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Critic scores range from 0 to 100, with higher scores indicating more favorable reviews.
Gilliam, along with the gifted cinematographer Roger Pratt and production designer Jeffrey Beecroft, fashions a disturbing and dazzling lost world. Read full review
Fierce and disturbing, with a plot that skillfully resists following any familiar course. The film's hero fears that he's half-crazy, and for two hours Mr. Gilliam artfully keeps his audience feeling the same way. Read full review
A Hitchcockian chase...A crowd-pleasing airport-pursuit pic. [27 Dec 1995, p.D1] Read full review
As the jabbering psychotic Jeffrey Goines, Brad Pitt has a rabid, get-a-load-of-me deviousness that works for the film's central mystery: We can't tell where the fanatic leaves off and the put-on artist begins. Read full review
A grandiose cinematic invention, cleverly turning the present-day urban American world on its ear. Read full review
Any laughs that it inspires will be very hollow. It's more of a celebration of madness and doom, with a hero who tries to prevail against the chaos of his condition, and is inadequate. Read full review
A densely plotted, visually dynamic post-apocalyptic thriller. Read full review
In a movie in which time travel is used to rectify the past, it's too bad scriptwriters David and Janet Peoples didn't go through the time/space tunnel to work on that first draft again. Read full review
Mystifying, intriguing, even infuriating, it shows what happens when an unconventional talent meets straightforward material. Read full review
Gilliam's work is long on sensibility, short on sense. Read full review