Written January 26, 2015
Definitely not your usual costume drama. And what costumes they were. A mix of contemporary haute couture to a twist on period 1860's+. The men and the women looked fantastic. This movie was a feast on a huge gluttonous groaning board. Transfixed I couldn't get up and had to call for the feather and bucket and feast some more. At times I shook my head....is this a ballet is this a movie is this theatre of the absurd? I was immersed in it despite it's being a bit twee and over the top. I got it, I'm in the business and appreciated what it was doing and was happily along for the surealistic ride. At one point K.Knightly's strings of saliva were a queezy distraction and I found myself swallowing overly much. But that is my pecadillo, moist mouths with too much spittle (shudder). But I dwell too much upon the surface. Her passionate dilemma, his complacency well played engendering sympathy. I supposed her attraction to the very young "dashing" Count. Though as a foil he appeared immature.
Written September 19, 2014
Really disappointing for Knightley fans. The juxtapostion of stage and film was distracting and made a compelling story seem like a bad dream. The period effects were wasted on the unreal, bizarre presentation. There was no real chemistry between Anna and Vronsky, either. I almost fell asleep during the afternoon matinee and found myself checking my watch as to when it would end.
Written April 18, 2015
This movie was exceptional. It was a play within a movie. The sets were creative and alluring. The acting was top shelf. The costumes and jewelry were unbeliievable. I loved this film from start to finish. If you read the book you will love the movie!
Written January 31, 2015
It’s a very mature and well-composed piece of music. A little repetitive in some places, but the film convention somehow forced the narrowing to mostly the waltz music. You can listen to it here: [BLOCKED WEBSITE]
Written January 30, 2015
Beautifully staged, with an operatic feel. Knightly and Law do a wonderful job but the casting of Taylor-Johnson was off the mark. Vronsky is supposed to be the man Anna would risk all for but Taylor-Johnson's effete young soldier didn't inspire passion as much as puzzlement. Why would Anna throw everything away for him? A little hard to follow at times, it helps if one has read the book.