All About SteveMovie Reviews

Poster art for "All About Steve."

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Oh No!
Avg. Critic Score: 17 out of 100 Overwhelming dislike Metascore® based on all critic reviews
Information for Parents:
14 Iffy for 14+
Read Common Sense Media review

Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 38
    USA Today | Claudia Puig

    Manages to be both toothless and tasteless in its satire of TV news sensationalism. Read full review

  • 38
    Chicago Sun-Times | Roger Ebert

    The screenplay by Kim Barker requires Bullock to behave in an essentially disturbing way that began to wear on me. It begins as merely peculiar, moves on to miscalculation and becomes seriously annoying. Read full review

  • 30
    The Hollywood Reporter | Kirk Honeycutt

    A viewer is challenged to guess what the filmmakers thought they were doing. A 1930s screwball comedy with a modern sensibility? A misguided valentine to those who march to the beat of a different drummer? Read full review

  • 25
    Entertainment Weekly | Lisa Schwarzbaum

    A creepy, humiliating ''comedy,'' playing to Bullock's worst instincts for demonstrating the lovability of women who don't fit in. Read full review

  • 25
    San Francisco Chronicle |

    There's no footing in reality. Nothing about it feels authentic: not the blathering Mary, not the lifeless secondary characters, not the bromide-happy dialogue or the plot that twists less often than it spasms. Read full review

  • 20
    Washington Post | Ann Hornaday

    Much of what's offensive and insufferable about All About Steve can be laid at the feet of screenwriter Kim Barker, best known for inflicting "License to Wed" on the world. Why do these people still earn obscene amounts of money churning out dreck? And why do stars like Bullock keep paying them? Read full review

  • 20
    The New York Times | Manohla Dargis

    The concept of an intelligent woman is apparently so exotic to Ms. Bullock and her director, Phil Traill, that they frantically kook the character up, as if female smarts were a kind of disability. This being a contemporary big-studio release, I suppose it is. Read full review

  • 20
    Los Angeles Times |

    A dippy clunker like All About Steve has no purpose other than as a challenge: If you laden a usually charming A-lister with a thoroughly off-putting, unhinged character, can she claw her way to likability? The short answer is no. The long answer is, what in the world was Bullock, who also produced the movie, thinking? Read full review

  • 10
    Variety | Brian Lowry

    Sitting through the picture is an endurance test. Read full review

  • 0
    Rolling Stone | Peter Travers

    Unwatchable, unbearably unfunny farce. Read full review


Information for Parents
Common Sense Media says Iffy for 14+ Sandra Bullock plays a stalker in unappealing romcom.
What Parents Need to Know Parents need to know that this offbeat comedy includes some sexual content (Sandra Bullock strips down to her bra, and Bradley Cooper is shirtless in the film's one love scene), as well as humorous but continuous references to sex, dating, and unrequited, obsessive infatuation (i.e. stalking). Language includes frequent use of words like "s--t" and "a--hole," and there's a brief glimpse of adults drinking beer with meals. There's a little bit of mild peril when characters get stuck in potentially dangerous situations, as well as a few cartoonish pratfalls.
  • Families can talk about obsessive relationships. Is Mary a stalker? Do you think that it's OK for the movie to find humor in that situation? What would be the consequences in real life?
  • How would the movie change if the main characters' genders were reversed? Would it be just as funny, or would it seem scary if a man was doing the stalking?
  • Does the movie send a negative message to "book smart" young women, or is it a positive one?
The good stuff
  • message true0 Positive messages: Although the movie's "stalking" theme is obviously negative, the movie's resolution makes it clear that if you have to stalk someone you love, they don't really love you. The fact that Steve is less interested in Mary after discovering how "book smart" she is also sends an iffy message.
  • rolemodels true0 Positive role models: Ultimately, Mary realizes that she shouldn't have to change who she is for a man (she doesn't dumb down her behavior or change to be less quirky), but none of the characters is really a role model. Mary is a workaholic who transforms into an unprofessional, obsessed stalker. Steve is only too happy to sleep with a woman he hasn't said two words (until she proves herself too "crazy smart," that is). The news reporters are only interested in ratings and beating their colleagues to juicy stories. Mary's brand-new friends are sweet, but the woman in particular seems ignorant.
What to watch for
  • violence false1 Violence: A group of schoolchildren falls into a hidden mineshaft; later, a couple of main characters fall in, too. A tornado lifts up a car that a few characters just ran away from, and there are a few funny pratfalls by Mary and Steve.
  • sex false3 Sex: Mary basically attacks Steve during their first date. She and Steve are shown shirtless (she's wearing a bra) and make overt sexual references/gestures while making out as they're lying down in the backseat of a car. Although it's technically not a sex scene, the foreplay includes a few verbally explicit moments. Aside from that one scene, there are many conversations about romantic relationships and sexual comments and innuendo.
  • language false3 Language: Language includes "s--t," "a--hole," and "p---y," as well as "crap," "dumbass," "Christ!" and tamer words like "damn," "hell," etc.
  • consumerism false1 Consumerism: Surprisingly few product placements, but there are a couple, including Twinkies.
  • drugsalcoholtobacco false1 Drinking, drugs and smoking: Adults drink beer with meals in a couple of quick scenes.

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Dave White

0.5

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