L'Elisir d'Amore was delightful. Most of the audience at the end was saying just that on the way out the door. For a vehicle belonging to Luciano Pavarotti for 30 or 40 years, Matthew Polanzani managed to excel with an entirely different take (Bartlett Sher's responsibility) on the feeling of the story. Netrebko's Adina playful and well sung. Also the Belcore and Dulcamara. They have a winner here that was unexpected to us. Here's to seeing this production for the next 25 years.