Written August 01, 2014
Anna was a daring artistic mixture of stage play and reality, but the production was lost on me. What could have been an extraordinary motion picture left me cold with only the fine performance of the main actors to save it. My Bet? It will either go down as an artistic masterpiece or a colossal flop. The movie going public will decide. Pitchhiker, Sarasota FL
Written August 21, 2014
Kira Knightly "was" Anna in this movie. Her plunge into despair was heartbreaking. The costuming was breathtaking as well, the dresses looked like those I viewed in the Hermitage in St. Petersburg.
Written November 25, 2012
I liked some of the acting, and the dialog was very good. But the surrealism I found distracting to the story. The music, costumes and cinematography were phenomenal, though.
Written December 04, 2012
The big surprise: from the opening curtain – and there is literally an opening curtain – most of this story in enacted inside a theater, where hand painted scenery is pushed around, curtains are raised and lowered, and chandeliers drop from the ceiling just in time for the fancy drawing room scene. There are dancers, chorus lines, and quick-change artists who tear off their government uniforms to reveal they are waiters (!) and proceed to serve dinner. The action – horse races, sleigh rides, big dance numbers, and our lead characters' adultery – are enacted on a theatrical stage in the phoniest, most clumsily contrived manner possible. About 3/4 of this film seems to have no other purpose than to ridicule Tolstoy. Jude Law is strangely out of place because out of the entire cast he somehow manages to act, competently and with real dignity.
Written December 02, 2012
Movie is very artsy changing between the stage and reality. That proves a bit confusing at first. It is beautifully filmed, but the chemistry between Anna and the Count is flat. Jude Law is excellent as the long suffering husband.