AlexandraMovie Reviews

Poster art for "Alexandra."

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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.

  • 100
    San Francisco Chronicle | Walter Addiego

    In the hands of visionary filmmaker Alexander Sokurov, this simple material makes for a haunting drama about war, generational relationships and the human condition. Read full review

  • 100
    The New York Times | Manohla Dargis

    A film of startling originality and beauty -- feels like a communiqu from another time, another place, anywhere but here. Read full review

  • 90
    Variety |

    Though he's sure to deny it, Alexandra is Alexander Sokurov's most directly political work for years. Featuring a performance of monumental depth by opera legend Galina Vishnevskaya, pic presents war for what it is: brutal, crushing, and ugly, and yet Sokurov doesn't lens any battles. Read full review

  • 88
    Chicago Sun-Times | Roger Ebert

    The point is that for the soldiers, it's a dead zone, life on hold, a cheerless existence. And this plain-spoken old woman reminds them of a lifetime they are missing. Read full review

  • 88
    Boston Globe | Wesley Morris

    Alexandra is a pleasure to watch, but it's also one of those lovely, unclassifiable movies that flourishes better with repeated or prolonged exposures. Read full review

  • 80
    Village Voice | J. Hoberman

    Spare yet tactile, a mysterious mixture of lightness and gravity, Alexander Sokurov's Alexandra is founded on contradiction. Musing on war in general and the Russian occupation of Chechnya in particular, this is a movie in which combat is never shown. Read full review

  • 80
    Los Angeles Times | Kevin Thomas

    The luminous humanity that characterizes the films of Alexander Sokurov is in full force in Alexandra. On the surface, it is a work of the utmost simplicity but is charged with the eternal complexities and contradictions of both love and war. Read full review

  • 75
    Philadelphia Inquirer | Steven Rea

    Alexandra never depicts the soldiers in combat, but Sokurov nonetheless shows how war can break down the social structure, break down family, break the human soul. Read full review

  • 70
    Washington Post | Michael O'Sullivan

    The frequent, mundane talks -- which Alexandra engages in with her grandson, Malika and the base camp's enlisted men -- are not so much about politics as they are about people. Read full review

  • 67
    The Onion A.V. Club | Noel Murray

    The contrast of a warm maternal figure and a remote army outpost is undeniably affecting. But when Vishnevskaya opens her mouth, she spoils the mood. Read full review

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5.0

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