All My Loved OnesMovie Reviews

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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 75
    New York Daily News | Elizabeth Weitzman

    Despite a somewhat unpolished look and a few slips into cliche, the film makes up in sincerity what it lacks in sophistication. Read full review

  • 70
    Los Angeles Times | Kevin Thomas

    It is crucial when viewing All My Loved Ones, with its fine ensemble cast and well-evoked sense of time and place, to remember that it unfolds as a recollection of David, a boy of perhaps 10 in 1938. Read full review

  • 60
    Village Voice | Leslie Camhi

    It traces a sustained and moving portrait of the worldly Sam, whose despair as the society he embraced abandons him is both clear-eyed and devastating. Read full review

  • 60
    The New York Times | Dave Kehr

    The material continues to carry its inherent emotional power and moral importance. As banal as the telling may be -- and at times, All My Loved Ones more than flirts with kitsch -- the tale commands attention. Read full review

  • 50
    L.A. Weekly | Ella Taylor

    The movie is loaded with good intentions, but in his zeal to squeeze the action and our emotions into the all-too-familiar dramatic arc of the Holocaust escape story, Minac drains his movie of all individuality. Read full review

  • 50
    The Onion A.V. Club | Keith Phipps

    A situation of such inherent drama only suffers from the director's attempts to intensify it, and eventually, the scenes of professional and personal rejection begin to suffer from an overabundance of pathos. Read full review

  • 50
    TV Guide | Ken Fox

    The final moment of Minac's film is a powerful tribute to Winton's heroism and the magnitude of his achievement, easily eclipsing the 90 minutes that precede it. Read full review

  • 40
    Variety | Robert Koehler

    Clearly inspired by, though not in the same dramatic league as, "Schindler's List," pic is marred by uneven perfs and lacks the intensity. Read full review

  • 38
    New York Post | Megan Lehmann

    "Schindler's List" it ain't, and the whole is rendered occasionally surreal by Janusz Stoklosa's laughably heavy-handed score. Read full review

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