Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Walken was largely typecast in quirky roles as a result of playing the title character's brother in "Annie Hall," so it's something of a delightful irony that 35 years later, Walken finds his most rewarding role leading a terrific ensemble in what amounts to one of the best Woody Allen movies that Allen wasn't involved in making. Read full review
A Late Quartet does one of the most interesting things any film can do. It shows how skilled professionals work. Read full review
Grace notes abound in A Late Quartet, a small, shining gem of a movie that works its way into your heart with insinuating potency of music. Read full review
For those willing to enter this world and pay attention, A Late Quartet provides distinct and uncommon satisfactions. Read full review
The title refers not only to particular music by Beethoven but also to the fictional string quartet of Yaron Zilberman's fussily genteel, overplotted Manhattan tale in which interpersonal stresses build to a crescendo when one of the foursome becomes ill. Read full review
The screenplay by Seth Grossman and Israeli-American director Yaron Zilberman is old-fashioned and melodramatic but stirring in its portrait of people struggling with individual egos to produce something nobler than themselves. Read full review
It's rare these days to see an old-fashioned, elegant chamber-piece movie about life and art - let alone one with Christopher Walken as, of all things, a steadying influence. Read full review
Playing the cello is such a pleasant change of pace that he (Walken) eventually grows on you, scene by scene, proving for the first time since his role as Leonardo DiCaprio's troubled father 10 years ago in "Catch Me If You Can," that he really can act. He - along with the rest of the elegant cast - keeps A Late Quartet in tune when it threatens to go flat. Read full review
The performances are worth a look, especially since Christopher Walken so rarely gets to play a sane person. Read full review
The film mines both the relationship issues and the Upper East Side neighborhoods of Woody Allen's best work, but could use an added dose of the Woodster's jokes to spruce up a self-serious scenario that hits the right notes about half the time. Read full review
3.0
Dave White Profile
Brawling over Beethoven Read full review