|
Cedric Gibbons (Art Director)
|
Lovely to Look At
|
1952
|
|
Hermes Pan (Choreography)
|
Lovely to Look At
|
1952
|
|
Mervyn LeRoy (Director)
|
Lovely to Look At
|
1952
|
|
Jack Cummings (Producer)
|
Lovely to Look At
|
1952
|
|
Alfred Hitchcock (Producer)
|
Rope
|
1948
|
|
Alfred Hitchcock (Director)
|
Rope
|
1948
|
|
Stanley Cortez (Cinematographer)
|
Smart Woman
|
1948
|
|
Jack L. Warner (Executive Producer)
|
Possessed
|
1947
|
|
Jerry Wald (Producer)
|
Possessed
|
1947
|
|
Anton Grot (Art Director)
|
Possessed
|
1947
|
|
Jean Negulesco (Director)
|
Humoresque
|
1946
|
|
Ernest Haller (Cinematographer)
|
Humoresque
|
1946
|
|
Jerry Wald (Producer)
|
Humoresque
|
1946
|
|
Albert S. D'Agostino (Art Director)
|
Flight for Freedom
|
1943
|
|
Andrew L. Stone (Director)
|
Hi Diddle Diddle
|
1943
|
|
Andrew L. Stone (Producer)
|
Hi Diddle Diddle
|
1943
|
|
Frank Borzage (Director)
|
His Butler's Sister
|
1943
|
|
Alfred Hitchcock (Director)
|
Shadow of a Doubt
|
1943
|
|
George Cukor (Director)
|
Keeper of the Flame
|
1942
|
|
William H. Daniels (Cinematographer)
|
Keeper of the Flame
|
1942
|
|
Cedric Gibbons (Art Director)
|
Keeper of the Flame
|
1942
|
|
Rudolph Maté (Cinematographer)
|
They Got Me Covered
|
1942
|
|
David Butler (Director)
|
They Got Me Covered
|
1942
|
|
Samuel Goldwyn (Producer)
|
They Got Me Covered
|
1942
|
|
Robert Z. Leonard (Producer)
|
We Were Dancing
|
1942
|
|
Robert Z. Leonard (Director)
|
We Were Dancing
|
1942
|
|
Cedric Gibbons (Art Director)
|
We Were Dancing
|
1942
|
|
Cedric Gibbons (Art Director)
|
Woman of the Year
|
1942
|
|
George Stevens (Director)
|
Woman of the Year
|
1942
|
|
Joseph L. Mankiewicz (Producer)
|
Woman of the Year
|
1942
|
|
Cedric Gibbons (Art Director)
|
Blossoms in the Dust
|
1941
|
|
Karl W. Freund (Cinematographer)
|
Blossoms in the Dust
|
1941
|
|
Irving Asher (Producer)
|
Blossoms in the Dust
|
1941
|
|
Mervyn LeRoy (Director)
|
Blossoms in the Dust
|
1941
|
|
Mervyn LeRoy (Producer)
|
Blossoms in the Dust
|
1941
|
|
Karl W. Freund (Cinematographer)
|
The Chocolate Soldier
|
1941
|
|
Roy Del Ruth (Director)
|
The Chocolate Soldier
|
1941
|
|
Cedric Gibbons (Art Director)
|
The Chocolate Soldier
|
1941
|
|
Cedric Gibbons (Art Director)
|
Come Live with Me
|
1941
|
|
Clarence Brown (Producer)
|
Come Live with Me
|
1941
|
|
Clarence Brown (Director)
|
Come Live with Me
|
1941
|
|
Cedric Gibbons (Art Director)
|
Dr. Jekyll and Mr. Hyde
|
1941
|
|
Harold Kress (Editor)
|
Dr. Jekyll and Mr. Hyde
|
1941
|
|
Victor Fleming (Producer)
|
Dr. Jekyll and Mr. Hyde
|
1941
|
|
Victor Fleming (Director)
|
Dr. Jekyll and Mr. Hyde
|
1941
|
|
Cedric Gibbons (Art Director)
|
The Feminine Touch
|
1941
|
|
W.S. Van Dyke (Director)
|
The Feminine Touch
|
1941
|
|
Joseph L. Mankiewicz (Producer)
|
The Feminine Touch
|
1941
|
|
Cedric Gibbons (Art Director)
|
Lady Be Good
|
1941
|
|
Busby Berkeley (Choreography)
|
Lady Be Good
|
1941
|
|
Arthur Freed (Producer)
|
Lady Be Good
|
1941
|
|
Norman Z. McLeod (Director)
|
Lady Be Good
|
1941
|
|
Oliver Marsh (Cinematographer)
|
Lady Be Good
|
1941
|
|
Oliver Marsh (Cinematographer)
|
Rage in Heaven
|
1941
|
|
Cedric Gibbons (Art Director)
|
Rage in Heaven
|
1941
|
|
Harold Kress (Editor)
|
Rage in Heaven
|
1941
|
|
W.S. Van Dyke (Director)
|
Rage in Heaven
|
1941
|
|
Cedric Gibbons (Art Director)
|
Smilin' Through
|
1941
|
|
Frank Borzage (Director)
|
Smilin' Through
|
1941
|
|
Cedric Gibbons (Art Director)
|
Two-Faced Woman
|
1941
|
|
George Cukor (Director)
|
Two-Faced Woman
|
1941
|
|
Cedric Gibbons (Art Director)
|
When Ladies Meet
|
1941
|
|
Robert Z. Leonard (Producer)
|
When Ladies Meet
|
1941
|
|
Robert Z. Leonard (Director)
|
When Ladies Meet
|
1941
|
|
Anita Loos (Director)
|
When Ladies Meet
|
1941
|
|
George Cukor (Director)
|
A Woman's Face
|
1941
|
|
Cedric Gibbons (Art Director)
|
Ziegfeld Girl
|
1941
|
|
Busby Berkeley (Choreography)
|
Ziegfeld Girl
|
1941
|
|
Robert Z. Leonard (Director)
|
Ziegfeld Girl
|
1941
|
|
Pandro S. Berman (Producer)
|
Ziegfeld Girl
|
1941
|
|
Harold Kress (Editor)
|
Bitter Sweet
|
1940
|
|
W.S. Van Dyke (Director)
|
Bitter Sweet
|
1940
|
|
Oliver Marsh (Cinematographer)
|
Bitter Sweet
|
1940
|
|
Harold Hal Rosson (Cinematographer)
|
Boom Town
|
1940
|
|
Cedric Gibbons (Art Director)
|
Boom Town
|
1940
|
|
Jack Conway (Director)
|
Boom Town
|
1940
|
|
Paul Landres (Editor)
|
Boom Town
|
1940
|
|
Sam Zimbalist (Producer)
|
Boom Town
|
1940
|
|
Jack Cummings (Producer)
|
Broadway Melody of 1940
|
1940
|
|
Norman Taurog (Director)
|
Broadway Melody of 1940
|
1940
|
|
Oliver Marsh (Cinematographer)
|
Broadway Melody of 1940
|
1940
|
|
Cedric Gibbons (Art Director)
|
Broadway Melody of 1940
|
1940
|
|
Cedric Gibbons (Art Director)
|
Comrade X
|
1940
|
|
King Vidor (Director)
|
Comrade X
|
1940
|
|
Harold Kress (Editor)
|
Comrade X
|
1940
|
|
Mervyn LeRoy (Producer)
|
Escape
|
1940
|
|
Mervyn LeRoy (Director)
|
Escape
|
1940
|
|
Cedric Gibbons (Art Director)
|
Escape
|
1940
|
|
Cedric Gibbons (Art Director)
|
I Take This Woman
|
1940
|
|
Harold Hal Rosson (Cinematographer)
|
I Take This Woman
|
1940
|
|
Josef von Sternberg (Director)
|
I Take This Woman
|
1940
|
|
W.S. Van Dyke (Director)
|
I Take This Woman
|
1940
|
|
William H. Daniels (Cinematographer)
|
The Mortal Storm
|
1940
|
|
Cedric Gibbons (Art Director)
|
The Mortal Storm
|
1940
|
|
Frank Borzage (Producer)
|
The Mortal Storm
|
1940
|
|
Frank Borzage (Director)
|
The Mortal Storm
|
1940
|
|
William H. Daniels (Cinematographer)
|
New Moon
|
1940
|
|
Cedric Gibbons (Art Director)
|
New Moon
|
1940
|
|
Robert Z. Leonard (Producer)
|
New Moon
|
1940
|
|
Harold Kress (Editor)
|
New Moon
|
1940
|
|
Robert Z. Leonard (Director)
|
New Moon
|
1940
|
|
Cedric Gibbons (Art Director)
|
The Philadelphia Story
|
1940
|
|
George Cukor (Director)
|
The Philadelphia Story
|
1940
|
|
Joseph L. Mankiewicz (Producer)
|
The Philadelphia Story
|
1940
|
|
Robert Z. Leonard (Director)
|
Pride and Prejudice
|
1940
|
|
Cedric Gibbons (Art Director)
|
Pride and Prejudice
|
1940
|
|
Karl W. Freund (Cinematographer)
|
Pride and Prejudice
|
1940
|
|
Hunt Stromberg (Producer)
|
Pride and Prejudice
|
1940
|
|
Hunt Stromberg (Producer)
|
Susan and God
|
1940
|
|
George Cukor (Director)
|
Susan and God
|
1940
|
|
Cedric Gibbons (Art Director)
|
Susan and God
|
1940
|
|
Cedric Gibbons (Art Director)
|
Waterloo Bridge
|
1940
|
|
Mervyn LeRoy (Director)
|
Waterloo Bridge
|
1940
|
|
Karl W. Freund (Cinematographer)
|
Balalaika
|
1939
|
|
Cedric Gibbons (Art Director)
|
Balalaika
|
1939
|
|
Cedric Gibbons (Art Director)
|
Broadway Serenade
|
1939
|
|
Busby Berkeley (Choreography)
|
Broadway Serenade
|
1939
|
|
Oliver Marsh (Cinematographer)
|
Broadway Serenade
|
1939
|
|
Harold Kress (Editor)
|
Broadway Serenade
|
1939
|
|
Robert Z. Leonard (Director)
|
Broadway Serenade
|
1939
|
|
Robert Z. Leonard (Producer)
|
Broadway Serenade
|
1939
|
|
Cedric Gibbons (Art Director)
|
The Ice Follies of 1939
|
1939
|
|
Oliver Marsh (Cinematographer)
|
The Ice Follies of 1939
|
1939
|
|
Hunt Stromberg (Producer)
|
Idiot's Delight
|
1939
|
|
William H. Daniels (Cinematographer)
|
Idiot's Delight
|
1939
|
|
Cedric Gibbons (Art Director)
|
Idiot's Delight
|
1939
|
|
Clarence Brown (Director)
|
Idiot's Delight
|
1939
|
|
Oliver Marsh (Cinematographer)
|
It's a Wonderful World
|
1939
|
|
Harold Kress (Editor)
|
It's a Wonderful World
|
1939
|
|
W.S. Van Dyke (Director)
|
It's a Wonderful World
|
1939
|
|
Cedric Gibbons (Art Director)
|
It's a Wonderful World
|
1939
|
|
Jack Conway (Director)
|
Lady of the Tropics
|
1939
|
|
Norbert F. Brodin (Cinematographer)
|
Lady of the Tropics
|
1939
|
|
Cedric Gibbons (Art Director)
|
Lady of the Tropics
|
1939
|
|
Sam Zimbalist (Producer)
|
Lady of the Tropics
|
1939
|
|
William H. Daniels (Cinematographer)
|
Ninotchka
|
1939
|
|
Ernst Lubitsch (Director)
|
Ninotchka
|
1939
|
|
Ernst Lubitsch (Producer)
|
Ninotchka
|
1939
|
|
Cedric Gibbons (Art Director)
|
Ninotchka
|
1939
|
|
Cedric Gibbons (Art Director)
|
The Wizard of Oz
|
1939
|
|
Harold Hal Rosson (Cinematographer)
|
The Wizard of Oz
|
1939
|
|
Victor Fleming (Director)
|
The Wizard of Oz
|
1939
|
|
Mervyn LeRoy (Producer)
|
The Wizard of Oz
|
1939
|
|
Hunt Stromberg (Producer)
|
The Women
|
1939
|
|
George Cukor (Director)
|
The Women
|
1939
|
|
Oliver Marsh (Cinematographer)
|
The Women
|
1939
|
|
Cedric Gibbons (Art Director)
|
The Women
|
1939
|
|
Cedric Gibbons (Art Director)
|
Dramatic School
|
1938
|
|
William H. Daniels (Cinematographer)
|
Dramatic School
|
1938
|
|
Mervyn LeRoy (Producer)
|
Dramatic School
|
1938
|
|
Cedric Gibbons (Art Director)
|
The Girl of the Golden West
|
1938
|
|
Robert Z. Leonard (Director)
|
The Girl of the Golden West
|
1938
|
|
Oliver Marsh (Cinematographer)
|
The Girl of the Golden West
|
1938
|
|
Hunt Stromberg (Producer)
|
Marie Antoinette
|
1938
|
|
W.S. Van Dyke (Director)
|
Marie Antoinette
|
1938
|
|
William H. Daniels (Cinematographer)
|
Marie Antoinette
|
1938
|
|
Joseph L. Mankiewicz (Producer)
|
The Shining Hour
|
1938
|
|
Frank Borzage (Director)
|
The Shining Hour
|
1938
|
|
Cedric Gibbons (Art Director)
|
The Shining Hour
|
1938
|
|
Joseph L. Mankiewicz (Producer)
|
The Shopworn Angel
|
1938
|
|
Cedric Gibbons (Art Director)
|
The Shopworn Angel
|
1938
|
|
Hunt Stromberg (Producer)
|
Sweethearts
|
1938
|
|
W.S. Van Dyke (Director)
|
Sweethearts
|
1938
|
|
Oliver Marsh (Cinematographer)
|
Sweethearts
|
1938
|
|
Cedric Gibbons (Art Director)
|
Sweethearts
|
1938
|
|
William H. Daniels (Cinematographer)
|
Three Loves Has Nancy
|
1938
|
|
Richard Thorpe (Director)
|
Three Loves Has Nancy
|
1938
|
|
Norman Krasna (Producer)
|
Three Loves Has Nancy
|
1938
|
|
George B. Seitz (Director)
|
Between Two Women
|
1937
|
|
John F. Seitz (Cinematographer)
|
Between Two Women
|
1937
|
|
Cedric Gibbons (Art Director)
|
Between Two Women
|
1937
|
|
Cedric Gibbons (Art Director)
|
The Bride Wore Red
|
1937
|
|
Dorothy Arzner (Director)
|
The Bride Wore Red
|
1937
|
|
Joseph L. Mankiewicz (Producer)
|
The Bride Wore Red
|
1937
|
|
Jack Cummings (Producer)
|
Broadway Melody of 1938
|
1937
|
|
William H. Daniels (Cinematographer)
|
Broadway Melody of 1938
|
1937
|
|
Cedric Gibbons (Art Director)
|
Broadway Melody of 1938
|
1937
|
|
Roy Del Ruth (Director)
|
Broadway Melody of 1938
|
1937
|
|
Richard Thorpe (Director)
|
Double Wedding
|
1937
|
|
William H. Daniels (Cinematographer)
|
Double Wedding
|
1937
|
|
Cedric Gibbons (Art Director)
|
Double Wedding
|
1937
|
|
Joseph L. Mankiewicz (Producer)
|
Double Wedding
|
1937
|
|
Robert Z. Leonard (Director)
|
The Firefly
|
1937
|
|
Cedric Gibbons (Art Director)
|
The Firefly
|
1937
|
|
Oliver Marsh (Cinematographer)
|
The Firefly
|
1937
|
|
Robert Z. Leonard (Producer)
|
The Firefly
|
1937
|
|
Hunt Stromberg (Producer)
|
The Firefly
|
1937
|
|
Cedric Gibbons (Art Director)
|
The Last Gangster
|
1937
|
|
William H. Daniels (Cinematographer)
|
The Last Gangster
|
1937
|
|
Dorothy Arzner (Director)
|
The Last of Mrs. Cheyney
|
1937
|
|
Cedric Gibbons (Art Director)
|
The Last of Mrs. Cheyney
|
1937
|
|
Richard Boleslawski (Director)
|
The Last of Mrs. Cheyney
|
1937
|
|
Frank Borzage (Director)
|
Mannequin
|
1937
|
|
Joseph L. Mankiewicz (Producer)
|
Mannequin
|
1937
|
|
Robert Z. Leonard (Director)
|
Maytime
|
1937
|
|
Robert Z. Leonard (Producer)
|
Maytime
|
1937
|
|
Hunt Stromberg (Producer)
|
Maytime
|
1937
|
|
Cedric Gibbons (Art Director)
|
Maytime
|
1937
|
|
Oliver Marsh (Cinematographer)
|
Maytime
|
1937
|
|
Karl W. Freund (Cinematographer)
|
Parnell
|
1937
|
|
Cedric Gibbons (Art Director)
|
Parnell
|
1937
|
|
John M. Stahl (Producer)
|
Parnell
|
1937
|
|
John M. Stahl (Director)
|
Parnell
|
1937
|
|
Roy Del Ruth (Director)
|
Born to Dance
|
1936
|
|
Cedric Gibbons (Art Director)
|
Born to Dance
|
1936
|
|
Cedric Gibbons (Art Director)
|
Camille
|
1936
|
|
William H. Daniels (Cinematographer)
|
Camille
|
1936
|
|
Karl W. Freund (Cinematographer)
|
Camille
|
1936
|
|
George Cukor (Director)
|
Camille
|
1936
|
|
Margaret Booth (Editor)
|
Camille
|
1936
|
|
Irving G. Thalberg (Producer)
|
Camille
|
1936
|
|
Cedric Gibbons (Art Director)
|
The Gorgeous Hussy
|
1936
|
|
Clarence Brown (Director)
|
The Gorgeous Hussy
|
1936
|
|
Joseph L. Mankiewicz (Producer)
|
The Gorgeous Hussy
|
1936
|
|
Robert Z. Leonard (Director)
|
The Great Ziegfeld
|
1936
|
|
Hunt Stromberg (Producer)
|
The Great Ziegfeld
|
1936
|
|
Cedric Gibbons (Art Director)
|
The Great Ziegfeld
|
1936
|
|
Oliver Marsh (Cinematographer)
|
The Great Ziegfeld
|
1936
|
|
Karl W. Freund (Cinematographer)
|
The Great Ziegfeld
|
1936
|
|
Robert Z. Leonard (Producer)
|
The Great Ziegfeld
|
1936
|
|
W.S. Van Dyke (Director)
|
Love on the Run
|
1936
|
|
Joseph L. Mankiewicz (Producer)
|
Love on the Run
|
1936
|
|
Oliver Marsh (Cinematographer)
|
Love on the Run
|
1936
|
|
Irving G. Thalberg (Producer)
|
Romeo and Juliet
|
1936
|
|
William H. Daniels (Cinematographer)
|
Romeo and Juliet
|
1936
|
|
Cedric Gibbons (Art Director)
|
Romeo and Juliet
|
1936
|
|
George Cukor (Director)
|
Romeo and Juliet
|
1936
|
|
Margaret Booth (Editor)
|
Romeo and Juliet
|
1936
|
|
Cedric Gibbons (Art Director)
|
Rose Marie
|
1936
|
|
W.S. Van Dyke (Director)
|
Rose Marie
|
1936
|
|
Hunt Stromberg (Producer)
|
Rose Marie
|
1936
|
|
William H. Daniels (Cinematographer)
|
Rose Marie
|
1936
|
|
Oliver Marsh (Cinematographer)
|
San Francisco
|
1936
|
|
W.S. Van Dyke (Director)
|
San Francisco
|
1936
|
|
Arnold A. Gillespie (Art Director)
|
San Francisco
|
1936
|
|
Cedric Gibbons (Art Director)
|
San Francisco
|
1936
|
|
Hunt Stromberg (Producer)
|
Wife vs. Secretary
|
1936
|
|
Cedric Gibbons (Art Director)
|
Wife vs. Secretary
|
1936
|
|
Clarence Brown (Director)
|
Wife vs. Secretary
|
1936
|
|
Cedric Gibbons (Art Director)
|
China Seas
|
1935
|
|
Tay Garnett (Director)
|
China Seas
|
1935
|
|
Albert Lewin (Producer)
|
China Seas
|
1935
|
|
W.S. Van Dyke (Director)
|
Forsaking All Others
|
1935
|
|
Cedric Gibbons (Art Director)
|
Forsaking All Others
|
1935
|
|
Gregg Toland (Cinematographer)
|
Forsaking All Others
|
1935
|
|
W.S. Van Dyke (Director)
|
I Live My Life
|
1935
|
|
Cedric Gibbons (Art Director)
|
I Live My Life
|
1935
|
|
Tod Browning (Director)
|
Mark of the Vampire
|
1935
|
|
Cedric Gibbons (Art Director)
|
Mark of the Vampire
|
1935
|
|
James Wong Howe (Cinematographer)
|
Mark of the Vampire
|
1935
|
|
William H. Daniels (Cinematographer)
|
Naughty Marietta
|
1935
|
|
Cedric Gibbons (Art Director)
|
Naughty Marietta
|
1935
|
|
W.S. Van Dyke (Director)
|
Naughty Marietta
|
1935
|
|
Hunt Stromberg (Producer)
|
Naughty Marietta
|
1935
|
|
Irving G. Thalberg (Producer)
|
No More Ladies
|
1935
|
|
George Cukor (Director)
|
No More Ladies
|
1935
|
|
Cedric Gibbons (Art Director)
|
No More Ladies
|
1935
|
|
Oliver Marsh (Cinematographer)
|
No More Ladies
|
1935
|
|
Cedric Gibbons (Art Director)
|
Reckless
|
1935
|
|
Victor Fleming (Director)
|
Reckless
|
1935
|
|
Margaret Booth (Editor)
|
Reckless
|
1935
|
|
David O. Selznick (Producer)
|
Reckless
|
1935
|
|
Cedric Gibbons (Art Director)
|
The Barretts of Wimpole Street
|
1934
|
|
Margaret Booth (Editor)
|
The Barretts of Wimpole Street
|
1934
|
|
Irving G. Thalberg (Producer)
|
The Barretts of Wimpole Street
|
1934
|
|
William H. Daniels (Cinematographer)
|
The Barretts of Wimpole Street
|
1934
|
|
William Howard (Producer)
|
The Cat and the Fiddle
|
1934
|
|
William Howard (Director)
|
The Cat and the Fiddle
|
1934
|
|
Harold Hal Rosson (Cinematographer)
|
The Cat and the Fiddle
|
1934
|
|
Ray Rennahan (Cinematographer)
|
The Cat and the Fiddle
|
1934
|
|
Charles G. Clarke (Cinematographer)
|
The Cat and the Fiddle
|
1934
|
|
Hunt Stromberg (Producer)
|
Chained
|
1934
|
|
Cedric Gibbons (Art Director)
|
Chained
|
1934
|
|
Clarence Brown (Director)
|
Chained
|
1934
|
|
Jack Conway (Director)
|
The Girl from Missouri
|
1934
|
|
Cedric Gibbons (Art Director)
|
The Girl from Missouri
|
1934
|
|
James Wong Howe (Cinematographer)
|
Hollywood Party
|
1934
|
|
Roy Rowland (Director)
|
Hollywood Party
|
1934
|
|
Sam Wood (Director)
|
Hollywood Party
|
1934
|
|
George Stevens (Director)
|
Hollywood Party
|
1934
|
|
Edmund Goulding (Director)
|
Hollywood Party
|
1934
|
|
Richard Boleslawski (Director)
|
Hollywood Party
|
1934
|
|
Allan Dwan (Director)
|
Hollywood Party
|
1934
|
|
Cedric Gibbons (Art Director)
|
The Merry Widow
|
1934
|
|
Oliver Marsh (Cinematographer)
|
The Merry Widow
|
1934
|
|
Ernst Lubitsch (Director)
|
The Merry Widow
|
1934
|
|
Irving G. Thalberg (Producer)
|
The Merry Widow
|
1934
|
|
Gregg Toland (Cinematographer)
|
Nana
|
1934
|
|
Travis Banton (Costume Designer)
|
Nana
|
1934
|
|
Samuel Goldwyn (Producer)
|
Nana
|
1934
|
|
Dorothy Arzner (Director)
|
Nana
|
1934
|
|
Richard Boleslawski (Director)
|
Operator 13
|
1934
|
|
Cedric Gibbons (Art Director)
|
Operator 13
|
1934
|
|
Arnold A. Gillespie (Art Director)
|
Operator 13
|
1934
|
|
Robert Z. Leonard (Director)
|
Outcast Lady
|
1934
|
|
Charles Rosher Sr. (Cinematographer)
|
Outcast Lady
|
1934
|
|
Hunt Stromberg (Producer)
|
The Painted Veil
|
1934
|
|
William H. Daniels (Cinematographer)
|
The Painted Veil
|
1934
|
|
Richard Boleslawski (Director)
|
The Painted Veil
|
1934
|
|
Cedric Gibbons (Art Director)
|
The Painted Veil
|
1934
|
|
Cedric Gibbons (Art Director)
|
Paris Interlude
|
1934
|
|
Irving G. Thalberg (Producer)
|
Rip Tide
|
1934
|
|
Edmund Goulding (Director)
|
Rip Tide
|
1934
|
|
Margaret Booth (Editor)
|
Rip Tide
|
1934
|
|
Clarence Brown (Director)
|
Sadie McKee
|
1934
|
|
Oliver Marsh (Cinematographer)
|
Sadie McKee
|
1934
|
|
George B. Seitz (Director)
|
The Women in His Life
|
1934
|
|
Hunt Stromberg (Producer)
|
Bombshell
|
1933
|
|
Margaret Booth (Editor)
|
Bombshell
|
1933
|
|
Victor Fleming (Director)
|
Bombshell
|
1933
|
|
Harold Hal Rosson (Cinematographer)
|
Bombshell
|
1933
|
|
LeRoy J. Prinz (Choreography)
|
Dancing Lady
|
1933
|
|
Cedric Gibbons (Art Director)
|
Dancing Lady
|
1933
|
|
Oliver Marsh (Cinematographer)
|
Dancing Lady
|
1933
|
|
Robert Z. Leonard (Director)
|
Dancing Lady
|
1933
|
|
Margaret Booth (Editor)
|
Dancing Lady
|
1933
|
|
David O. Selznick (Producer)
|
Dancing Lady
|
1933
|
|
David O. Selznick (Producer)
|
Dinner at Eight
|
1933
|
|
George Cukor (Director)
|
Dinner at Eight
|
1933
|
|
William H. Daniels (Cinematographer)
|
Dinner at Eight
|
1933
|
|
Cedric Gibbons (Art Director)
|
Dinner at Eight
|
1933
|
|
Cedric Gibbons (Art Director)
|
Gabriel Over the White House
|
1933
|
|
Gregory La Cava (Director)
|
Gabriel Over the White House
|
1933
|
|
Walter Wanger (Producer)
|
Gabriel Over the White House
|
1933
|
|
Walter Wanger (Producer)
|
Going Hollywood
|
1933
|
|
Raoul Walsh (Director)
|
Going Hollywood
|
1933
|
|
Cedric Gibbons (Art Director)
|
Hold Your Man
|
1933
|
|
Sam Wood (Director)
|
Hold Your Man
|
1933
|
|
Harold Hal Rosson (Cinematographer)
|
Hold Your Man
|
1933
|
|
Sam Wood (Producer)
|
Hold Your Man
|
1933
|
|
Norbert F. Brodin (Cinematographer)
|
Made on Broadway
|
1933
|
|
Cedric Gibbons (Art Director)
|
Made on Broadway
|
1933
|
|
William Wellman (Director)
|
Midnight Mary
|
1933
|
|
Robert Z. Leonard (Producer)
|
Peg O' My Heart
|
1933
|
|
Margaret Booth (Editor)
|
Peg O' My Heart
|
1933
|
|
Robert Z. Leonard (Director)
|
Peg O' My Heart
|
1933
|
|
George Barnes (Cinematographer)
|
Peg O' My Heart
|
1933
|
|
Cedric Gibbons (Art Director)
|
Peg O' My Heart
|
1933
|
|
Harold Hal Rosson (Cinematographer)
|
Penthouse
|
1933
|
|
Lucien Andriot (Cinematographer)
|
Penthouse
|
1933
|
|
W.S. Van Dyke (Director)
|
Penthouse
|
1933
|
|
Hunt Stromberg (Producer)
|
Penthouse
|
1933
|
|
Walter Wanger (Producer)
|
Queen Christina
|
1933
|
|
Rouben Mamoulian (Director)
|
Queen Christina
|
1933
|
|
William H. Daniels (Cinematographer)
|
Queen Christina
|
1933
|
|
Cedric Gibbons (Art Director)
|
Reunion in Vienna
|
1933
|
|
Cedric Gibbons (Art Director)
|
The Secret of Madame Blanche
|
1933
|
|
Frank Borzage (Director)
|
Secrets
|
1933
|
|
Mary Pickford (Producer)
|
Secrets
|
1933
|
|
Hunt Stromberg (Producer)
|
Stage Mother
|
1933
|
|
Richard Boleslawski (Director)
|
Storm at Daybreak
|
1933
|
|
Margaret Booth (Editor)
|
Storm at Daybreak
|
1933
|
|
Howard Hawks (Producer)
|
Today We Live
|
1933
|
|
Cedric Gibbons (Art Director)
|
Today We Live
|
1933
|
|
Oliver Marsh (Cinematographer)
|
Today We Live
|
1933
|
|
Howard Hawks (Director)
|
Today We Live
|
1933
|
|
Samuel Goldwyn (Producer)
|
Arsene Lupin
|
1932
|
|
Oliver Marsh (Cinematographer)
|
Arsene Lupin
|
1932
|
|
Jack Conway (Director)
|
Arsene Lupin
|
1932
|
|
Cedric Gibbons (Art Director)
|
Arsene Lupin
|
1932
|
|
Cedric Gibbons (Art Director)
|
As You Desire Me
|
1932
|
|
William H. Daniels (Cinematographer)
|
As You Desire Me
|
1932
|
|
Marion Davies (Producer)
|
Blondie of the Follies
|
1932
|
|
Edmund Goulding (Director)
|
Blondie of the Follies
|
1932
|
|
George Barnes (Cinematographer)
|
Blondie of the Follies
|
1932
|
|
Cedric Gibbons (Art Director)
|
Blondie of the Follies
|
1932
|
|
Cedric Gibbons (Art Director)
|
But the Flesh Is Weak
|
1932
|
|
Oliver Marsh (Cinematographer)
|
But the Flesh Is Weak
|
1932
|
|
Jack Conway (Director)
|
But the Flesh Is Weak
|
1932
|
|
Irving G. Thalberg (Producer)
|
Grand Hotel
|
1932
|
|
Edmund Goulding (Director)
|
Grand Hotel
|
1932
|
|
William H. Daniels (Cinematographer)
|
Grand Hotel
|
1932
|
|
Cedric Gibbons (Art Director)
|
Grand Hotel
|
1932
|
|
Sam Wood (Producer)
|
The Huddle
|
1932
|
|
Cedric Gibbons (Art Director)
|
The Huddle
|
1932
|
|
Sam Wood (Director)
|
The Huddle
|
1932
|
|
Oliver Marsh (Cinematographer)
|
Letty Lynton
|
1932
|
|
Clarence Brown (Director)
|
Letty Lynton
|
1932
|
|
Cedric Gibbons (Art Director)
|
The Mask of Fu Manchu
|
1932
|
|
Irving G. Thalberg (Producer)
|
The Mask of Fu Manchu
|
1932
|
|
Charles Vidor (Director)
|
The Mask of Fu Manchu
|
1932
|
|
King Vidor (Director)
|
The Mask of Fu Manchu
|
1932
|
|
Irving G. Thalberg (Producer)
|
Mata Hari
|
1932
|
|
Cedric Gibbons (Art Director)
|
Mata Hari
|
1932
|
|
William H. Daniels (Cinematographer)
|
Mata Hari
|
1932
|
|
George Barnes (Cinematographer)
|
Polly of the Circus
|
1932
|
|
Cedric Gibbons (Art Director)
|
Polly of the Circus
|
1932
|
|
Cedric Gibbons (Art Director)
|
Rasputin and the Empress
|
1932
|
|
William H. Daniels (Cinematographer)
|
Rasputin and the Empress
|
1932
|
|
Richard Boleslawski (Director)
|
Rasputin and the Empress
|
1932
|
|
Cedric Gibbons (Art Director)
|
Red Dust
|
1932
|
|
Victor Fleming (Director)
|
Red Dust
|
1932
|
|
Harold Hal Rosson (Cinematographer)
|
Red Dust
|
1932
|
|
Hunt Stromberg (Producer)
|
Red Dust
|
1932
|
|
Victor Fleming (Producer)
|
Red Dust
|
1932
|
|
Irving G. Thalberg (Producer)
|
Smilin' Through
|
1932
|
|
Margaret Booth (Editor)
|
Smilin' Through
|
1932
|
|
Cedric Gibbons (Art Director)
|
Smilin' Through
|
1932
|
|
Irving G. Thalberg (Producer)
|
Strange Interlude
|
1932
|
|
Cedric Gibbons (Art Director)
|
Strange Interlude
|
1932
|
|
Robert Z. Leonard (Director)
|
Strange Interlude
|
1932
|
|
Margaret Booth (Editor)
|
Strange Interlude
|
1932
|
|
Norbert F. Brodin (Cinematographer)
|
Unashamed
|
1932
|
|
Cedric Gibbons (Art Director)
|
Unashamed
|
1932
|
|
Gregg Toland (Cinematographer)
|
Washington Masquerade
|
1932
|
|
Charles Rosher Sr. (Cinematographer)
|
Dance Fools Dance
|
1931
|
|
Cedric Gibbons (Art Director)
|
Dance Fools Dance
|
1931
|
|
George Barnes (Cinematographer)
|
Five and Ten
|
1931
|
|
Marion Davies (Producer)
|
Five and Ten
|
1931
|
|
Robert Z. Leonard (Producer)
|
Five and Ten
|
1931
|
|
Margaret Booth (Editor)
|
Five and Ten
|
1931
|
|
Robert Z. Leonard (Director)
|
Five and Ten
|
1931
|
|
Clarence Brown (Director)
|
A Free Soul
|
1931
|
|
William H. Daniels (Cinematographer)
|
A Free Soul
|
1931
|
|
Cedric Gibbons (Art Director)
|
A Free Soul
|
1931
|
|
Charles Rosher Sr. (Cinematographer)
|
Laughing Sinners
|
1931
|
|
Cedric Gibbons (Art Director)
|
Laughing Sinners
|
1931
|
|
Cedric Gibbons (Art Director)
|
Possessed
|
1931
|
|
Oliver Marsh (Cinematographer)
|
Possessed
|
1931
|
|
Clarence Brown (Director)
|
Possessed
|
1931
|
|
Cedric Gibbons (Art Director)
|
Private Lives
|
1931
|
|
William H. Daniels (Cinematographer)
|
Strangers May Kiss
|
1931
|
|
Cedric Gibbons (Art Director)
|
Strangers May Kiss
|
1931
|
|
Charles Rosher Sr. (Cinematographer)
|
This Modern Age
|
1931
|
|
Clarence Brown (Producer)
|
Anna Christie
|
1930
|
|
Cedric Gibbons (Art Director)
|
Anna Christie
|
1930
|
|
Clarence Brown (Director)
|
Anna Christie
|
1930
|
|
William H. Daniels (Cinematographer)
|
Anna Christie
|
1930
|
|
Cedric Gibbons (Art Director)
|
The Divorcée
|
1930
|
|
Robert Z. Leonard (Producer)
|
The Divorcée
|
1930
|
|
Norbert F. Brodin (Cinematographer)
|
The Divorcée
|
1930
|
|
Robert Z. Leonard (Director)
|
The Divorcée
|
1930
|
|
Cedric Gibbons (Art Director)
|
Dynamite
|
1930
|
|
Cecil B. DeMille (Producer)
|
Dynamite
|
1930
|
|
Cecil B. DeMille (Director)
|
Dynamite
|
1930
|
|
Cedric Gibbons (Art Director)
|
In Gay Madrid
|
1930
|
|
Robert Z. Leonard (Director)
|
In Gay Madrid
|
1930
|
|
Robert Z. Leonard (Producer)
|
In Gay Madrid
|
1930
|
|
Oliver Marsh (Cinematographer)
|
In Gay Madrid
|
1930
|
|
Oliver Marsh (Cinematographer)
|
The Lady of Scandal
|
1930
|
|
Arthur C. Miller (Cinematographer)
|
The Lady of Scandal
|
1930
|
|
Cedric Gibbons (Art Director)
|
The Lady of Scandal
|
1930
|
|
Margaret Booth (Editor)
|
The Lady of Scandal
|
1930
|
|
George Barnes (Cinematographer)
|
A Lady's Morals
|
1930
|
|
Cedric Gibbons (Art Director)
|
A Lady's Morals
|
1930
|
|
Margaret Booth (Editor)
|
A Lady's Morals
|
1930
|
|
Norbert F. Brodin (Cinematographer)
|
Let Us Be Gay
|
1930
|
|
Robert Z. Leonard (Producer)
|
Let Us Be Gay
|
1930
|
|
Cedric Gibbons (Art Director)
|
Let Us Be Gay
|
1930
|
|
Robert Z. Leonard (Director)
|
Let Us Be Gay
|
1930
|
|
Cedric Gibbons (Art Director)
|
Madame Satan
|
1930
|
|
Cecil B. DeMille (Director)
|
Madame Satan
|
1930
|
|
LeRoy J. Prinz (Choreography)
|
Madame Satan
|
1930
|
|
Harold Hal Rosson (Cinematographer)
|
Madame Satan
|
1930
|
|
Cecil B. DeMille (Producer)
|
Madame Satan
|
1930
|
|
Carl Pierson (Editor)
|
Montana Moon
|
1930
|
|
Malcolm St. Clair (Producer)
|
Montana Moon
|
1930
|
|
William H. Daniels (Cinematographer)
|
Montana Moon
|
1930
|
|
Malcolm St. Clair (Director)
|
Montana Moon
|
1930
|
|
Cedric Gibbons (Art Director)
|
Montana Moon
|
1930
|
|
Jack Conway (Director)
|
New Moon
|
1930
|
|
Oliver Marsh (Cinematographer)
|
New Moon
|
1930
|
|
Cedric Gibbons (Art Director)
|
New Moon
|
1930
|
|
Margaret Booth (Editor)
|
New Moon
|
1930
|
|
Marion Davies (Producer)
|
Not So Dumb
|
1930
|
|
King Vidor (Director)
|
Not So Dumb
|
1930
|
|
Cedric Gibbons (Art Director)
|
Not So Dumb
|
1930
|
|
Oliver Marsh (Cinematographer)
|
Not So Dumb
|
1930
|
|
Cedric Gibbons (Art Director)
|
Our Blushing Brides
|
1930
|
|
Sam Wood (Director)
|
Paid
|
1930
|
|
Cedric Gibbons (Art Director)
|
Paid
|
1930
|
|
Charles Rosher Sr. (Cinematographer)
|
Paid
|
1930
|
|
Tod Browning (Director)
|
Paid
|
1930
|
|
Harold Hal Rosson (Cinematographer)
|
Passion Flower
|
1930
|
|
William C. DeMille (Director)
|
Passion Flower
|
1930
|
|
Cedric Gibbons (Art Director)
|
Passion Flower
|
1930
|
|
Fred Niblo (Director)
|
Redemption
|
1930
|
|
Cedric Gibbons (Art Director)
|
Redemption
|
1930
|
|
Margaret Booth (Editor)
|
Redemption
|
1930
|
|
Cedric Gibbons (Art Director)
|
The Rogue Song
|
1930
|
|
Lionel Barrymore (Producer)
|
The Rogue Song
|
1930
|
|
Lionel Barrymore (Director)
|
The Rogue Song
|
1930
|
|
Margaret Booth (Editor)
|
The Rogue Song
|
1930
|
|
Hal Roach (Director)
|
The Rogue Song
|
1930
|
|
William H. Daniels (Cinematographer)
|
Romance
|
1930
|
|
Cedric Gibbons (Art Director)
|
Romance
|
1930
|
|
Clarence Brown (Director)
|
Romance
|
1930
|
|
William C. DeMille (Director)
|
This Mad World
|
1930
|
|
Cedric Gibbons (Art Director)
|
This Mad World
|
1930
|
|
Harold Hal Rosson (Cinematographer)
|
This Mad World
|
1930
|
|
Cedric Gibbons (Art Director)
|
Devil May Care
|
1929
|
|
Cecil B. DeMille (Director)
|
The Godless Girl
|
1929
|
|
Cecil B. DeMille (Producer)
|
The Godless Girl
|
1929
|
|
Mitchell Leisen (Art Director)
|
The Godless Girl
|
1929
|
|
William H. Daniels (Cinematographer)
|
The Kiss
|
1929
|
|
Cedric Gibbons (Art Director)
|
The Kiss
|
1929
|
|
Jacques Feyder (Director)
|
The Kiss
|
1929
|
|
William H. Daniels (Cinematographer)
|
The Last of Mrs. Cheyney
|
1929
|
|
Irving G. Thalberg (Producer)
|
The Last of Mrs. Cheyney
|
1929
|
|
Cedric Gibbons (Art Director)
|
The Last of Mrs. Cheyney
|
1929
|
|
Robert Z. Leonard (Director)
|
Marianne
|
1929
|
|
Oliver Marsh (Cinematographer)
|
Marianne
|
1929
|
|
Robert Z. Leonard (Producer)
|
Marianne
|
1929
|
|
Marion Davies (Producer)
|
Marianne
|
1929
|
|
Oliver Marsh (Cinematographer)
|
Our Modern Maidens
|
1929
|
|
Cedric Gibbons (Art Director)
|
Our Modern Maidens
|
1929
|
|
Hunt Stromberg (Producer)
|
Our Modern Maidens
|
1929
|
|
Jack Conway (Director)
|
Our Modern Maidens
|
1929
|
|
Cedric Gibbons (Art Director)
|
A Single Man
|
1929
|
|
Oliver Marsh (Cinematographer)
|
The Single Standard
|
1929
|
|
Cedric Gibbons (Art Director)
|
The Single Standard
|
1929
|
|
John S. Robertson (Director)
|
The Single Standard
|
1929
|
|
Cedric Gibbons (Art Director)
|
Their Own Desire
|
1929
|
|
William H. Daniels (Cinematographer)
|
Their Own Desire
|
1929
|
|
Tod Browning (Director)
|
The Thirteenth Chair
|
1929
|
|
Cedric Gibbons (Art Director)
|
The Thirteenth Chair
|
1929
|
|
Tod Browning (Producer)
|
The Thirteenth Chair
|
1929
|
|
Cedric Gibbons (Art Director)
|
The Trial of Mary Dugan
|
1929
|
|
William H. Daniels (Cinematographer)
|
The Trial of Mary Dugan
|
1929
|
|
Lionel Barrymore (Director)
|
The Unholy Night
|
1929
|
|
Cedric Gibbons (Art Director)
|
The Unholy Night
|
1929
|
|
Jack Conway (Director)
|
Untamed
|
1929
|
|
Cedric Gibbons (Art Director)
|
Untamed
|
1929
|
|
Van Nest Polglase (Art Director)
|
Untamed
|
1929
|
|
Oliver Marsh (Cinematographer)
|
Untamed
|
1929
|
|
William H. Daniels (Cinematographer)
|
Wild Orchids
|
1929
|
|
Cedric Gibbons (Art Director)
|
Wild Orchids
|
1929
|
|
Margaret Booth (Editor)
|
A Lady of Chance
|
1928
|
|
Robert Z. Leonard (Director)
|
A Lady of Chance
|
1928
|
|
Robert Z. Leonard (Producer)
|
A Lady of Chance
|
1928
|
|
Cedric Gibbons (Art Director)
|
A Lady of Chance
|
1928
|
|
William H. Daniels (Cinematographer)
|
A Lady of Chance
|
1928
|
|
Anton Grot (Art Director)
|
Stand and Deliver
|
1928
|
|
Donald Crisp (Producer)
|
Stand and Deliver
|
1928
|
|
Donald Crisp (Director)
|
Stand and Deliver
|
1928
|
|
Clarence Brown (Director)
|
A Woman of Affairs
|
1928
|
|
William H. Daniels (Cinematographer)
|
A Woman of Affairs
|
1928
|
|
Arthur C. Miller (Cinematographer)
|
The Angel of Broadway
|
1927
|
|
Lois Weber (Director)
|
The Angel of Broadway
|
1927
|
|
Mitchell Leisen (Art Director)
|
Chicago
|
1927
|
|
Donald Crisp (Director)
|
Dress Parade
|
1927
|
|
Donald Crisp (Director)
|
Fighting Eagle
|
1927
|
|
Paul Stein (Director)
|
The Forbidden Woman
|
1927
|
|
Karl Brown (Director)
|
His Dog
|
1927
|
|
Anton Grot (Art Director)
|
Vanity
|
1927
|
|
Donald Crisp (Director)
|
Vanity
|
1927
|
|
Arthur C. Miller (Director)
|
Vanity
|
1927
|
|
Cecil B. DeMille (Director)
|
The Volga Boatmen
|
1926
|
|
Arthur C. Miller (Cinematographer)
|
The Volga Boatmen
|
1926
|
|
Cecil B. DeMille (Producer)
|
The Volga Boatmen
|
1926
|
|
Rupert Julian (Director)
|
Walking Back
|
1926
|
|
Anton Grot (Art Director)
|
Walking Back
|
1926
|
|
William Cameron Menzies (Art Director)
|
The Eagle
|
1925
|
|
George Barnes (Cinematographer)
|
The Eagle
|
1925
|
|
Clarence Brown (Director)
|
The Eagle
|
1925
|
|
Arthur Edeson (Cinematographer)
|
Her Sister from Paris
|
1925
|
|
Joseph M. Schenck (Producer)
|
Her Sister from Paris
|
1925
|