|
From Screenplay by
|
2008
|
|
Play Author
|
1958
|
In this tuneful, romantic sequel to the classic Gentlemen Prefer Blondes, two gorgeous brown-haired Broadway chorines head...
|
Book Author
|
1955
|
Second-billed Marilyn Monroe is the blonde in question in this second film version of Gentlemen Prefer Blondes: Miss Lorelei...
|
Play Author
|
1953
|
|
Screenwriter
|
1948
|
|
Screenwriter
|
1942
|
Strange Skirts is the TV title of the 1941 MGM film When Ladies Meet. The film was a remake of a 1933 production of the same...
|
Director, Screenwriter
|
1941
|
Greer Garson is dignity and integrity personified in the role of the real-life Edna Gladney. After several life experiences...
|
Screenwriter
|
1941
|
They Met in Bombay is a typical MGM star vehicle, in which the leading players are called upon to carry a pencil-thin...
|
Screenwriter
|
1941
|
Rachel Crothers' thoughtful stage play Susan and God was tastefully adapted for the screen by Anita Loos. Joan Crawford stars...
|
Screenwriter
|
1940
|
Based on the Clare Booth Luce play of the same name, this MGM comedy is famous for its all-female cast and deft direction by...
|
Screenwriter
|
1939
|
Even the mighty MGM had to keep the home fires burning with B pictures. The studio's Mama Steps Out is a harmless confection...
|
Screenwriter
|
1937
|
Jean Harlow offers her final screen performance in this witty and -- in retrospect -- quite moving racetrack comedy-drama...
|
Screenwriter
|
1937
|
The MGM historical "spectacular" San Francisco was allegedly based on a three-sentence synopsis, submitted verbally to...
|
Screenwriter
|
1936
|
In this romantic drama a woman with a scandalous past tells all in an autobiography. It seems the woman, an artist, received...
|
Screenwriter
|
1935
|
Riff-Raff begins riff-raffing when boastful fisherman Dutch (Spencer Tracy) marries down-to-earth cannery worker Hattie...
|
Screenwriter
|
1935
|
|
Screenwriter
|
1934
|
Though she certainly didn't need the money, silent film favorite Colleen Moore made a comeback bid during the 1933-34 film...
|
Short Story Author
|
1934
|
Loaned to MGM by her home studio of Warner Bros., Loretta Young suffers her way through the title role in Midnight Mary. A...
|
Short Story Author
|
1933
|
There's nothing wrong with Hold Your Man that a little editing wouldn't cure. Clark Gable plays a raffish young petty crook...
|
Screenwriter
|
1933
|
In this drama, Diana (Myrna Loy) is a beautiful tourist from the United States who is visiting Cairo, accompanied by her...
|
Screenwriter
|
1933
|
|
|
Dialogue Writer, Screenwriter
|
1932
|
Jack Conway complained about being assigned to direct this comedy, claiming that a woman like the title character had almost...
|
Screenwriter
|
1932
|
The directorial career of D.W. Griffith, "the father of the American cinema," ended on a discordant note with The Struggle,...
|
Screenwriter
|
1931
|
|
|
Play Author
|
1931
|
In this comedy, a businessman takes his client with a beautiful escort to a fancy nightclub where he plans to close an...
|
Short Story Author
|
1929
|
The present unavailability of 1928's Gentlemen Prefer Blondes is especially frustrating for those who'd like to compare this...
|
Intertitle Writer, Play Author, Screenwriter
|
1928
|
|
|
Short Story Author
|
1927
|
|
|
Screen Story, Screenwriter
|
1925
|
Dulcy--better known as Dulcinea--was the cliché-spouting young bride created by newspaper humorist Franklin Pierce Adams....
|
Screenwriter
|
1923
|
This fast-paced comedy came from the pen of husband and wife screenwriting team Anita Loos and John Emerson. After his...
|
Screenwriter
|
1922
|
There seems to be some debate over exactly who directed this amusing Constance Talmadge picture. Since John Emerson directed...
|
Screenwriter
|
1922
|
This picture had three things in its favor right from the start -- its star, Constance Talmadge; the fact that women had...
|
Screenwriter
|
1921
|
Eve Orrin (Constance Talmadge) is at the mercy of her possessive mother (Effie Shannon), who has a case of "nerves" every...
|
Screenwriter
|
1921
|
Even people as talented as scenarists Anita Loos and John Emerson and film star Constance Talmadge had their off days, as...
|
Screenwriter
|
1920
|
This typical Norma Talmadge weeper casts Norma as a social half-caste. She may have had a millionaire daddy, but her mom was...
|
Screenwriter
|
1920
|
This fluffy Constance Talmadge vehicle is based on the play by Anthony Wharton. Lilliums Blair (Talmadge) is an ambitious...
|
Screenwriter
|
1920
|
In this comedy, Constance Talmadge plays Babs, a girl who is thrown out of boarding school because she's more interested in...
|
Screenwriter
|
1920
|
Constance Talmadge dominates this comedy in her usual, mischievous manner. She's Georgiana Chadbourne, a young widow. Her...
|
Screenwriter
|
1920
|
Constance Talmadge teams up once again with the writer/director team of Anita Loos and John Emerson for this light comedy....
|
Screenwriter
|
1920
|
|
|
Screenwriter
|
1919
|
Getting Mary Married was tailor-made to the talents of perky Marion Davies. The stepchild (Davies) of a millionaire is...
|
Screenwriter
|
1919
|
The husband-wife writing team of Anita Loos and John Emerson wrote the screenplay for Good-Bye, Bill, with Emerson performing...
|
Producer, Screenwriter
|
1919
|
|
|
Screenwriter
|
1919
|
|
|
Screenwriter
|
1919
|
|
|
Screenwriter
|
1918
|
America has just entered World War I and Emmy Little (Shirley Mason) is as patriotic as they come. She has two suitors, Eddie...
|
Producer, Screenwriter
|
1918
|
|
|
Screenwriter
|
1917
|
Daydreaming clerk Douglas Fairbanks discovers that he's of royal blood. In fact, if his information is correct, he's next in...
|
Screenwriter
|
1917
|
|
Screenwriter
|
1917
|
Jeff Hillington (Douglas Fairbanks) is the extremely naive son of a wealthy Eastern family -- he loves the Old West so much...
|
Screenwriter
|
1917
|
|
|
Screenwriter
|
1917
|
Peggy Ainslee (Marguerite Snow) is so intent on helping the poor that she breaks up with her fiancée, who objects to her...
|
Short Story Author
|
1916
|
Douglas Fairbanks Sr.'s splendid physique was seen in all its pristine glory in the 1916 western The Half-Breed. In what...
|
Screenwriter
|
1916
|
Norma Talmadge plays a pretty young secretary who must dress dowdily to avoid the licentious overtures of her male employers....
|
Screenwriter
|
1916
|
The charisma of Douglas Fairbanks keeps this two-reel idea interesting for five reels. Jimmy Conroy (Fairbanks) wants to...
|
Screenwriter
|
1916
|
This spoof of temperance melodrama is the last two-reeler directed by Tod Browning. The virtuous John (Jack Brammall) learns...
|
Screenwriter
|
1916
|
The then-current "crazes" for publicity and vegetarianism supplied the foundation for the delightful Douglas Fairbanks Sr....
|
Screenwriter
|
1916
|
In this silent tragedy a bright, creative young woman from the slums gets into considerable mischief and lands in jail....
|
Screenwriter
|
1916
|
American Aristocracy is a breezy satirical silent farce totally dominated by its star, Douglas Fairbanks Sr. Screenwriter...
|
Screenwriter
|
1916
|
The 4-reel Gangsters of New York was an acceptable imitation D.W. Griffith picture, directed by Griffith associate...
|
Screenwriter
|
1914
|
|
|
Screenwriter
|
1914
|
|
|
Screenwriter
|
1913
|
|
|
Screenwriter
|
1913
|
|
|
Screenwriter
|
1913
|
|
|
Screenwriter
|
1913
|
|
|
Screenwriter
|
1912
|
|
|
Screenwriter
|
1912
|
|
|
Screenwriter
|
1912
|