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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
An enjoyably trashy blend of impressive special effects, low-key refs to Landis's movie, and sudden moments of horror breaking the jokey tone. Read full review
The computer animation of the monsters here is a herky-jerky cartoon blur that is anything but scary. Read full review
Forget about social significance, depth of character and complex thematic underpinnings, and repeat after me: "It's only a werewolf movie." Read full review
Delpy and Scott are able to put it over. She's French and deep and mysterious. He's a fresh-faced American, an open book. Liking them makes it possible to (kinda) like this otherwise routine horror movie. Read full review
Plenty of gore-slinging, wisecracking fun to be had, and yes, the repulsively convincing werewolf transformations and attacks still pack a breath-stopping wallop. Read full review
A slapdash, poorly acted, paint-by-numbers teen horror comedy, the sequel is too frenetically edited to build any suspense, and its special effects are strictly bargain basement. Read full review
Any plot discipline (necessary so that we care about some characters and not the others) has been lost in an orgy of special effects and general mayhem. Read full review
The cruddy, shot-in-a-warehouse settings are especially depressing, since the computer-generated special effects seem to be taking place in another movie entirely (a far livelier one). [9 Jan 1998, p. 47] Read full review
A painfully anemic variation on John Landis' 1981 winner, "An American Werewolf in London." While the original had both wit and poignancy--and an affectionate and knowing tip-of-the-hat to werewolf movies past--this slapdash, silly new edition is so cut-rate it has Luxembourg and Amsterdam standing in for the City of Light. Read full review
It's all too silly to bother. Without style and attitude, nothing gets old faster than horror. Read full review