|
Giuseppe Rotunno (Cinematographer)
|
Sabrina
|
1995
|
|
Ann Roth (Costume Designer)
|
Sabrina
|
1995
|
|
Sydney Pollack (Director)
|
Sabrina
|
1995
|
|
Scott Rudin (Producer)
|
Sabrina
|
1995
|
|
Sydney Pollack (Producer)
|
Sabrina
|
1995
|
|
Robert Swink (Editor)
|
Welcome Home
|
1989
|
|
Franklin J. Schaffner (Director)
|
Welcome Home
|
1989
|
|
Barry Sonnenfeld (Cinematographer)
|
Big
|
1988
|
|
Penny Marshall (Director)
|
Big
|
1988
|
|
Juliet Taylor (Producer)
|
Big
|
1988
|
|
Andrei Konchalovsky (Director)
|
Shy People
|
1987
|
|
Chris Menges (Cinematographer)
|
Shy People
|
1987
|
|
Harry Stradling, Jr. (Cinematographer)
|
Micki + Maude
|
1984
|
|
Blake Edwards (Director)
|
Micki + Maude
|
1984
|
|
Irvin Kershner (Director)
|
Never Say Never Again
|
1983
|
|
David Watkin (Cinematographer)
|
Yentl
|
1983
|
|
Barbra Streisand (Director)
|
Yentl
|
1983
|
|
Barbra Streisand (Producer)
|
Yentl
|
1983
|
|
Sydney Pollack (Producer)
|
Tootsie
|
1982
|
|
Sydney Pollack (Director)
|
Tootsie
|
1982
|
|
Owen Roizman (Cinematographer)
|
Tootsie
|
1982
|
|
Franklin J. Schaffner (Director)
|
Yes, Giorgio
|
1982
|
|
Martin Ritt (Director)
|
Back Roads
|
1981
|
|
John A. Alonzo (Cinematographer)
|
Back Roads
|
1981
|
|
Norman Jewison (Producer)
|
...And Justice for All
|
1979
|
|
Norman Jewison (Director)
|
...And Justice for All
|
1979
|
|
Victor J. Kemper (Cinematographer)
|
...And Justice for All
|
1979
|
|
Charles C. Bennett (Art Director)
|
Hollow Image
|
1979
|
|
Marvin J. Chomsky (Director)
|
Hollow Image
|
1979
|
|
Jackie Cooper (Director)
|
Having Babies 3
|
1978
|
|
Robert Surtees (Cinematographer)
|
Same Time, Next Year
|
1978
|
|
Robert Mulligan (Director)
|
Same Time, Next Year
|
1978
|
|
Walter Mirisch (Producer)
|
Same Time, Next Year
|
1978
|
|
Robert Mulligan (Producer)
|
Same Time, Next Year
|
1978
|
|
Lucien Ballard (Cinematographer)
|
From Noon Till Three
|
1976
|
|
Mike J. Frankovich (Producer)
|
From Noon Till Three
|
1976
|
|
Frank D. Gilroy (Director)
|
From Noon Till Three
|
1976
|
|
Laszlo Kovacs (Cinematographer)
|
Harry and Walter Go to New York
|
1976
|
|
Don Devlin (Producer)
|
Harry and Walter Go to New York
|
1976
|
|
Tony Bill (Producer)
|
Harry and Walter Go to New York
|
1976
|
|
Mark Rydell (Director)
|
Harry and Walter Go to New York
|
1976
|
|
Frank Pierson (Director)
|
A Star Is Born
|
1976
|
|
Barbra Streisand (Executive Producer)
|
A Star Is Born
|
1976
|
|
Jon Peters (Producer)
|
A Star Is Born
|
1976
|
|
Robert Surtees (Cinematographer)
|
A Star Is Born
|
1976
|
|
Marge Champion (Choreography)
|
Queen of the Stardust Ballroom
|
1975
|
|
Harold Kress (Editor)
|
99 and 44/100 Percent Dead
|
1974
|
|
John Frankenheimer (Director)
|
99 and 44/100 Percent Dead
|
1974
|
|
Herman A. Blumenthal (Art Director)
|
99 and 44/100 Percent Dead
|
1974
|
|
Jean Louis (Costume Designer)
|
40 Carats
|
1973
|
|
Mike J. Frankovich (Producer)
|
40 Carats
|
1973
|
|
Clint Eastwood (Director)
|
Breezy
|
1973
|
|
Harry Stradling, Jr. (Cinematographer)
|
The Way We Were
|
1973
|
|
Sydney Pollack (Director)
|
The Way We Were
|
1973
|
|
Raymond Stark (Producer)
|
The Way We Were
|
1973
|
|
Margaret Booth (Editor)
|
The Way We Were
|
1973
|
|
Edith Head (Costume Designer)
|
The Life and Times of Judge Roy Bean
|
1972
|
|
John Huston (Director)
|
The Life and Times of Judge Roy Bean
|
1972
|
|
Gary Nelson (Director)
|
Molly and Lawless John
|
1972
|
|
Edith Head (Costume Designer)
|
Sometimes a Great Notion
|
1971
|
|
Paul Newman (Director)
|
Sometimes a Great Notion
|
1971
|
|
George Schaefer (Director)
|
Doctors' Wives
|
1970
|
|
Mike J. Frankovich (Producer)
|
Doctors' Wives
|
1970
|
|
Herman A. Blumenthal (Art Director)
|
Pieces of Dreams
|
1970
|
|
Charles Marquis Warren (Director)
|
Charro!
|
1969
|
|
Charles Marquis Warren (Producer)
|
Charro!
|
1969
|
|
Norman Jewison (Producer)
|
Gaily, Gaily
|
1969
|
|
Norman Jewison (Director)
|
Gaily, Gaily
|
1969
|
|
Richard Brooks (Producer)
|
The Happy Ending
|
1969
|
|
Conrad L. Hall (Cinematographer)
|
The Happy Ending
|
1969
|
|
Richard Brooks (Director)
|
The Happy Ending
|
1969
|
|
Bernard Kowalski (Director)
|
Stiletto
|
1969
|
|
Haskell Wexler (Cinematographer)
|
The Thomas Crown Affair
|
1968
|
|
Norman Jewison (Director)
|
The Thomas Crown Affair
|
1968
|
|
Hal Ashby (Editor)
|
The Thomas Crown Affair
|
1968
|
|
Norman Jewison (Producer)
|
The Thomas Crown Affair
|
1968
|
|
Delbert Mann (Director)
|
Fitzwilly
|
1967
|
|
Joseph Biroc (Cinematographer)
|
Fitzwilly
|
1967
|
|
Walter Mirisch (Producer)
|
Fitzwilly
|
1967
|
|
Haskell Wexler (Cinematographer)
|
In the Heat of the Night
|
1967
|
|
Norman Jewison (Director)
|
In the Heat of the Night
|
1967
|
|
Hal Ashby (Editor)
|
In the Heat of the Night
|
1967
|
|
Walter Mirisch (Producer)
|
In the Heat of the Night
|
1967
|
|
Philip Saville (Director)
|
Stop the World, I Want to Get Off
|
1966
|
|
Oswald Morris (Cinematographer)
|
Stop the World, I Want to Get Off
|
1966
|
|
Daniel Petrie (Director)
|
The Stolen Hours
|
1963
|
|
David Butler (Director)
|
The Right Approach
|
1961
|
|
Herman A. Blumenthal (Art Director)
|
The Right Approach
|
1961
|