Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
The picture is more impressive as it goes along, revealing a symmetry of construction underneath the rudiments of a thriller. Read full review
A cynical, savage satire about violence, the media and depravity. It doesn't have the polish of "Natural Born Killers" or the wit of "Wag the Dog," but it's a real movie, rough edges and all, and not another link from the sausage factory. Read full review
Boasts a fine cast and makes enough cogent points that it rises above standard cop fare. Read full review
In a season mostly given over to unwatchable movies being cleared off studio shelves, it's at least about something. And there's no denying the lurid urgency with which it jumps off the screen. Read full review
Big, loud and lurid, but no less entertaining for that. Read full review
Less the blistering satire it imagines itself than a blustering, bloody, blundering melodrama about bottom feeders nibbling each other. Read full review
The Czech Republic and Russia, the respective homes of Emil and Oleg, should sue. Read full review
Clumsy urban thriller. Read full review
Is less an end in itself than an excuse, a jumping off point for showy, contrived, borderline exploitation sequences that fail to tie together because they're not really there to do anything but sell themselves as money shot thrills. Read full review
If Detroit had produced an equivalent lemon, we might have been seeing the world's first one-wheeled, square-tired car with no cooling system, steering wheel or brakes. Read full review
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