Amy's OrgasmMovie Reviews

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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 70
    Los Angeles Times | Kevin Thomas

    Julie Davis' story is fresh and amusing. Read full review

  • 63
    New York Post | Jonathan Foreman

    Its bawdy honesty eventually gives way to convention, sentimentality and a frustratingly silly ending. Read full review

  • 60
    Village Voice | Michael Atkinson

    Davis has energy, but she doesn't bother to make her heroine's book sound convincing, the gender-war ideas original, or the comic scenes fly. Instead, the film is buttressed by song montages and jokey chapter titles. Read full review

  • 50
    The New York Times | Dave Kehr

    This movie is Ms. Davis's fourth film as a director, and she has a bright, chipper style that keeps things moving, while never quite managing to connect her wish-fulfilling characters to the human race. Like someone who smiles too much, Amy's Orgasm seems rather sad at heart. Read full review

  • 50
    Entertainment Weekly | Lisa Schwarzbaum

    The orgasm, it turns out, is low on the list of Amy's issues. The title is faked. Read full review

  • 40
    TV Guide | Ken Fox

    Davis not only wrote and directed the film but edited it as well, all of which is no mean feat. Too bad she couldn't have lent some of her own gumption and self-assurance to her pathetic heroine. Read full review

  • 30
    L.A. Weekly | Paul Malcolm

    It's supposed to be post-feminist breezy but ends up as tedious as the chatter of parrots raised on Oprah. Read full review

  • 25
    New York Daily News | Jami Bernard

    There's definitely room for a female Woody Allen, an accolade garnered by a previous film. However, Amy's Orgasm is chirpy, shrill and coarse, more in the vein of one of Allen's more depressed periods. Read full review

  • 25
    Boston Globe |

    Julie Davis, tries desperately to fill (Woody)Allen's Coke-bottle glasses, but it fails. Miserably. Read full review

  • 20
    Austin Chronicle | Marrit Ingman

    There's a bright spot in the form of Amy's publicist (screen veteran Aaron), a salty, whiskey-voiced lesbian; it's a pity the movie isn't about her. Read full review

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