|
Heartburn
|
1986
|
|
Sidney Lumet (Director)
|
The Morning After
|
1986
|
|
Conrad Buff (Editor)
|
Jagged Edge
|
1985
|
|
Richard Marquand (Director)
|
Jagged Edge
|
1985
|
|
Hal Ashby (Director)
|
The Slugger's Wife
|
1985
|
|
Caleb Deschanel (Cinematographer)
|
The Slugger's Wife
|
1985
|
|
Margaret Booth (Producer)
|
The Slugger's Wife
|
1985
|
|
Raymond Stark (Producer)
|
The Slugger's Wife
|
1985
|
|
Karel Reisz (Director)
|
Sweet Dreams
|
1985
|
|
Robert Benton (Director)
|
Places in the Heart
|
1984
|
|
Néstor Almendros (Cinematographer)
|
Places in the Heart
|
1984
|
|
Haskell Wexler (Cinematographer)
|
The Man Who Loved Women
|
1983
|
|
Blake Edwards (Director)
|
The Man Who Loved Women
|
1983
|
|
Blake Edwards (Producer)
|
The Man Who Loved Women
|
1983
|
|
Mike Nichols (Producer)
|
Silkwood
|
1983
|
|
Mike Nichols (Director)
|
Silkwood
|
1983
|
|
Miroslav Ondrícek (Cinematographer)
|
Silkwood
|
1983
|
|
Michael Ritchie (Director)
|
The Survivors
|
1983
|
|
George Roy Hill (Producer)
|
The World According to Garp
|
1982
|
|
George Roy Hill (Director)
|
The World According to Garp
|
1982
|
|
Miroslav Ondrícek (Cinematographer)
|
The World According to Garp
|
1982
|
|
Vilmos Zsigmond (Cinematographer)
|
Blow Out
|
1981
|
|
Brian De Palma (Director)
|
Blow Out
|
1981
|
|
Don Boyd (Producer)
|
Honky Tonk Freeway
|
1981
|
|
Howard W. Koch (Producer)
|
Honky Tonk Freeway
|
1981
|
|
Jim Clark (Editor)
|
Honky Tonk Freeway
|
1981
|
|
John Schlesinger (Director)
|
Honky Tonk Freeway
|
1981
|
|
John Bailey (Cinematographer)
|
Honky Tonk Freeway
|
1981
|
|
Glenn Jordan (Director)
|
Only When I Laugh
|
1981
|
|
Neil Simon (Producer)
|
Only When I Laugh
|
1981
|
|
Alan J. Pakula (Director)
|
Rollover
|
1981
|
|
Giuseppe Rotunno (Cinematographer)
|
Rollover
|
1981
|
|
Haskell Wexler (Cinematographer)
|
Second-Hand Hearts
|
1981
|
|
Hal Ashby (Director)
|
Second-Hand Hearts
|
1981
|
|
Samuel Z. Arkoff (Producer)
|
Dressed to Kill
|
1980
|
|
Brian De Palma (Director)
|
Dressed to Kill
|
1980
|
|
Ralf Bode (Cinematographer)
|
Dressed to Kill
|
1980
|
|
Henri Decaë (Cinematographer)
|
The Island
|
1980
|
|
Richard D. Zanuck (Producer)
|
The Island
|
1980
|
|
David Brown (Producer)
|
The Island
|
1980
|
|
Michael Ritchie (Director)
|
The Island
|
1980
|
|
Colin Higgins (Director)
|
Nine to Five
|
1980
|
|
Reynaldo Villalobos (Cinematographer)
|
Nine to Five
|
1980
|
|
Miroslav Ondrícek (Cinematographer)
|
Hair
|
1979
|
|
Milos Forman (Director)
|
Hair
|
1979
|
|
Margaret Booth (Editor)
|
California Suite
|
1978
|
|
Herbert Ross (Director)
|
California Suite
|
1978
|
|
Raymond Stark (Producer)
|
California Suite
|
1978
|
|
Hal Ashby (Director)
|
Coming Home
|
1978
|
|
Haskell Wexler (Cinematographer)
|
Coming Home
|
1978
|
|
Raymond Stark (Producer)
|
The Goodbye Girl
|
1977
|
|
Herbert Ross (Director)
|
The Goodbye Girl
|
1977
|
|
Margaret Booth (Editor)
|
The Goodbye Girl
|
1977
|
|
Dan Curtis (Director)
|
Burnt Offerings
|
1976
|
|
Dan Curtis (Producer)
|
Burnt Offerings
|
1976
|
|
Owen Roizman (Cinematographer)
|
Independence
|
1976
|
|
John Huston (Director)
|
Independence
|
1976
|
|
Margaret Booth (Editor)
|
Murder by Death
|
1976
|
|
Robert Moore (Director)
|
Murder by Death
|
1976
|
|
Raymond Stark (Producer)
|
Murder by Death
|
1976
|
|
Conrad L. Hall (Cinematographer)
|
The Day of the Locust
|
1975
|
|
John Schlesinger (Director)
|
The Day of the Locust
|
1975
|
|
Jim Clark (Editor)
|
The Day of the Locust
|
1975
|
|
Richard Fleischer (Director)
|
Mandingo
|
1975
|
|
Dino de Laurentiis (Producer)
|
Mandingo
|
1975
|
|
Michael Medwin (Producer)
|
Law and Disorder
|
1974
|
|
Dino de Laurentiis (Producer)
|
The Valachi Papers
|
1972
|
|
Aldo Tonti (Cinematographer)
|
The Valachi Papers
|
1972
|
|
Terence Young (Director)
|
The Valachi Papers
|
1972
|
|
Alan J. Pakula (Director)
|
Klute
|
1971
|
|
Gordon Willis (Cinematographer)
|
Klute
|
1971
|
|
Alan J. Pakula (Producer)
|
Klute
|
1971
|
|
Paul Newman (Producer)
|
They Might Be Giants
|
1971
|
|
Victor J. Kemper (Cinematographer)
|
They Might Be Giants
|
1971
|
|
Harry Stradling (Cinematographer)
|
The Owl and the Pussycat
|
1970
|
|
Margaret Booth (Editor)
|
The Owl and the Pussycat
|
1970
|
|
Herbert Ross (Director)
|
The Owl and the Pussycat
|
1970
|
|
Raymond Stark (Producer)
|
The Owl and the Pussycat
|
1970
|
|
David Greene (Director)
|
The People Next Door
|
1970
|
|
Gordon Willis (Cinematographer)
|
The People Next Door
|
1970
|
|
Robert Mulligan (Director)
|
The Pursuit of Happiness
|
1970
|
|
John Schlesinger (Director)
|
Midnight Cowboy
|
1969
|
|
Jack Martin Smith (Art Director)
|
Pretty Poison
|
1968
|
|
Daniel L. Fapp (Cinematographer)
|
Sweet November
|
1968
|
|
Elliott Kastner (Producer)
|
Sweet November
|
1968
|
|
Alan J. Pakula (Producer)
|
Up the Down Staircase
|
1967
|
|
Robert Mulligan (Director)
|
Up the Down Staircase
|
1967
|
|
Irvin Kershner (Director)
|
A Fine Madness
|
1966
|
|
George Roy Hill (Director)
|
The World of Henry Orient
|
1964
|
|
Boris Kaufman (Cinematographer)
|
The World of Henry Orient
|
1964
|