|
Anatole Litvak (Producer)
|
The Deep Blue Sea
|
1955
|
|
Anatole Litvak (Director)
|
The Deep Blue Sea
|
1955
|
|
Laurence Olivier (Producer)
|
Richard III
|
1955
|
|
Laurence Olivier (Director)
|
Richard III
|
1955
|
|
Otto Heller (Cinematographer)
|
Richard III
|
1955
|
|
Christopher G. Challis (Cinematographer)
|
The Elusive Pimpernel
|
1950
|
|
Emeric Pressburger (Director)
|
The Elusive Pimpernel
|
1950
|
|
Michael Powell (Director)
|
The Elusive Pimpernel
|
1950
|
|
Emeric Pressburger (Producer)
|
The Elusive Pimpernel
|
1950
|
|
Michael Powell (Producer)
|
The Elusive Pimpernel
|
1950
|
|
Samuel Goldwyn (Producer)
|
The Elusive Pimpernel
|
1950
|
|
Carol Reed (Producer)
|
The Third Man
|
1949
|
|
David O. Selznick (Producer)
|
The Third Man
|
1949
|
|
Carol Reed (Director)
|
The Third Man
|
1949
|
|
Robert Krasker (Cinematographer)
|
The Third Man
|
1949
|
|
Henri Alékan (Cinematographer)
|
Anna Karenina
|
1948
|
|
Julien Duvivier (Director)
|
Anna Karenina
|
1948
|
|
Georges Périnal (Cinematographer)
|
An Ideal Husband
|
1947
|
|
Georges Périnal (Cinematographer)
|
Vacation From Marriage
|
1945
|
|
Zoltan Korda (Director)
|
The Jungle Book
|
1942
|
|
Vincent Korda (Art Director)
|
To Be or Not to Be
|
1942
|
|
Rudolph Maté (Cinematographer)
|
To Be or Not to Be
|
1942
|
|
Irene (Costume Designer)
|
To Be or Not to Be
|
1942
|
|
Ernst Lubitsch (Director)
|
To Be or Not to Be
|
1942
|
|
Dorothy Spencer (Editor)
|
To Be or Not to Be
|
1942
|
|
Ernst Lubitsch (Producer)
|
To Be or Not to Be
|
1942
|
|
Julien Duvivier (Director)
|
Lydia
|
1941
|
|
Rudolph Maté (Cinematographer)
|
That Hamilton Woman
|
1941
|
|
Charles Crichton (Editor)
|
21 Days
|
1940
|
|
Vincent Korda (Art Director)
|
21 Days
|
1940
|
|
Charles Frend (Editor)
|
The Lion Has Wings
|
1940
|
|
Adrian Brunel (Director)
|
The Lion Has Wings
|
1940
|
|
Brian Desmond Hurst (Director)
|
The Lion Has Wings
|
1940
|
|
Henry Cornelius (Editor)
|
The Lion Has Wings
|
1940
|
|
Michael Powell (Director)
|
The Lion Has Wings
|
1940
|
|
Harry Stradling (Cinematographer)
|
The Lion Has Wings
|
1940
|
|
Charles Crichton (Editor)
|
Old Bill and Son
|
1940
|
|
Ian Dalrymple (Director)
|
Old Bill and Son
|
1940
|
|
Georges Périnal (Cinematographer)
|
Old Bill and Son
|
1940
|
|
Georges Périnal (Cinematographer)
|
The Thief of Bagdad
|
1940
|
|
Michael Powell (Director)
|
The Thief of Bagdad
|
1940
|
|
Charles Crichton (Editor)
|
The Thief of Bagdad
|
1940
|
|
Zoltan Korda (Producer)
|
The Thief of Bagdad
|
1940
|
|
Irving Asher (Producer)
|
Clouds over Europe
|
1939
|
|
Harry Stradling (Cinematographer)
|
Clouds over Europe
|
1939
|
|
Vincent Korda (Art Director)
|
Clouds over Europe
|
1939
|
|
Georges Périnal (Cinematographer)
|
The Four Feathers
|
1939
|
|
Jack Cardiff (Cinematographer)
|
The Four Feathers
|
1939
|
|
Zoltan Korda (Director)
|
The Four Feathers
|
1939
|
|
Henry Cornelius (Editor)
|
The Four Feathers
|
1939
|
|
Harry Stradling (Cinematographer)
|
The Divorce of Lady X
|
1938
|
|
Zoltan Korda (Director)
|
The Drum
|
1938
|
|
Robert Krasker (Cinematographer)
|
The Drum
|
1938
|
|
Christopher G. Challis (Cinematographer)
|
The Drum
|
1938
|
|
Geoffrey Unsworth (Cinematographer)
|
The Drum
|
1938
|
|
Georges Périnal (Cinematographer)
|
The Drum
|
1938
|
|
Henry Cornelius (Editor)
|
The Drum
|
1938
|
|
Harry Stradling (Cinematographer)
|
Over the Moon
|
1938
|
|
William Howard (Director)
|
Over the Moon
|
1938
|
|
Robert Krasker (Cinematographer)
|
Over the Moon
|
1938
|
|
Harry Stradling (Cinematographer)
|
South Riding
|
1938
|
|
Harry Stradling (Cinematographer)
|
Dark Journey
|
1937
|
|
Georges Périnal (Cinematographer)
|
Dark Journey
|
1937
|
|
Robert Flaherty (Director)
|
Elephant Boy
|
1937
|
|
Zoltan Korda (Director)
|
Elephant Boy
|
1937
|
|
Charles Crichton (Editor)
|
Elephant Boy
|
1937
|
|
William Howard (Director)
|
Fire Over England
|
1937
|
|
James Wong Howe (Cinematographer)
|
Fire Over England
|
1937
|
|
Erich Pommer (Producer)
|
Fire Over England
|
1937
|
|
Harry Stradling (Cinematographer)
|
Knight Without Armour
|
1937
|
|
Jack Cardiff (Cinematographer)
|
Knight Without Armour
|
1937
|
|
Jacques Feyder (Director)
|
Knight Without Armour
|
1937
|
|
William Howard (Director)
|
The Squeaker
|
1937
|
|
Georges Périnal (Cinematographer)
|
The Squeaker
|
1937
|
|
Ian Dalrymple (Director)
|
Storm in a Teacup
|
1937
|
|
Wilkie Cooper (Cinematographer)
|
Conquest of the Air
|
1936
|
|
Zoltan Korda (Director)
|
Conquest of the Air
|
1936
|
|
Charles Frend (Editor)
|
Conquest of the Air
|
1936
|
|
Henry Cornelius (Editor)
|
Forget Me Not
|
1936
|
|
Zoltan Korda (Director)
|
Forget Me Not
|
1936
|
|
Georges Périnal (Cinematographer)
|
The Girl from Maxim's
|
1936
|
|
Anthony Asquith (Director)
|
I Stand Condemned
|
1936
|
|
Harold Hal Rosson (Cinematographer)
|
The Man Who Could Work Miracles
|
1936
|
|
Henry Cornelius (Editor)
|
Men Are Not Gods
|
1936
|
|
Robert Krasker (Cinematographer)
|
Men Are Not Gods
|
1936
|
|
Charles Rosher Sr. (Cinematographer)
|
Men Are Not Gods
|
1936
|
|
Walter Reisch (Director)
|
Men Are Not Gods
|
1936
|
|
Georges Périnal (Cinematographer)
|
Rembrandt
|
1936
|
|
William Cameron Menzies (Director)
|
Things to Come
|
1936
|
|
Charles Crichton (Editor)
|
Things to Come
|
1936
|
|
Georges Périnal (Cinematographer)
|
Things to Come
|
1936
|
|
René Clair (Director)
|
The Ghost Goes West
|
1935
|
|
Henry Cornelius (Editor)
|
The Ghost Goes West
|
1935
|
|
Harold Hal Rosson (Cinematographer)
|
The Ghost Goes West
|
1935
|
|
Zoltan Korda (Director)
|
Men of Tomorrow
|
1935
|
|
Zoltan Korda (Director)
|
Sanders of the River
|
1935
|
|
Georges Périnal (Cinematographer)
|
Sanders of the River
|
1935
|
|
Charles Crichton (Editor)
|
Sanders of the River
|
1935
|
|
Georges Périnal (Cinematographer)
|
Catherine the Great
|
1934
|
|
Georges Périnal (Cinematographer)
|
The Private Life of Don Juan
|
1934
|
|
Harold Hal Rosson (Cinematographer)
|
The Scarlet Pimpernel
|
1934
|
|
Allan Dwan (Director)
|
Counsel's Opinion
|
1933
|
|
Zoltan Korda (Director)
|
If I Were Rich
|
1933
|
|
Rowland V. Lee (Director)
|
Overnight
|
1933
|
|
Georges Périnal (Cinematographer)
|
The Private Life of Henry VIII
|
1933
|
|
Vincent Korda (Art Director)
|
The Private Life of Henry VIII
|
1933
|
|
Vincent Korda (Art Director)
|
Wedding Rehearsal
|
1932
|
|
Harry Stradling (Cinematographer)
|
Die Manner Um Lucie
|
1931
|
|
Marcel Pagnol (Producer)
|
Marius
|
1931
|
|
John F. Seitz (Cinematographer)
|
Her Private Life
|
1929
|
|
John F. Seitz (Cinematographer)
|
The Squall
|
1929
|
|
Karl Struss (Cinematographer)
|
The Night Watch
|
1928
|
|
Karl W. Freund (Producer)
|
Madame wunscht keine Kinder
|
1926
|
|
Michael Curtiz (Costume Designer)
|
Samson und Delila
|
1922
|