|
Kirk Douglas (Producer)
|
Posse
|
1975
|
|
Kirk Douglas (Director)
|
Posse
|
1975
|
|
Mark Robson (Producer)
|
Earthquake
|
1974
|
|
Dorothy Spencer (Editor)
|
Earthquake
|
1974
|
|
Mark Robson (Director)
|
Earthquake
|
1974
|
|
Clint Eastwood (Director)
|
Breezy
|
1973
|
|
George Seaton (Producer)
|
Showdown
|
1973
|
|
George Seaton (Director)
|
Showdown
|
1973
|
|
Edith Head (Costume Designer)
|
Showdown
|
1973
|
|
Henry Bumstead (Art Director)
|
Showdown
|
1973
|
|
David Lowell Rich (Director)
|
That Man Bolt
|
1973
|
|
Philip Kaufman (Director)
|
The Great Northfield, Minnesota Raid
|
1972
|
|
Bruce Surtees (Cinematographer)
|
The Great Northfield, Minnesota Raid
|
1972
|
|
Bruce Surtees (Cinematographer)
|
Joe Kidd
|
1972
|
|
John Sturges (Director)
|
Joe Kidd
|
1972
|
|
Henry Bumstead (Art Director)
|
Joe Kidd
|
1972
|
|
Miroslav Ondrícek (Cinematographer)
|
Slaughterhouse-Five
|
1972
|
|
George Roy Hill (Director)
|
Slaughterhouse-Five
|
1972
|
|
Dede Allen (Editor)
|
Slaughterhouse-Five
|
1972
|
|
Paul Monash (Producer)
|
Slaughterhouse-Five
|
1972
|
|
Robert Arthur (Producer)
|
One More Train to Rob
|
1971
|
|
Andrew V. McLaglen (Director)
|
One More Train to Rob
|
1971
|
|
Henry Bumstead (Art Director)
|
One More Train to Rob
|
1971
|
|
Bruce Surtees (Cinematographer)
|
Play Misty for Me
|
1971
|
|
Clint Eastwood (Director)
|
Play Misty for Me
|
1971
|
|
Henry Hathaway (Director)
|
Raid on Rommel
|
1971
|
|
Henry Bumstead (Art Director)
|
Raid on Rommel
|
1971
|
|
Vilmos Zsigmond (Cinematographer)
|
Red Sky at Morning
|
1971
|
|
Edith Head (Costume Designer)
|
Red Sky at Morning
|
1971
|
|
Hal B. Wallis (Producer)
|
Red Sky at Morning
|
1971
|
|
Hal B. Wallis (Producer)
|
Shoot Out
|
1971
|
|
Henry Hathaway (Director)
|
Shoot Out
|
1971
|
|
Edith Head (Costume Designer)
|
Airport
|
1970
|
|
George Seaton (Director)
|
Airport
|
1970
|
|
Ross Hunter (Producer)
|
Airport
|
1970
|
|
Don Siegel (Producer)
|
The Beguiled
|
1970
|
|
Don Siegel (Director)
|
The Beguiled
|
1970
|
|
Bruce Surtees (Cinematographer)
|
The Beguiled
|
1970
|
|
Edith Head (Costume Designer)
|
Colossus: The Forbin Project
|
1970
|
|
Joseph Sargent (Director)
|
Colossus: The Forbin Project
|
1970
|
|
Mel Stuart (Director)
|
I Love My Wife
|
1970
|
|
Edith Head (Costume Designer)
|
Storia di una Donna
|
1970
|
|
Russell Metty (Cinematographer)
|
Change of Habit
|
1969
|
|
Alan Smithee (Director)
|
Death of a Gunfighter
|
1969
|
|
Don Siegel (Director)
|
Death of a Gunfighter
|
1969
|
|
Russell Metty (Cinematographer)
|
Eye of the Cat
|
1969
|
|
David Lowell Rich (Director)
|
Eye of the Cat
|
1969
|
|
Edith Head (Costume Designer)
|
Eye of the Cat
|
1969
|
|
Edith Head (Costume Designer)
|
The Lost Man
|
1969
|
|
Henry Bumstead (Art Director)
|
A Man Called Gannon
|
1969
|
|
Howard Christie (Producer)
|
A Man Called Gannon
|
1969
|
|
Edith Head (Costume Designer)
|
Sweet Charity
|
1969
|
|
Bob Fosse (Director)
|
Sweet Charity
|
1969
|
|
Robert Arthur (Producer)
|
Sweet Charity
|
1969
|
|
Robert Surtees (Cinematographer)
|
Sweet Charity
|
1969
|
|
Bob Fosse (Choreography)
|
Sweet Charity
|
1969
|
|
Conrad L. Hall (Cinematographer)
|
Tell Them Willie Boy Is Here
|
1969
|
|
Abraham Polonsky (Director)
|
Tell Them Willie Boy Is Here
|
1969
|
|
Edith Head (Costume Designer)
|
Tell Them Willie Boy Is Here
|
1969
|
|
Henry Bumstead (Art Director)
|
Tell Them Willie Boy Is Here
|
1969
|
|
Edith Head (Costume Designer)
|
Winning
|
1969
|
|
Andrew V. McLaglen (Director)
|
The Ballad of Josie
|
1968
|
|
Jean Louis (Costume Designer)
|
The Ballad of Josie
|
1968
|
|
Don Siegel (Director)
|
Coogan's Bluff
|
1968
|
|
Don Siegel (Producer)
|
Coogan's Bluff
|
1968
|
|
Don Weis (Director)
|
Did You Hear the One About the Traveling Saleslady?
|
1968
|
|
Jean Louis (Costume Designer)
|
The Hell with Heroes
|
1968
|
|
Joseph Sargent (Director)
|
The Hell with Heroes
|
1968
|
|
Robert Arthur (Producer)
|
Hellfighters
|
1968
|
|
Edith Head (Costume Designer)
|
Hellfighters
|
1968
|
|
Andrew V. McLaglen (Director)
|
Hellfighters
|
1968
|
|
Andrew V. McLaglen (Producer)
|
Hellfighters
|
1968
|
|
John Guillermin (Director)
|
House of Cards
|
1968
|
|
Edith Head (Costume Designer)
|
House of Cards
|
1968
|
|
Harry Keller (Director)
|
In Enemy Country
|
1968
|
|
Loyal Griggs (Cinematographer)
|
In Enemy Country
|
1968
|
|
Edith Head (Costume Designer)
|
In Enemy Country
|
1968
|
|
Russell Schoengarth (Editor)
|
In Enemy Country
|
1968
|
|
Harry Keller (Producer)
|
In Enemy Country
|
1968
|
|
Howard Christie (Producer)
|
Journey to Shiloh
|
1968
|
|
David Lowell Rich (Director)
|
A Lovely Way to Die
|
1968
|
|
Don Siegel (Director)
|
Madigan
|
1968
|
|
Russell Metty (Cinematographer)
|
Madigan
|
1968
|
|
Howard Christie (Producer)
|
Nobody's Perfect
|
1968
|
|
Loyal Griggs (Cinematographer)
|
P.J.
|
1968
|
|
John Guillermin (Director)
|
P.J.
|
1968
|
|
Jean Louis (Costume Designer)
|
P.J.
|
1968
|
|
Russell Metty (Cinematographer)
|
The Pink Jungle
|
1968
|
|
Delbert Mann (Director)
|
The Pink Jungle
|
1968
|
|
Edith Head (Costume Designer)
|
The Pink Jungle
|
1968
|
|
Russell Metty (Cinematographer)
|
The Secret War of Harry Frigg
|
1968
|
|
Edith Head (Costume Designer)
|
The Secret War of Harry Frigg
|
1968
|
|
Henry Bumstead (Art Director)
|
The Secret War of Harry Frigg
|
1968
|
|
Jack Smight (Director)
|
The Secret War of Harry Frigg
|
1968
|
|
Tony Martinelli (Editor)
|
The Shakiest Gun in the West
|
1968
|
|
George Seaton (Producer)
|
What's So Bad About Feeling Good?
|
1968
|
|
Edith Head (Costume Designer)
|
What's So Bad About Feeling Good?
|
1968
|
|
Henry Bumstead (Art Director)
|
What's So Bad About Feeling Good?
|
1968
|
|
George Seaton (Director)
|
What's So Bad About Feeling Good?
|
1968
|
|
Russell Metty (Cinematographer)
|
Counterpoint
|
1967
|
|
Ralph Nelson (Director)
|
Counterpoint
|
1967
|
|
William A. Fraker (Cinematographer)
|
Games
|
1967
|
|
Curtis Harrington (Director)
|
Games
|
1967
|
|
Howard Christie (Producer)
|
Gunfight in Abilene
|
1967
|
|
Maury Gertsman (Cinematographer)
|
Gunfight in Abilene
|
1967
|
|
Don Weis (Director)
|
The King's Pirate
|
1967
|
|
Russell Schoengarth (Editor)
|
The King's Pirate
|
1967
|
|
Robert Arthur (Producer)
|
The King's Pirate
|
1967
|
|
Joshua Shelley (Director)
|
The Perils of Pauline
|
1967
|
|
Howard Christie (Producer)
|
The Ride to Hangman's Tree
|
1967
|
|
David Lowell Rich (Director)
|
Rosie!
|
1967
|
|
Russell Metty (Cinematographer)
|
Rough Night in Jericho
|
1967
|
|
Martin Rackin (Producer)
|
Rough Night in Jericho
|
1967
|
|
George Roy Hill (Director)
|
Thoroughly Modern Millie
|
1967
|
|
Ross Hunter (Producer)
|
Thoroughly Modern Millie
|
1967
|
|
Russell Metty (Cinematographer)
|
Thoroughly Modern Millie
|
1967
|
|
Jean Louis (Costume Designer)
|
Thoroughly Modern Millie
|
1967
|
|
Russell Schoengarth (Editor)
|
The Young Warriors
|
1967
|
|
Loyal Griggs (Cinematographer)
|
The Young Warriors
|
1967
|
|
Russell Metty (Cinematographer)
|
The Appaloosa
|
1966
|
|
Sidney J. Furie (Director)
|
The Appaloosa
|
1966
|
|
Russell Schoengarth (Editor)
|
Beau Geste
|
1966
|
|
Douglas Heyes (Director)
|
Beau Geste
|
1966
|
|
Jean Louis (Costume Designer)
|
Gambit
|
1966
|
|
Ronald Neame (Director)
|
Gambit
|
1966
|
|
Russell Schoengarth (Editor)
|
Gunpoint
|
1966
|
|
Henry Bumstead (Art Director)
|
Gunpoint
|
1966
|
|
William Castle (Producer)
|
Let's Kill Uncle
|
1966
|
|
William Castle (Director)
|
Let's Kill Uncle
|
1966
|
|
Ross Hunter (Producer)
|
Madame X
|
1966
|
|
Jean Louis (Costume Designer)
|
Madame X
|
1966
|
|
Russell Metty (Cinematographer)
|
Madame X
|
1966
|
|
David Lowell Rich (Director)
|
Madame X
|
1966
|
|
Jean Louis (Costume Designer)
|
Mirage
|
1966
|
|
Edward Dmytryk (Director)
|
Mirage
|
1966
|
|
Harry Keller (Producer)
|
Mirage
|
1966
|
|
Mervyn LeRoy (Director)
|
Moment to Moment
|
1966
|
|
Harry Stradling (Cinematographer)
|
Moment to Moment
|
1966
|
|
Mervyn LeRoy (Producer)
|
Moment to Moment
|
1966
|
|
Brian G. Hutton (Director)
|
The Pad and How to Use It
|
1966
|
|
Ross Hunter (Producer)
|
The Pad and How to Use It
|
1966
|
|
David Lowell Rich (Director)
|
The Plainsman
|
1966
|
|
Russell Schoengarth (Editor)
|
The Rare Breed
|
1966
|
|
Andrew V. McLaglen (Director)
|
The Rare Breed
|
1966
|
|
Michael Gordon (Director)
|
Texas Across the River
|
1966
|
|
Russell Metty (Cinematographer)
|
Texas Across the River
|
1966
|
|
Harry Keller (Producer)
|
Texas Across the River
|
1966
|
|
Henry Bumstead (Art Director)
|
Tobruk
|
1966
|
|
Arthur Hiller (Director)
|
Tobruk
|
1966
|
|
Russell Schoengarth (Editor)
|
Fluffy
|
1965
|
|
William Castle (Director)
|
I Saw What You Did
|
1965
|
|
Joseph Biroc (Cinematographer)
|
I Saw What You Did
|
1965
|
|
William Castle (Producer)
|
I Saw What You Did
|
1965
|
|
Ozzie Nelson (Producer)
|
Love and Kisses
|
1965
|
|
Ozzie Nelson (Director)
|
Love and Kisses
|
1965
|
|
Lionel Lindon (Cinematographer)
|
McHale's Navy Joins the Air Force
|
1965
|
|
Andrew V. McLaglen (Director)
|
Shenandoah
|
1965
|
|
Robert Arthur (Producer)
|
Shenandoah
|
1965
|
|
Norman Panama (Producer)
|
Strange Bedfellows
|
1965
|
|
Melvin Frank (Director)
|
Strange Bedfellows
|
1965
|
|
Jean Louis (Costume Designer)
|
Strange Bedfellows
|
1965
|
|
Melvin Frank (Producer)
|
Strange Bedfellows
|
1965
|
|
Arthur Lubin (Director)
|
The Sword of Ali Baba
|
1965
|
|
Howard Christie (Producer)
|
The Sword of Ali Baba
|
1965
|
|
Richard Thorpe (Director)
|
That Funny Feeling
|
1965
|
|
Harry Keller (Producer)
|
That Funny Feeling
|
1965
|
|
Stanley Shapiro (Producer)
|
A Very Special Favor
|
1965
|
|
Michael Gordon (Director)
|
A Very Special Favor
|
1965
|
|
Russell Schoengarth (Editor)
|
A Very Special Favor
|
1965
|
|
Kenny Williams (Choreography)
|
The War Lord
|
1965
|
|
Russell Metty (Cinematographer)
|
The War Lord
|
1965
|
|
Henry Bumstead (Art Director)
|
The War Lord
|
1965
|
|
Franklin J. Schaffner (Director)
|
The War Lord
|
1965
|
|
Conrad L. Hall (Cinematographer)
|
The Wild Seed
|
1965
|
|
Brian G. Hutton (Director)
|
The Wild Seed
|
1965
|
|
Robert Arthur (Producer)
|
Father Goose
|
1964
|
|
Henry Bumstead (Art Director)
|
Father Goose
|
1964
|
|
Ralph Nelson (Director)
|
Father Goose
|
1964
|
|
Ross Hunter (Producer)
|
I'd Rather Be Rich
|
1964
|
|
Russell Metty (Cinematographer)
|
I'd Rather Be Rich
|
1964
|
|
Jack Smight (Director)
|
I'd Rather Be Rich
|
1964
|
|
James B. Clark (Director)
|
Island of the Blue Dolphins
|
1964
|
|
Harry Keller (Producer)
|
Kitten With a Whip
|
1964
|
|
Joseph Biroc (Cinematographer)
|
Kitten With a Whip
|
1964
|
|
Russell Schoengarth (Editor)
|
Kitten With a Whip
|
1964
|
|
Douglas Heyes (Director)
|
Kitten With a Whip
|
1964
|
|
Jack Arnold (Director)
|
The Lively Set
|
1964
|
|
Jean Louis (Costume Designer)
|
Send Me No Flowers
|
1964
|
|
Daniel L. Fapp (Cinematographer)
|
Send Me No Flowers
|
1964
|
|
Norman Jewison (Director)
|
Send Me No Flowers
|
1964
|
|
Harry Keller (Producer)
|
Send Me No Flowers
|
1964
|
|
Tony Martinelli (Editor)
|
Taggart
|
1964
|
|
Harold Hecht (Producer)
|
Wild and Wonderful
|
1964
|
|
Michael Anderson (Director)
|
Wild and Wonderful
|
1964
|
|
William Castle (Director)
|
William Castle's The Night Walker
|
1964
|
|
William Castle (Producer)
|
William Castle's The Night Walker
|
1964
|
|
Norman Jewison (Director)
|
40 Pounds of Trouble
|
1963
|
|
Stanley Shapiro (Producer)
|
Bedtime Story
|
1963
|
|
Robert Arthur (Producer)
|
Captain Newman, M.D.
|
1963
|
|
Russell Metty (Cinematographer)
|
Captain Newman, M.D.
|
1963
|
|
Robert Arthur (Producer)
|
For Love or Money
|
1963
|
|
Michael Gordon (Director)
|
For Love or Money
|
1963
|
|
Jean Louis (Costume Designer)
|
For Love or Money
|
1963
|
|
Russell Schoengarth (Editor)
|
A Gathering of Eagles
|
1963
|
|
Henry Bumstead (Art Director)
|
A Gathering of Eagles
|
1963
|
|
Irene (Costume Designer)
|
A Gathering of Eagles
|
1963
|
|
Delbert Mann (Director)
|
A Gathering of Eagles
|
1963
|
|
Kirk Douglas (Producer)
|
The List of Adrian Messenger
|
1963
|
|
John Huston (Director)
|
The List of Adrian Messenger
|
1963
|
|
Howard Hawks (Producer)
|
Man's Favorite Sport?
|
1963
|
|
Edith Head (Costume Designer)
|
Man's Favorite Sport?
|
1963
|
|
Howard Hawks (Director)
|
Man's Favorite Sport?
|
1963
|
|
Harry Keller (Director)
|
Tammy and the Doctor
|
1963
|
|
Ross Hunter (Producer)
|
Tammy and the Doctor
|
1963
|
|
Russell Metty (Cinematographer)
|
Tammy and the Doctor
|
1963
|
|
Ross Hunter (Producer)
|
The Thrill of It All!
|
1963
|
|
Norman Jewison (Director)
|
The Thrill of It All!
|
1963
|
|
Jean Louis (Costume Designer)
|
The Thrill of It All!
|
1963
|
|
Russell Metty (Cinematographer)
|
The Thrill of It All!
|
1963
|
|
J. Lee Thompson (Director)
|
Cape Fear
|
1962
|
|
George Tomasini (Editor)
|
Cape Fear
|
1962
|
|
Ross Hunter (Producer)
|
If a Man Answers
|
1962
|
|
Russell Metty (Cinematographer)
|
If a Man Answers
|
1962
|
|
Jean Louis (Costume Designer)
|
If a Man Answers
|
1962
|
|
Kirk Douglas (Producer)
|
Lonely Are the Brave
|
1962
|
|
Maury Gertsman (Cinematographer)
|
Six Black Horses
|
1962
|
|
Harry Keller (Director)
|
Six Black Horses
|
1962
|
|
Russell Metty (Cinematographer)
|
The Spiral Road
|
1962
|
|
Robert Arthur (Producer)
|
The Spiral Road
|
1962
|
|
Robert Mulligan (Director)
|
The Spiral Road
|
1962
|
|
Henry Bumstead (Art Director)
|
The Spiral Road
|
1962
|
|
Russell Schoengarth (Editor)
|
The Spiral Road
|
1962
|
|
Robert Arthur (Executive Producer)
|
That Touch of Mink
|
1962
|
|
Russell Metty (Cinematographer)
|
That Touch of Mink
|
1962
|
|
Delbert Mann (Director)
|
That Touch of Mink
|
1962
|
|
Stanley Shapiro (Producer)
|
That Touch of Mink
|
1962
|
|
Alan J. Pakula (Producer)
|
To Kill a Mockingbird
|
1962
|
|
Robert Mulligan (Director)
|
To Kill a Mockingbird
|
1962
|
|
Ross Hunter (Producer)
|
Back Street
|
1961
|
|
Stanley Cortez (Cinematographer)
|
Back Street
|
1961
|
|
Jean Louis (Costume Designer)
|
Back Street
|
1961
|
|
Ross Hunter (Producer)
|
Flower Drum Song
|
1961
|
|
Henry Koster (Director)
|
Flower Drum Song
|
1961
|
|
Irene Sharaff (Costume Designer)
|
Flower Drum Song
|
1961
|
|
Hermes Pan (Choreography)
|
Flower Drum Song
|
1961
|
|
Russell Metty (Cinematographer)
|
Flower Drum Song
|
1961
|
|
Henry Bumstead (Art Director)
|
The Great Impostor
|
1961
|
|
Robert Burks (Cinematographer)
|
The Great Impostor
|
1961
|
|
Robert Mulligan (Director)
|
The Great Impostor
|
1961
|
|
Robert Arthur (Producer)
|
The Great Impostor
|
1961
|
|
Robert Aldrich (Director)
|
The Last Sunset
|
1961
|
|
Delbert Mann (Director)
|
Lover Come Back
|
1961
|
|
Irene (Costume Designer)
|
Lover Come Back
|
1961
|
|
Robert Arthur (Executive Producer)
|
Lover Come Back
|
1961
|
|
Arthur E. Arling (Cinematographer)
|
Lover Come Back
|
1961
|
|
Stanley Shapiro (Producer)
|
Lover Come Back
|
1961
|
|
Delbert Mann (Director)
|
The Outsider
|
1961
|
|
Mickey Rooney (Director)
|
The Private Lives of Adam and Eve
|
1961
|
|
Albert Zugsmith (Director)
|
The Private Lives of Adam and Eve
|
1961
|
|
Harry Keller (Director)
|
Tammy, Tell Me True
|
1961
|
|
Ross Hunter (Producer)
|
Tammy, Tell Me True
|
1961
|
|
Joseph E. Gershenson (Producer)
|
The Leech Woman
|
1960
|
|
Irene (Costume Designer)
|
Midnight Lace
|
1960
|
|
Russell Metty (Cinematographer)
|
Midnight Lace
|
1960
|
|
Russell Schoengarth (Editor)
|
Midnight Lace
|
1960
|
|
Ross Hunter (Producer)
|
Midnight Lace
|
1960
|
|
Tony Martinelli (Editor)
|
Seven Ways from Sundown
|
1960
|
|
Harry Keller (Director)
|
Seven Ways from Sundown
|
1960
|
|
Russell Metty (Cinematographer)
|
Spartacus
|
1960
|
|
Stanley Kubrick (Director)
|
Spartacus
|
1960
|
|
Kirk Douglas (Executive Producer)
|
Spartacus
|
1960
|
|
Joseph E. Gershenson (Producer)
|
Curse of the Undead
|
1959
|
|
Douglas Sirk (Director)
|
Imitation of Life
|
1959
|
|
Ross Hunter (Producer)
|
Imitation of Life
|
1959
|
|
Russell Metty (Cinematographer)
|
Imitation of Life
|
1959
|
|
Jean Louis (Costume Designer)
|
Imitation of Life
|
1959
|
|
Hermes Pan (Choreography)
|
Never Steal Anything Small
|
1959
|
|
Charles Lederer (Director)
|
Never Steal Anything Small
|
1959
|
|
Russell Schoengarth (Editor)
|
Never Steal Anything Small
|
1959
|
|
Aaron Rosenberg (Producer)
|
Never Steal Anything Small
|
1959
|
|
Jack Arnold (Director)
|
No Name on the Bullet
|
1959
|
|
Jack Arnold (Producer)
|
No Name on the Bullet
|
1959
|
|
Howard Christie (Producer)
|
No Name on the Bullet
|
1959
|
|
Robert Arthur (Producer)
|
Operation Petticoat
|
1959
|
|
Blake Edwards (Director)
|
Operation Petticoat
|
1959
|
|
Michael Gordon (Director)
|
Pillow Talk
|
1959
|
|
Arthur E. Arling (Cinematographer)
|
Pillow Talk
|
1959
|
|
Ross Hunter (Producer)
|
Pillow Talk
|
1959
|
|
Jean Louis (Costume Designer)
|
Pillow Talk
|
1959
|
|
Ross Hunter (Producer)
|
A Stranger in My Arms
|
1959
|
|
William H. Daniels (Cinematographer)
|
A Stranger in My Arms
|
1959
|
|
Helmut Käutner (Director)
|
A Stranger in My Arms
|
1959
|
|
George W. Davis (Art Director)
|
This Earth Is Mine
|
1959
|
|
Henry King (Director)
|
This Earth Is Mine
|
1959
|
|
Russell Metty (Cinematographer)
|
This Earth Is Mine
|
1959
|
|
Casey Robinson (Producer)
|
This Earth Is Mine
|
1959
|
|
Jack Sher (Director)
|
The Wild and the Innocent
|
1959
|
|
Robert Arthur (Producer)
|
Appointment with a Shadow
|
1958
|
|
Russell Metty (Cinematographer)
|
Appointment with a Shadow
|
1958
|
|
Richard Carlson (Director)
|
Appointment with a Shadow
|
1958
|
|
Harry Keller (Director)
|
Day of the Bad Man
|
1958
|
|
Harry Keller (Director)
|
The Female Animal
|
1958
|
|
Russell Metty (Cinematographer)
|
The Female Animal
|
1958
|
|
Albert Zugsmith (Producer)
|
The Female Animal
|
1958
|
|
Robert Arthur (Producer)
|
Flood Tide
|
1958
|
|
Arthur E. Arling (Cinematographer)
|
Flood Tide
|
1958
|
|
Jack Sher (Director)
|
Kathy O'
|
1958
|
|
Arthur E. Arling (Cinematographer)
|
Kathy O'
|
1958
|
|
Jack Arnold (Director)
|
The Lady Takes a Flyer
|
1958
|
|
Howard Christie (Producer)
|
The Last of the Fast Guns
|
1958
|
|
Paul Henreid (Director)
|
Live Fast, Die Young
|
1958
|
|
Arthur E. Arling (Cinematographer)
|
Once Upon a Horse
|
1958
|
|
Hal Kanter (Director)
|
Once Upon a Horse
|
1958
|
|
Hal Kanter (Producer)
|
Once Upon a Horse
|
1958
|
|
Kenny Williams (Choreography)
|
Once Upon a Horse
|
1958
|
|
Robert Arthur (Producer)
|
The Perfect Furlough
|
1958
|
|
Blake Edwards (Director)
|
The Perfect Furlough
|
1958
|
|
Richard Wilson (Director)
|
Raw Wind in Eden
|
1958
|
|
Russell Schoengarth (Editor)
|
Raw Wind in Eden
|
1958
|
|
Helmut Käutner (Director)
|
The Restless Years
|
1958
|
|
Ross Hunter (Producer)
|
The Restless Years
|
1958
|
|
Tony Martinelli (Editor)
|
The Saga of Hemp Brown
|
1958
|
|
Richard Carlson (Director)
|
The Saga of Hemp Brown
|
1958
|
|
Russell Metty (Cinematographer)
|
Step Down to Terror
|
1958
|
|
Harry Keller (Director)
|
Step Down to Terror
|
1958
|
|
Joseph E. Gershenson (Producer)
|
Step Down to Terror
|
1958
|
|
Tony Martinelli (Editor)
|
Summer Love
|
1958
|
|
Russell Metty (Cinematographer)
|
The Thing That Couldn't Die
|
1958
|
|
Arthur E. Arling (Cinematographer)
|
This Happy Feeling
|
1958
|
|
Blake Edwards (Director)
|
This Happy Feeling
|
1958
|
|
Ross Hunter (Producer)
|
This Happy Feeling
|
1958
|
|
Douglas Sirk (Director)
|
A Time to Love and a Time to Die
|
1958
|
|
Robert Arthur (Producer)
|
A Time to Love and a Time to Die
|
1958
|
|
Russell Metty (Cinematographer)
|
A Time to Love and a Time to Die
|
1958
|
|
Orson Welles (Director)
|
Touch of Evil
|
1958
|
|
Albert Zugsmith (Producer)
|
Touch of Evil
|
1958
|
|
Russell Metty (Cinematographer)
|
Touch of Evil
|
1958
|
|
Tony Martinelli (Editor)
|
Twilight for the Gods
|
1958
|
|
Harry Keller (Director)
|
The Voice in the Mirror
|
1958
|
|
William H. Daniels (Cinematographer)
|
The Voice in the Mirror
|
1958
|
|
Albert Zugsmith (Producer)
|
The Girl in the Kremlin
|
1957
|
|
George Robinson (Cinematographer)
|
Gun for a Coward
|
1957
|
|
Albert Zugsmith (Producer)
|
The Incredible Shrinking Man
|
1957
|
|
Jack Arnold (Director)
|
The Incredible Shrinking Man
|
1957
|
|
William H. Daniels (Cinematographer)
|
Interlude
|
1957
|
|
Russell Schoengarth (Editor)
|
Interlude
|
1957
|
|
Ross Hunter (Producer)
|
Interlude
|
1957
|
|
Douglas Sirk (Director)
|
Interlude
|
1957
|
|
William H. Daniels (Cinematographer)
|
Istanbul
|
1957
|
|
Aaron Rosenberg (Producer)
|
Joe Butterfly
|
1957
|
|
Howard Christie (Producer)
|
Joe Dakota
|
1957
|
|
George Robinson (Cinematographer)
|
Joe Dakota
|
1957
|
|
Maury Gertsman (Cinematographer)
|
Kelly and Me
|
1957
|
|
Kenny Williams (Choreography)
|
Kelly and Me
|
1957
|
|
Robert Z. Leonard (Director)
|
Kelly and Me
|
1957
|
|
Robert Arthur (Producer)
|
Kelly and Me
|
1957
|
|
Howard Christie (Producer)
|
The Kettles on Old MacDonald's Farm
|
1957
|
|
Arthur E. Arling (Cinematographer)
|
The Kettles on Old MacDonald's Farm
|
1957
|
|
Harry Keller (Director)
|
Man Afraid
|
1957
|
|
Russell Metty (Cinematographer)
|
Man Afraid
|
1957
|
|
Arthur E. Arling (Cinematographer)
|
Man in the Shadow
|
1957
|
|
Jack Arnold (Director)
|
Man in the Shadow
|
1957
|
|
Albert Zugsmith (Producer)
|
Man in the Shadow
|
1957
|
|
Russell Metty (Cinematographer)
|
Man of a Thousand Faces
|
1957
|
|
Robert Arthur (Producer)
|
Man of a Thousand Faces
|
1957
|
|
Russell Metty (Cinematographer)
|
The Midnight Story
|
1957
|
|
Robert Arthur (Producer)
|
The Midnight Story
|
1957
|
|
Blake Edwards (Director)
|
Mister Cory
|
1957
|
|
Russell Metty (Cinematographer)
|
Mister Cory
|
1957
|
|
Robert Arthur (Producer)
|
Mister Cory
|
1957
|
|
Howard Christie (Producer)
|
The Monolith Monsters
|
1957
|
|
William H. Daniels (Cinematographer)
|
My Man Godfrey
|
1957
|
|
Henry Koster (Director)
|
My Man Godfrey
|
1957
|
|
Ross Hunter (Producer)
|
My Man Godfrey
|
1957
|
|
William H. Daniels (Cinematographer)
|
Night Passage
|
1957
|
|
Aaron Rosenberg (Producer)
|
Night Passage
|
1957
|
|
George Robinson (Cinematographer)
|
The Night Runner
|
1957
|
|
Harry Keller (Director)
|
Quantez
|
1957
|
|
Albert Zugsmith (Producer)
|
Slaughter on Tenth Avenue
|
1957
|
|
Russell Schoengarth (Editor)
|
Slaughter on Tenth Avenue
|
1957
|
|
Douglas Sirk (Director)
|
The Tarnished Angels
|
1957
|
|
Russell Schoengarth (Editor)
|
The Tarnished Angels
|
1957
|
|
Albert Zugsmith (Producer)
|
The Tarnished Angels
|
1957
|
|
Albert Zugsmith (Producer)
|
The Tattered Dress
|
1957
|
|
Jack Arnold (Director)
|
The Tattered Dress
|
1957
|
|
William H. Daniels (Cinematographer)
|
Away All Boats
|
1956
|
|
Howard Christie (Producer)
|
Away All Boats
|
1956
|
|
Russell Metty (Cinematographer)
|
Battle Hymn
|
1956
|
|
Douglas Sirk (Director)
|
Battle Hymn
|
1956
|
|
Russell Schoengarth (Editor)
|
Battle Hymn
|
1956
|
|
Ross Hunter (Producer)
|
Battle Hymn
|
1956
|
|
Maury Gertsman (Cinematographer)
|
Behind the High Wall
|
1956
|
|
Russell Metty (Cinematographer)
|
Congo Crossing
|
1956
|
|
Howard Christie (Producer)
|
Congo Crossing
|
1956
|
|
Maury Gertsman (Cinematographer)
|
The Creature Walks Among Us
|
1956
|
|
Robert Arthur (Producer)
|
A Day of Fury
|
1956
|
|
Howard Christie (Producer)
|
Everything But the Truth
|
1956
|
|
Maury Gertsman (Cinematographer)
|
Everything But the Truth
|
1956
|
|
Aaron Rosenberg (Producer)
|
Four Girls in Town
|
1956
|
|
Jack Sher (Director)
|
Four Girls in Town
|
1956
|
|
Charles Lamont (Director)
|
Francis in the Haunted House
|
1956
|
|
Robert Arthur (Producer)
|
Francis in the Haunted House
|
1956
|
|
George Robinson (Cinematographer)
|
Francis in the Haunted House
|
1956
|
|
José Ferrer (Director)
|
The Great Man
|
1956
|
|
Aaron Rosenberg (Producer)
|
The Great Man
|
1956
|
|
Maury Gertsman (Cinematographer)
|
I've Lived Before
|
1956
|
|
Howard Christie (Producer)
|
I've Lived Before
|
1956
|
|
George Robinson (Cinematographer)
|
The Kettles in the Ozarks
|
1956
|
|
Charles Lamont (Director)
|
The Kettles in the Ozarks
|
1956
|
|
Richard Wilson (Producer)
|
The Kettles in the Ozarks
|
1956
|
|
Maury Gertsman (Cinematographer)
|
Never Say Goodbye
|
1956
|
|
Douglas Sirk (Director)
|
Never Say Goodbye
|
1956
|
|
Paul Weatherwax (Editor)
|
Never Say Goodbye
|
1956
|
|
Robert Arthur (Producer)
|
Pillars of the Sky
|
1956
|
|
George Marshall (Director)
|
Pillars of the Sky
|
1956
|
|
Howard Christie (Producer)
|
The Price of Fear
|
1956
|
|
Albert Zugsmith (Producer)
|
Raw Edge
|
1956
|
|
Maury Gertsman (Cinematographer)
|
Raw Edge
|
1956
|
|
Russell Schoengarth (Editor)
|
Raw Edge
|
1956
|
|
Rudolph Maté (Director)
|
The Rawhide Years
|
1956
|
|
Russell Schoengarth (Editor)
|
The Rawhide Years
|
1956
|
|
Albert Zugsmith (Producer)
|
Red Sundown
|
1956
|
|
Jack Arnold (Director)
|
Red Sundown
|
1956
|
|
George Robinson (Cinematographer)
|
Rock, Pretty Baby
|
1956
|
|
Howard Christie (Producer)
|
Showdown at Abilene
|
1956
|
|
Albert Zugsmith (Producer)
|
Star in the Dust
|
1956
|
|
Ross Hunter (Producer)
|
There's Always Tomorrow
|
1956
|
|
Douglas Sirk (Director)
|
There's Always Tomorrow
|
1956
|
|
Russell Metty (Cinematographer)
|
There's Always Tomorrow
|
1956
|
|
Howard Christie (Producer)
|
Toy Tiger
|
1956
|
|
George Robinson (Cinematographer)
|
Toy Tiger
|
1956
|
|
Harry Keller (Director)
|
The Unguarded Moment
|
1956
|
|
William H. Daniels (Cinematographer)
|
The Unguarded Moment
|
1956
|
|
Aaron Rosenberg (Producer)
|
Walk the Proud Land
|
1956
|
|
Maury Gertsman (Cinematographer)
|
The World in My Corner
|
1956
|
|
Aaron Rosenberg (Producer)
|
The World in My Corner
|
1956
|
|
Albert Zugsmith (Producer)
|
Written on the Wind
|
1956
|
|
Russell Schoengarth (Editor)
|
Written on the Wind
|
1956
|
|
Douglas Sirk (Director)
|
Written on the Wind
|
1956
|
|
Russell Metty (Cinematographer)
|
Written on the Wind
|
1956
|
|
Russell Metty (Cinematographer)
|
All That Heaven Allows
|
1955
|
|
Douglas Sirk (Director)
|
All That Heaven Allows
|
1955
|
|
Ross Hunter (Producer)
|
All That Heaven Allows
|
1955
|
|
Ross Hunter (Producer)
|
Captain Lightfoot
|
1955
|
|
Douglas Sirk (Director)
|
Captain Lightfoot
|
1955
|
|
Anthony Mann (Director)
|
The Far Country
|
1955
|
|
Aaron Rosenberg (Producer)
|
The Far Country
|
1955
|
|
Russell Schoengarth (Editor)
|
The Far Country
|
1955
|
|
Bernard Herzbrun (Art Director)
|
The Far Country
|
1955
|
|
William H. Daniels (Cinematographer)
|
The Far Country
|
1955
|
|
Albert Zugsmith (Producer)
|
Female on the Beach
|
1955
|
|
Russell Schoengarth (Editor)
|
Female on the Beach
|
1955
|
|
William H. Daniels (Cinematographer)
|
Foxfire
|
1955
|
|
Aaron Rosenberg (Producer)
|
Foxfire
|
1955
|
|
Arthur Lubin (Director)
|
Francis in the Navy
|
1955
|
|
Samuel Marx (Producer)
|
Kiss of Fire
|
1955
|
|
Arthur Lubin (Director)
|
Lady Godiva
|
1955
|
|
Paul Weatherwax (Editor)
|
Lady Godiva
|
1955
|
|
Robert Arthur (Producer)
|
Lady Godiva
|
1955
|
|
Russell Schoengarth (Editor)
|
The Looters
|
1955
|
|
Howard Christie (Producer)
|
The Looters
|
1955
|
|
Jack Arnold (Director)
|
The Man from Bitter Ridge
|
1955
|
|
Russell Metty (Cinematographer)
|
The Man from Bitter Ridge
|
1955
|
|
Aaron Rosenberg (Producer)
|
Man Without a Star
|
1955
|
|
Russell Metty (Cinematographer)
|
Man Without a Star
|
1955
|
|
King Vidor (Director)
|
Man Without a Star
|
1955
|
|
Ross Hunter (Producer)
|
One Desire
|
1955
|
|
Maury Gertsman (Cinematographer)
|
One Desire
|
1955
|
|
Howard Christie (Producer)
|
The Purple Mask
|
1955
|
|
H. Bruce Humberstone (Director)
|
The Purple Mask
|
1955
|
|
Paul Weatherwax (Editor)
|
Revenge of the Creature
|
1955
|
|
Jack Arnold (Director)
|
Revenge of the Creature
|
1955
|
|
George Marshall (Director)
|
The Second Greatest Sex
|
1955
|
|
José Ferrer (Director)
|
The Shrike
|
1955
|
|
William H. Daniels (Cinematographer)
|
The Shrike
|
1955
|
|
Aaron Rosenberg (Producer)
|
The Shrike
|
1955
|
|
Aaron Rosenberg (Producer)
|
Six Bridges to Cross
|
1955
|
|
William H. Daniels (Cinematographer)
|
Six Bridges to Cross
|
1955
|
|
Russell Schoengarth (Editor)
|
Six Bridges to Cross
|
1955
|
|
Howard Christie (Producer)
|
Smoke Signal
|
1955
|
|
Paul Weatherwax (Editor)
|
The Spoilers
|
1955
|
|
Ross Hunter (Producer)
|
The Spoilers
|
1955
|
|
Maury Gertsman (Cinematographer)
|
The Spoilers
|
1955
|
|
Paul Weatherwax (Editor)
|
The Square Jungle
|
1955
|
|
George Robinson (Cinematographer)
|
The Square Jungle
|
1955
|
|
Albert Zugsmith (Producer)
|
The Square Jungle
|
1955
|
|
Jack Arnold (Director)
|
Tarantula
|
1955
|
|
George Robinson (Cinematographer)
|
Tarantula
|
1955
|
|
Jack Arnold (Director)
|
This Island Earth
|
1955
|
|
Aaron Rosenberg (Producer)
|
To Hell and Back
|
1955
|
|
Maury Gertsman (Cinematographer)
|
To Hell and Back
|
1955
|
|
Maury Gertsman (Cinematographer)
|
Bengal Brigade
|
1954
|
|
Rudolph Maté (Director)
|
The Black Shield of Falworth
|
1954
|
|
Robert Arthur (Producer)
|
The Black Shield of Falworth
|
1954
|
|
George Marshall (Director)
|
Destry
|
1954
|
|
George Robinson (Cinematographer)
|
Destry
|
1954
|
|
Russell Metty (Cinematographer)
|
Four Guns to the Border
|
1954
|
|
Richard Carlson (Director)
|
Four Guns to the Border
|
1954
|
|
Russell Schoengarth (Editor)
|
Francis Joins the Wacs
|
1954
|
|
Arthur Lubin (Director)
|
Francis Joins the Wacs
|
1954
|
|
Russell Metty (Cinematographer)
|
Naked Alibi
|
1954
|
|
Kenny Williams (Choreography)
|
Naked Alibi
|
1954
|
|
Ross Hunter (Producer)
|
Naked Alibi
|
1954
|
|
Charles Lamont (Director)
|
Ricochet Romance
|
1954
|
|
George Robinson (Cinematographer)
|
Ricochet Romance
|
1954
|
|
Richard Wilson (Producer)
|
Ricochet Romance
|
1954
|
|
Russell Schoengarth (Editor)
|
Ricochet Romance
|
1954
|
|
Robert Arthur (Producer)
|
Ricochet Romance
|
1954
|
|
Douglas Sirk (Director)
|
Sign of the Pagan
|
1954
|
|
Russell Metty (Cinematographer)
|
Sign of the Pagan
|
1954
|
|
Kenny Williams (Choreography)
|
Sign of the Pagan
|
1954
|
|
Gene Nelson (Choreography)
|
So This Is Paris
|
1954
|
|
Richard Quine (Director)
|
So This Is Paris
|
1954
|
|
Maury Gertsman (Cinematographer)
|
So This Is Paris
|
1954
|
|
Howard Christie (Producer)
|
Abbott and Costello Go to Mars
|
1953
|
|
David S. Horsley (Cinematographer)
|
Abbott and Costello Go to Mars
|
1953
|
|
Russell Schoengarth (Editor)
|
Abbott and Costello Go to Mars
|
1953
|
|
Charles Lamont (Director)
|
Abbott and Costello Go to Mars
|
1953
|
|
Ross Hunter (Producer)
|
All I Desire
|
1953
|
|
Douglas Sirk (Director)
|
All I Desire
|
1953
|
|
Kenny Williams (Choreography)
|
All I Desire
|
1953
|
|
Bernard Herzbrun (Art Director)
|
All I Desire
|
1953
|
|
Frederick de Cordova (Director)
|
Column South
|
1953
|
|
John F. Seitz (Cinematographer)
|
Desert Legion
|
1953
|
|
Paul Weatherwax (Editor)
|
Girls in the Night
|
1953
|
|
Jack Arnold (Director)
|
Girls in the Night
|
1953
|
|
Maury Gertsman (Cinematographer)
|
The Great Sioux Uprising
|
1953
|
|
Lloyd Bacon (Director)
|
The Great Sioux Uprising
|
1953
|
|
Richard Whorf (Director)
|
Gunsmoke
|
1953
|
|
Aaron Rosenberg (Producer)
|
Gunsmoke
|
1953
|
|
Maury Gertsman (Cinematographer)
|
The Lone Hand
|
1953
|
|
Paul Weatherwax (Editor)
|
The Lone Hand
|
1953
|
|
Howard Christie (Producer)
|
The Lone Hand
|
1953
|
|
Russell Metty (Cinematographer)
|
The Man from the Alamo
|
1953
|
|
Budd Boetticher (Director)
|
The Man from the Alamo
|
1953
|
|
Aaron Rosenberg (Producer)
|
The Man from the Alamo
|
1953
|
|
Gwen Verdon (Choreography)
|
The Mississippi Gambler
|
1953
|
|
Rudolph Maté (Director)
|
The Mississippi Gambler
|
1953
|
|
Budd Boetticher (Director)
|
Seminole
|
1953
|
|
Russell Metty (Cinematographer)
|
Seminole
|
1953
|
|
Howard Christie (Producer)
|
Seminole
|
1953
|
|
Ross Hunter (Producer)
|
Take Me to Town
|
1953
|
|
Douglas Sirk (Director)
|
Take Me to Town
|
1953
|
|
Russell Metty (Cinematographer)
|
Take Me to Town
|
1953
|
|
Bernard Herzbrun (Art Director)
|
Take Me to Town
|
1953
|
|
Russell Schoengarth (Editor)
|
Thunder Bay
|
1953
|
|
Anthony Mann (Director)
|
Thunder Bay
|
1953
|
|
Aaron Rosenberg (Producer)
|
Thunder Bay
|
1953
|
|
William H. Daniels (Cinematographer)
|
Thunder Bay
|
1953
|
|
Russell Metty (Cinematographer)
|
The Veils of Bagdad
|
1953
|
|
Paul Weatherwax (Editor)
|
The Veils of Bagdad
|
1953
|
|
Edward Stevenson (Costume Designer)
|
War Arrow
|
1953
|
|
William H. Daniels (Cinematographer)
|
War Arrow
|
1953
|
|
Bernard Herzbrun (Art Director)
|
War Arrow
|
1953
|
|
Bernard Herzbrun (Art Director)
|
Against All Flags
|
1952
|
|
Russell Metty (Cinematographer)
|
Against All Flags
|
1952
|
|
Edward Stevenson (Costume Designer)
|
Against All Flags
|
1952
|
|
Howard Christie (Producer)
|
Against All Flags
|
1952
|
|
Don Siegel (Director)
|
The Duel at Silver Creek
|
1952
|
|
Russell Schoengarth (Editor)
|
The Duel at Silver Creek
|
1952
|
|
Bernard Herzbrun (Art Director)
|
The Duel at Silver Creek
|
1952
|
|
Bernard Herzbrun (Art Director)
|
It Grows on Trees
|
1952
|
|
Maury Gertsman (Cinematographer)
|
It Grows on Trees
|
1952
|
|
Arthur Lubin (Director)
|
It Grows on Trees
|
1952
|
|
Ted Tetzlaff (Director)
|
The Treasure of Lost Canyon
|
1952
|
|
Bernard Herzbrun (Art Director)
|
The Treasure of Lost Canyon
|
1952
|
|
Russell Metty (Cinematographer)
|
The Treasure of Lost Canyon
|
1952
|
|
Aaron Rosenberg (Producer)
|
The World in His Arms
|
1952
|
|
Bernard Herzbrun (Art Director)
|
The World in His Arms
|
1952
|
|
Russell Metty (Cinematographer)
|
The World in His Arms
|
1952
|
|
Raoul Walsh (Director)
|
The World in His Arms
|
1952
|
|
Howard Christie (Producer)
|
The Golden Horde
|
1951
|
|
Robert Arthur (Producer)
|
The Golden Horde
|
1951
|
|
Bernard Herzbrun (Art Director)
|
The Golden Horde
|
1951
|
|
Russell Metty (Cinematographer)
|
The Golden Horde
|
1951
|
|
Maury Gertsman (Cinematographer)
|
Smuggler's Island
|
1951
|
|
Bernard Herzbrun (Art Director)
|
Up Front
|
1951
|
|
Russell Metty (Cinematographer)
|
Up Front
|
1951
|
|
Bernard Herzbrun (Art Director)
|
You Never Can Tell
|
1951
|
|
Maury Gertsman (Cinematographer)
|
You Never Can Tell
|
1951
|
|
Russell Schoengarth (Editor)
|
Double Crossbones
|
1950
|
|
Charles Barton (Director)
|
Double Crossbones
|
1950
|
|
Bernard Herzbrun (Art Director)
|
Double Crossbones
|
1950
|
|
Maury Gertsman (Cinematographer)
|
Double Crossbones
|
1950
|
|
Bernard Herzbrun (Art Director)
|
Spy Hunt
|
1950
|
|
Russell Metty (Cinematographer)
|
The Lady Gambles
|
1949
|
|
Michael Gordon (Director)
|
The Lady Gambles
|
1949
|
|
Orry-Kelly (Costume Designer)
|
The Lady Gambles
|
1949
|
|
Robert Buckner (Producer)
|
Sword in the Desert
|
1949
|
|
Bernard Herzbrun (Art Director)
|
Sword in the Desert
|
1949
|
|
John Houseman (Producer)
|
Letter from an Unknown Woman
|
1948
|
|
Travis Banton (Costume Designer)
|
Letter from an Unknown Woman
|
1948
|
|
Max Ophüls (Director)
|
Letter from an Unknown Woman
|
1948
|
|
Nick Castle (Choreography)
|
The Saxon Charm
|
1948
|
|
Paul Weatherwax (Editor)
|
The Saxon Charm
|
1948
|
|
Frank Richards (Art Director)
|
Tap Roots
|
1948
|
|
George Marshall (Director)
|
Tap Roots
|
1948
|
|
Walter Wanger (Producer)
|
Tap Roots
|
1948
|
|
Lionel Lindon (Cinematographer)
|
Tap Roots
|
1948
|
|
Karl Tunberg (Producer)
|
You Gotta Stay Happy
|
1948
|
|
Jean Louis (Costume Designer)
|
You Gotta Stay Happy
|
1948
|
|
Russell Metty (Cinematographer)
|
You Gotta Stay Happy
|
1948
|
|
Paul Weatherwax (Editor)
|
You Gotta Stay Happy
|
1948
|
|
Walter Wanger (Producer)
|
The Lost Moment
|
1947
|
|
Hal Mohr (Cinematographer)
|
The Lost Moment
|
1947
|
|
Travis Banton (Costume Designer)
|
Smash-Up: The Story of a Woman
|
1947
|
|
Stuart Heisler (Director)
|
Smash-Up: The Story of a Woman
|
1947
|
|
Stanley Cortez (Cinematographer)
|
Smash-Up: The Story of a Woman
|
1947
|
|
Walter Wanger (Producer)
|
Smash-Up: The Story of a Woman
|
1947
|
|
Jacques Tourneur (Director)
|
Canyon Passage
|
1946
|
|
Travis Banton (Costume Designer)
|
Canyon Passage
|
1946
|
|
Walter Wanger (Producer)
|
Canyon Passage
|
1946
|
|
Frank Borzage (Director)
|
Magnificent Doll
|
1946
|
|
Travis Banton (Costume Designer)
|
Magnificent Doll
|
1946
|
|
Hal Mohr (Cinematographer)
|
A Night in Paradise
|
1946
|
|
Arthur Lubin (Director)
|
A Night in Paradise
|
1946
|
|
Walter Wanger (Producer)
|
A Night in Paradise
|
1946
|
|
Hal Mohr (Cinematographer)
|
Salome, Where She Danced
|
1945
|
|
Charles Lamont (Director)
|
Salome, Where She Danced
|
1945
|
|
Russell Schoengarth (Editor)
|
Salome, Where She Danced
|
1945
|
|
Walter Wanger (Producer)
|
Scarlet Street
|
1945
|
|
Fritz Lang (Producer)
|
Scarlet Street
|
1945
|
|
Fritz Lang (Director)
|
Scarlet Street
|
1945
|
|
Travis Banton (Costume Designer)
|
Scarlet Street
|
1945
|
|
George Waggner (Producer)
|
Cobra Woman
|
1944
|
|
George Robinson (Cinematographer)
|
Cobra Woman
|
1944
|
|
Robert Siodmak (Director)
|
Cobra Woman
|
1944
|
|
Paul Ivano (Cinematographer)
|
Hi, Beautiful
|
1944
|
|
Hal Mohr (Cinematographer)
|
San Diego, I Love You
|
1944
|
|
Walter Wanger (Producer)
|
Gung Ho!
|
1943
|
|
Ray Enright (Director)
|
Gung Ho!
|
1943
|
|
George Waggner (Producer)
|
The Phantom of the Opera
|
1943
|
|
Hal Mohr (Cinematographer)
|
The Phantom of the Opera
|
1943
|
|
Arthur Lubin (Director)
|
The Phantom of the Opera
|
1943
|
|
Russell Schoengarth (Editor)
|
The Phantom of the Opera
|
1943
|
|
Walter Wanger (Producer)
|
We've Never Been Licked
|
1943
|
|
John Rawlins (Director)
|
We've Never Been Licked
|
1943
|
|
John Rawlins (Director)
|
The Arabian Nights
|
1942
|
|
Walter Wanger (Producer)
|
The Arabian Nights
|
1942
|
|
Stanley Cortez (Cinematographer)
|
Eagle Squadron
|
1942
|
|
Walter Wanger (Producer)
|
Eagle Squadron
|
1942
|
|
Arthur Lubin (Director)
|
Eagle Squadron
|
1942
|
|
Walter Wanger (Producer)
|
Sundown
|
1941
|
|
Henry Hathaway (Director)
|
Sundown
|
1941
|
|
Dorothy Spencer (Editor)
|
Sundown
|
1941
|
|
Ernst Lubitsch (Producer)
|
That Uncertain Feeling
|
1941
|
|
Irene (Costume Designer)
|
That Uncertain Feeling
|
1941
|
|
Ernst Lubitsch (Director)
|
That Uncertain Feeling
|
1941
|
|
George Barnes (Cinematographer)
|
That Uncertain Feeling
|
1941
|
|
Walter Wanger (Producer)
|
Foreign Correspondent
|
1940
|
|
Rudolph Maté (Cinematographer)
|
Foreign Correspondent
|
1940
|
|
Alfred Hitchcock (Director)
|
Foreign Correspondent
|
1940
|
|
Dorothy Spencer (Editor)
|
Foreign Correspondent
|
1940
|
|
Dorothy Spencer (Editor)
|
The House Across the Bay
|
1940
|
|
Walter Wanger (Producer)
|
The House Across the Bay
|
1940
|
|
Archie Mayo (Director)
|
The House Across the Bay
|
1940
|
|
Irene (Costume Designer)
|
The House Across the Bay
|
1940
|
|
Tay Garnett (Director)
|
Slightly Honorable
|
1940
|
|
Dorothy Spencer (Editor)
|
Slightly Honorable
|
1940
|
|
Tay Garnett (Producer)
|
Slightly Honorable
|
1940
|
|
Walter Wanger (Producer)
|
Eternally Yours
|
1939
|
|
Tay Garnett (Producer)
|
Eternally Yours
|
1939
|
|
Dorothy Spencer (Editor)
|
Eternally Yours
|
1939
|
|
Travis Banton (Costume Designer)
|
Eternally Yours
|
1939
|
|
Irene Sharaff (Costume Designer)
|
Eternally Yours
|
1939
|
|
Tay Garnett (Director)
|
Eternally Yours
|
1939
|
|
Rudolph Maté (Cinematographer)
|
Trade Winds
|
1938
|
|
Tay Garnett (Director)
|
Trade Winds
|
1938
|
|
Irene (Costume Designer)
|
Trade Winds
|
1938
|
|
Tay Garnett (Producer)
|
Trade Winds
|
1938
|
|
Dorothy Spencer (Editor)
|
Trade Winds
|
1938
|
|
Samuel Goldwyn (Producer)
|
The Hurricane
|
1937
|
|
John Ford (Director)
|
The Hurricane
|
1937
|
|
Stuart Heisler (Director)
|
The Hurricane
|
1937
|
|
Julia Heron (Art Director)
|
The Hurricane
|
1937
|
|
Archie J. Stout (Cinematographer)
|
The Hurricane
|
1937
|
|
Charles Rosher Sr. (Cinematographer)
|
The Perfect Specimen
|
1937
|
|
Robert M. Haas (Art Director)
|
The Perfect Specimen
|
1937
|
|
Joshua Shelley (Director)
|
The Perfect Specimen
|
1937
|
|
Michael Curtiz (Director)
|
The Perfect Specimen
|
1937
|
|
Harry Joe Brown (Producer)
|
The Perfect Specimen
|
1937
|