I'm a Rossini, Verdi, Mozart person who avoids new music. Yet the NYT's review was enthusiastic. So, I considered that I do like the Tempest, incl variations from Enchanted Isand to Prospero's Books. And there were all those chest tatoos (though in the event, their promise of edgy-ness wasn't quite fulfulled). So I went.
This was a largely traditional reading, if with a 21c slant, eg Miranda & Ferdinand just decide they'll get married (or mebbe are married), without staying for Prospero's permission. I was struck during intermission interviews that several singers said how hard the music was, though it'd take someone more knowledgeable than I actually to hear this. What held me was the production, eg, the nifty way characters entered & exited. AND ARIEL - stunning, lots of gymnastic & sinuous things going on, plus extraordinary singing: high-pitched, metalic, non-human, delicate, recognizably coloratura. I will long rememember Ariel. Go for Ariel if nothing else.