Written September 24, 2014
Turn back! Run away! Go see a hobit or a british special agent or a vampire. Do not waste any money on this film. I don't think I am "enlightened" enough to appreciate a movie, within a play, within a musical, within a nightmare, but this story is nothing like what we expected. This is a tremendous novel; why they chose to make it a film in this way is baffling. It confuses everyrhing about the novel and only distracts from what could have been an outstanding cast. If it is not the random tuba player that interjects himself into the scene, it is the blindingly stupid scenes involving ink stamping and coat changes. I do love movies and pride myself on the fact that I must stay to watch a film unitl its' end no matter how bad (although Punch Drunk Love was the exception) but AK certainily tested my will. Good Luck if you choose to drop the $10+. Remember, you were forwarned.
Written December 04, 2012
The big surprise: from the opening curtain – and there is literally an opening curtain – most of this story in enacted inside a theater, where hand painted scenery is pushed around, curtains are raised and lowered, and chandeliers drop from the ceiling just in time for the fancy drawing room scene. There are dancers, chorus lines, and quick-change artists who tear off their government uniforms to reveal they are waiters (!) and proceed to serve dinner. The action – horse races, sleigh rides, big dance numbers, and our lead characters' adultery – are enacted on a theatrical stage in the phoniest, most clumsily contrived manner possible. About 3/4 of this film seems to have no other purpose than to ridicule Tolstoy. Jude Law is strangely out of place because out of the entire cast he somehow manages to act, competently and with real dignity.
Written November 25, 2012
For those who have been weaned on more traditional cinematic treatments of the Tolstoy tale, this new version may startle, annoy, thrill or elicit a combination of all of these. Joe Wright has liberated the story from the confines of opulent interiors and set it in a theater, with much of the action being literally "played out" on a stage. Yet, opulent costumes and jewelry are fabulously in view, underscoring the grandeur that was imperial Russia. Keira Knightley as Anna delivers a glamorous and complex performance; Jude Law is the very model of the bespectacled, stodgy, dutiful and cuckolded Karenin, right down to his tight lips and receding hairline. With his sculpted facial features, arresting blue eyes and almost flippant confidence, Aaron Johnson is note-perfect as Anna's lover Count Vronsky. Visually beautiful, stylish and stylized (and brave enough to reveal more of the Levin character), "Anna" is a must-see. Long, but never dull.
Written September 01, 2014
Movie is very artsy changing between the stage and reality. That proves a bit confusing at first. It is beautifully filmed, but the chemistry between Anna and the Count is flat. Jude Law is excellent as the long suffering husband.
Written September 23, 2014
This movie was so ridiculously awful that is was almost comical. We would have walked out if we didn’t have to make everyone in our row get up.