Written May 23, 2015
It's a crying shame when what is basically a lovely movie, with some of the most gorgeous cinematography and art direction is years, is soured by a horribly-miscast leading role. I refer to Aaron Taylor-Johnson's effeminate and creepy Count Vronsky...looking like the blonde twin of the Colorado Mass Shooter. How on earth can we believe that this creep was the cause of Anna's downfall? The movie started beautifully with the opera-house concept then quickly took a nosedive the moment that Vronsky appears. Additionally, I did not care for some of the odd choreography and wavy hand movements by ballroom dancers in the background -- were they trying to dance the hula? Most distracting. But the worst thing was Taylor-Johnson as Count Vronsky. His looks and manner just 'kill' the story.
Written April 01, 2015
I have been waiting all year for a movie like this. Nothing has come close as of yet. This was phenomenal on all fronts! My body was clenched and on edge for most of the movie. I couldn't breath from my stomach tightening up so much from what was on screen. Everyone looked amazing and were so pleasant to watch. Don't get me started on the cinematography! Beyond wonderful. The beyond beautiful way the incorporated the stage through out the film was outstanding. Everything about this is a winner.
Written April 25, 2015
It is a beautiful movie,visually, but I did not care for the parts that were in a theater, like we are kind of watching a play. If I want to see a play I will go to the theater. It just wasn't consistent, maybe if they kept it going throughout, or just leaving that part out. It is based on a work of literature, so I really can't complain about the ending, but nothing is tied together at the end. Again it was beautiful to watch, and I enjoyed it to a point, but don't fully recommend it.
Written January 26, 2015
Definitely not your usual costume drama. And what costumes they were. A mix of contemporary haute couture to a twist on period 1860's+. The men and the women looked fantastic. This movie was a feast on a huge gluttonous groaning board. Transfixed I couldn't get up and had to call for the feather and bucket and feast some more. At times I shook my head....is this a ballet is this a movie is this theatre of the absurd? I was immersed in it despite it's being a bit twee and over the top. I got it, I'm in the business and appreciated what it was doing and was happily along for the surealistic ride. At one point K.Knightly's strings of saliva were a queezy distraction and I found myself swallowing overly much. But that is my pecadillo, moist mouths with too much spittle (shudder). But I dwell too much upon the surface. Her passionate dilemma, his complacency well played engendering sympathy. I supposed her attraction to the very young "dashing" Count. Though as a foil he appeared immature.
Written November 29, 2012
Leo Tolstoy (1828-1910) is an iconic, archival author; his books, required reading in higher education; "War and Peace"(1860's) a massive epic, still resides comfortably in the annuals of finest historical novels ever composed; his genius unquestioned, forever lionized...
"Anna Karenina" (1875) written at a time when women where chattel; had no power or control over their destinies or the unexpected whims of their hearts; shackled in man-made conventions, rules, restrictions (as crippling as their corsets). "Anna" is woman felled by love and life: married at eighteen, unfamiliar with disruptive, all-consuming passion, marches precipitously towards her sealed fate. She is tragic, but in the twenty-first century, rather stale...
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