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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 60
    Los Angeles Times | Manohla Dargis

    Even when they don't always add up, these are movies in which De Niro can shrug off the burden of being Robert De Niro. Where the star who was Travis Bickle can again freely assume the part of the great character actor -- if only this time to ask, "You laughin' at me?" Read full review

  • 50
    Rolling Stone | Peter Travers

    The sequel, also directed by Harold Ramis, is painfully padded. Read full review

  • 50
    USA Today | Mike Clark

    Though the picture falls apart whenever the two leads aren't on screen together, you can argue that That isn't that inferior to its predecessor. Read full review

  • 50
    Chicago Sun-Times | Roger Ebert

    What we get in Analyze That are several talented actors delivering their familiar screen personas in the service of an idiotic plot. Read full review

  • 42
    Entertainment Weekly | Owen Gleiberman

    It's not just that Tony Soprano is richer, darker, cooler, and scarier. The dude gets more laughs. Read full review

  • 30
    Washington Post | Stephen Hunter

    Stuck in that no man's land between comedy and banal movie mob action, and it delivers on neither of these impulses with any force. Read full review

  • 30
    Variety | Todd McCarthy

    The novelty value is completely gone the second time around. Read full review

  • 30
    The New York Times | Stephen Holden

    Although there is the germ of a very sharp comedy in the intersection of real mobsters and make-believe thugs in a Hollywood mob comedy, Analyze That is far too lazy to do much with it. Read full review

  • 25
    San Francisco Chronicle | Mick LaSalle

    It's a big disappointment. Read full review

  • 10
    Washington Post | Desson Thomson

    So dull and awful, you actually wonder if this is some kind of Andy Kaufmanesque in-joke, a deliberate attempt to douse the spark that made the original film so enjoyable. Read full review

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